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One might believe that museum studies is a stable field of academic inquiry based on a set of familiar institutional forms and functions. But as institutions museums have never been stable or singular, and neither has the discipline of museum studies. Museum studies as a field of academic inquiry has received little critical attention. One result of this neglect has arguably been a lack of invention in museum studies; another is the distancing of academic museum studies from museum practice. Doing Museology Differently charts a different course. A critical‐creative reflection on academic practice, the book takes the form of a narrative account of museological fieldwork. A research story unfolds, challenging academic conventions at the level of its own presentation: the book combines critical museum visiting with an autobiographical voice. The identification of a previously underexplored interdisciplinary space leads the author to experiment with museum studies using contemporary developments in the theory and practice of human geography. The new approaches to museological research and representation that emerge from this unique inquiry challenge assumed institutional and intellectual boundaries and act as a call to further creative experimentation.
The greatest poet of the twentieth century to write in Romanesco, Trilussa (1887–1950) gained national and international standing, becoming one of those extremely rare poets who have made their living entirely from their own work. John DuVal chose for translation the best poems from Tutte le poesie, Trilussa’s collected poems, which capture the satire and comic-lyric sensibility of this beloved Roman poet.
What is satire? How can we define it? Is it a weapon for radical change or fundamentally conservative? Is satire funny or cruel? Does it always need a target or victim? Combining thematic, theoretical and historical approaches, John T. Gilmore introduces and investigates the tradition of satire from classical models through to the present day. In a lucid and engaging style, Gilmore explores: the moral politics of satire whether satire is universal, historically or geographically limited how satire translates across genres and media the boundaries of free speech and legitimacy. Using examples from ancient Egypt to Charlie Hebdo, from European traditions of formal verse satire to imaginary voyages and alternative universes, newspaper cartoons and YouTube clips, from the Caribbean to China, this comprehensive volume should be of interest to students and scholars of literature, media and cultural studies as well as politics and philosophy.
The Hidden Italy is the first bilingual English edition of some of the best Italian dialect poetry written over the past two centuries. The selection of more than four hundred poems in Piedmontese, Venetian, Milanese, Romagnol, Roman, Neapolitan, Sicilian, and other dialects illustrates the impressive variety of Italy's literary and linguistic civilization. Italian dialect literature originated in the Renaissance, after Tuscan had won its preeminence as the officially sanctioned Italian literary language. Despite the official victory of Tuscan, however, many writers consciously preferred and chose their own regional or local dialects as their medium of literary expression. This departure from Tuscan became a particularly significant phenomenon in the 18th century and has continued up to the present day. Much of the poetry is characterized by its realistic portrayals of the lower classes, their suffering from social injustice and poverty, the simplicity of their approach to life, particularly to earthy, sensual experience. Many poets use or create a language that is mimetic, expressive, often unabashedly obscene and irreverent. The dialect becomes the language of pain and anger, of biting satire or political rebellion, of humor and meditation. It is also the language which reveals the spirit of Italy's diverse regional civilizations. Haller's literal prose translations and commentaries are aimed at leading the reader back to the original text. and its intrinsic flavor. Thus the book has appeal and importance both for poetry lovers in general and for people with a special interest in Italian linguistic and literary culture.
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.