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Ten of Hoffmann's greatest tales, enormously popular in Europe but rarely seen in the United States: "The Golden Flower Pot," "Automata," "Nutcracker and the King of Mice," "The Sand Man," and 6 others.
This selection of Hoffmann's finest short stories vividly demonstrates his intense imagination and preoccupation with the supernatural, placing him at the forefront of both surrealism and the modern horror genre. Suspense dominates tales such as Mademoiselle de Scudery, in which an apprentice goldsmith and a female novelist find themselves caught up in a series of jewel thefts and murders. In the sinister Sandman, a young man's sanity is tormented by fears about a mysterious chemist, while in The Choosing of a Bride a greedy father preys on the weaknesses of his daughter's suitors. Master of the bizarre, Hoffman creates a sinister and unsettling world combining love and madness, black humour and bewildering illusion.
Hoffmann is among the greatest and most popular of the German Romantics. This selection, while stressing the variety of his work, puts in the foreground those tales in which the real and the supernatural are brought into contact and conflict. The humour of these tales is a result of the incongruity of supernatural beings at large in an ostentatiously everyday world. They include The Golden Pot, recognized as Hoffmann's masterpiece by himself and posterity; its spine-chilling companion tale, The Sandman, which Offenbach drew on for his opera Tales of Hoffmann, and which Freud examines in his essay `The Uncanny'; two longer and more elaborate fantasies, set respectively in Germany and Italy; and the late story, My Cousin's Corner Window, which shows the powers of the imagination being applied to everyday urban life, and marks a transition in European literature generally from Romanticism to Realism. Ritchie Robertson's detailed introduction places the stories in their intellectual and historical context and explores their compelling narrative complexities.
The young student Nathanael remains haunted by his childhood fears: he is convinced that Coppelius, a strange night-time visitor who used to come to his house to conduct alchemical experiments with his father - the latter dying as a consequence of one of these sessions - was none other than the Sandman, a mythical figure who was said to steal the eyes of children who refused to go to sleep. When a mysterious Italian salesman with a beautiful daughter moves into town, Nathanael's suspicions are reawakened, pushing him to the brink of madness as extraordinary event unfold. First published in 1816, this classic of German Gothic fiction has enthralled generations ever since, and has spawned countless interpretations by critics intrigued by its powerful symbolism. Sigmund Freud famously examined the novella in relation to his concept of the "e;Uncanny"e;, and an extract from this analysis is included in this volume.
This book offers a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing and whose profound humour and irony can now be fully appreciated.
Many of the earliest occult stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Relates the story of the popular ballet in which a little girl's love for the Nutcracker brings him to life.
Traditionally he is a character in many children's stories. He is said to sprinkle sand or dust on or into the eyes of the child at night to bring on dreams and sleep. Hoffmann (1776-1822) created an inverse idea of the lovable character inThe Sandman, which showed how sinister such a character could be made. The protagonist of the story associates this nightmarish creature with the sinister figure of his father's associate Coppelius.
Ranging from macabre fantasies to fairy tales and tales of crime, these stories from the author of The Nutcracker create a rich fictional world. Hoffman paints a complex vision of humanity, where people struggle to establish identities in a hostile, absurd world. "The editors have made an excellent selection, and the result is a book of great distinction."—Denis Donoghue, New York Review of Books "The translators have proved fully equal to all the challenges of Hoffmann's romantic irony and his richly allusive prose, giving us an accurate and idiomatic rendering that also retains much of the original flavor."—Harry Zohn, Saturday Review