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Hawthorn's Discovery is a non-stop Christian adventure story of one inch tall woodland warriors. Full of fast-paced action, suspense and humor, this tale of deliverance is fun for the whole family.
Retells the adventures of Aladdin who, with the aid of a genie from a magic lamp, fights an evil magician and learns to use power wisely.
Johannesburg is one of the world's most successful mining stories; here Larkin explores the vast waste dumps that have resulted from this business, territory where history, economy and contemporary South Africa collide. Over the decades, life on and around these dormant and toxic remains has developed. Forgotten by owners and ignored by their neighbours, a quiet interaction has existed between these spaces and modern day urban centres. However as the price of gold spikes, great change is underway that leaves life in Johannesburg uncertain.
The servants of the Hotel Salisbury, which is so called because it is situated on Broadway and conducted on the American plan by a man named Riggs, had agreed upon a date for their annual ball and volunteer concert, and had announced that it would eclipse every other annual ball in the history of the hotel. As the Hotel Salisbury had been only two years in existence, this was not an idle boast, and it had the effect of inducing many people to buy the tickets, which sold at a dollar apiece, and were good for "one gent and a lady," and entitled the bearer to a hat-check without extra charge.
As a newborn, the author died and came back to life. Then her sister drove over her skull with a tractor. And when she was eight years old, she had a conversation with her grandmother who had died before Janet was born. So began a life full of ghostly encounters. This title recalls her creepiest stories and grapples.
A book for the Wimpy Kid who has grown into a Wimpy Teen Larkin Pace desperately wants a new camcorder. How else is he going to become the next great filmmaker? But his dad won’t give him any money, his sister is determined to make his life miserable, and his nemesis Dalton Cooke is trying to steal his girlfriend. Now this height-challenged aspiring director must chronicle his wacky life for a freshman English assignment.
A collection of prose retellings of ten familiar Shakespeare plays, each illustrated by a well-known artist or artists.
"Astute." Times Literary Supplement Beginning in the late 1930s, this is the first book-length critical study of Larkin's early work: his poetry, novels, short fictions, essays, and letters. The book tells the story of Philip Larkin's early literary development, starting with Larkin's earliest literary efforts and his remarkable correspondence with Jim Sutton, and ending at the point Larkin's maturity begins, with the writing of his first great poems. In providing a comprehensive and systematic study of this part of Larkin's life, this book also presents a new and surprising narrative of Larkin's development. Critics have presented Larkin's early career as a false start which he overcame by swapping Yeats's influence for Hardy's. Having re-discovered Hardy's poetry in 1946, the story goes, Larkin realised the potential of writing about his own life, and disavowed Yeats. Central to this book's controversial counter-narrative is an insistence on the significance of Brunette Coleman, the female heteronym Larkin invented in 1943. Three years before his re-discovery of Hardy, Larkin wrote a strange and unique series of works for schoolgirls under Coleman's name. These writings not only led him away from Yeats and other hindering influences, but also away from himself. Whereas the Yeats-to-Hardy narrative emphasises the autobiographical qualities of Larkin's mature verse, Early Larkin proposes that the writer's breakthrough was a result of his burgeoning 'interest in everything outside himself' – itself the consequence of his curious experiment with Brunette Coleman.
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was a leading ghost-story writer of the nineteenth century and was central to the development of the genre in the Victorian era. M. R. James (1862-1936) was an English author and medievalist scholar, best remembered for his ghost stories, which are regarded as among the best in the genre. He is known as the originator of the "antiquarian ghost story". Table of Contents: Sheridan Le Fanu: Novels & Novellas: Uncle Silas The Cock and Anchor The House by the Church-Yard Wylder's Hand Guy Deverell The Tenants of Malory Haunted Lives The Wyvern Mystery Checkmate Willing to Die The Haunted Baronet Spalatro Short Story Collections: In a Glass Darkly The Purcell Papers Other Tales: Madam Crowl's Ghost Squire Toby's Will Dickon the Devil The Child That Went with the Fairies The White Cat of Drumgunniol An Account of Some Strange Distrubances in Aungier Street Ghost Stories of Chapelizod Wicked Captain Walshawe, of Wauling Sir Dominick's Bargain Ultor de Lacy The Vision of Tom Chuff Stories of Lough Guir The Evil Guest The Watcher Laura Silver Bell The Murdered Cousin The Mysterious Lodger An Authentic Narrative of a Haunted House The Dead Sexton A Debt of Honor Devereux's Dream Catherine's Quest Haunted Pichon and Sons The Phantom Fourth The Spirit's Whisper Dr. Feversham's Story The Secret of the Two Plaster Casts What Was It? M. R. James: Ghost Stories Collections: Ghost Stories of an Antiquary Ghost Stories of an Antiquary Part 2: More Ghost Stories...