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Alexander Pushkin was Russia's first true literary genius. Best known for his poetry, he also wrote sparkling prose that revealed his national culture with elegance and understated humour. Here, his gift for portraying the Russian people is fully revealed. The Tales of Belkin, his first prose masterpiece, presents a series of interlinked stories narrated by a good-hearted Russian squire - among them 'The Shot', in which a duel is revisited after many years, and the grotesque 'The Undertaker'. Elsewhere, works such as the novel-fragment Roslavlev and the Egyptian Nights, the tale of an Italian balladeer seeking an audience in St. Petersberg, demonstrate the wide range of Pushkin's fiction. A Journey to Arzrum, the final piece in this collection, offers an autobiographical account of Pushkin's own experiences in the 1829 war between Russia and Turkey, and remains one of the greatest of all pieces of journalistic adventure writing.
From the award-winning translators: the complete prose narratives of the most acclaimed Russian writer of the Romantic era and one of the world's greatest storytellers. The father of Russian literature, Pushkin is beloved not only for his poetry but also for his brilliant stories, which range from dramatic tales of love, obsession, and betrayal to dark fables and sparkling comic masterpieces, from satirical epistolary tales and romantic adventures in the manner of Sir Walter Scott to imaginative historical fiction and the haunting dreamworld of "The Queen of Spades." The five short stories of The Late Tales of Ivan Petrovich Belkin are lightly humorous and yet reveal astonishing human depths, and his short novel, The Captain's Daughter, has been called the most perfect book in Russian literature.
Alexander Pushkin was a Russian poet and writer who is considered the father of the modern Russian novel. The so-called Golden Age of Russian Literature was inspired by the themes and aesthetics of Pushkin - we are talking about names like Ivan Turgenev, Ivan Goncharov, Leo Tolstoy, Mikhail Lermontov, Nikolai Gogol. This selection of short stories brings you the best of Pushkin selected by August Nemo: The Queen of Spades The Shot The Snowstorm The Postmaster The Coffin-maker Kirdjali Peter, The Great's Negro
Collects all the stories of the great Russian author.
There was a card party at the rooms of Narumoff, a lieutenant in the Horse Guards. A long winter night had passed unnoticed, and it was five o'clock in the morning when supper was served. The winners sat down to table with an excellent appetite; the losers let their plates remain empty before them. Little by little, however, with the assistance of the champagne, the conversation became animated, and was shared by all. "How did you get on this evening, Surin?" said the host to one of his friends. "Oh, I lost, as usual. I really have no luck. I play mirandole. You know that I keep cool. Nothing moves me; I never change my play, and yet I always lose." "Do you mean to say that all the evening you did not once back the red? Your firmness of character surprises me." "What do you think of Hermann?" said one of the party, pointing to a young Engineer officer. "That fellow never made a bet or touched a card in his life, and yet he watches us playing until five in the morning." "It interests me," said Hermann; "but I am not disposed to risk the necessary in view of the superfluous." "Hermann is a German, and economical; that is the whole of the secret," cried Tomski. "But what is really astonishing is the Countess Anna Fedotovna!" "How so?" asked several voices. "Have you not remarked," said Tomski, "that she never plays?" "Yes," said Narumoff, "a woman of eighty, who never touches a card; that is indeed something extraordinary!" "You do not know why?" "No; is there a reason for it?" "Just listen. My grandmother, you know, some sixty years ago, went to Paris, and became the rage there. People ran after her in the streets, and called her the 'Muscovite Venus.' Richelieu made love to her, and my grandmother makes out that, by her rigorous demeanour, she almost drove him to suicide. In those days women used to play at faro. One evening at the court she lost, on parole,to the Duke of Orleans, a very considerable sum. When she got home, my grandmother removed her beauty spots, took off her hoops, and in this tragic costume went to my grandfather, told him of her misfortune, and asked him for the money she had to pay. My grandfather, now no more, was, so to say, his wife's steward. He feared her like fire; but the sum she named made him leap into the air. He flew into a rage, made a brief calculation, and proved to my grandmother that in six months she had got through half a million rubles. He told her plainly that he had no villages to sell in Paris, his domains being situated in the neighbourhood of Moscow and of Saratoff; and finally refused point blank. You may imagine the fury of my grandmother. She boxed his ears, and passed the night in another room.
"Sang Hyun examines Aleksander Pushkin's artistic intention in his masterpiece and most well-known prose work, The Tales of Belkin (1831). The author explores the trajectories of the puzzle Pushkin created in the Belkin cycle by identifying and elucidating autobiographical, folklorist, and thematic elements. Drawing on both formalist and structuralist approaches to a literary work, Kim's analysis demonstrates how the five tales in the Belkin cycle are interwoven structurally and thematically. Kim's interpretation should help future readers understand the enigmatic meaning of Pushkin's stories created in the Belkin cycle."--BOOK JACKET.
An enchanting collection of tales which showcase Anton Chekhov at the height of his power as a writer In the final years of his life, Chekhov produced some of the stories that rank among his masterpieces, and some of the most highly-regarded works in Russian literature. The poignant 'The Lady with the Little Dog' and 'About Love' examine the nature of love outside of marriage - its romantic idealism and the fear of disillusionment. And in stories such as 'Peasants', 'The House with the Mezzanine' and 'My Life' Chekhov paints a vivid picture of the conditions of the poor and of their powerlessness in the face of exploitation and hardship. With the works collected here, Chekhov moved away from the realism of his earlier tales - developing a broader range of characters and subject matter, while forging the spare minimalist style that would inspire such modern short-story writers as Ernest Hemingway and William Faulkner. In this edition Ronald Wilks's translation is accompanied by an introduction in which Paul Debreczeny discusses the themes that Chekhov adopted in his mature work. This edition also includes a publishing history and notes for each story, a chronology and further reading. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Here are some of Tolstoy?s extraordinary short stories, from ?The Death of Ivan Ilyich??in a masterly new translation?to ?The Raid,? ?The Wood-felling,? ?Three Deaths,? ?Polikushka,? ?After the Ball,? and ?The Forged Coupon,? all gripping and eloquent lessons on two of Tolstoy?s most persistent themes: life and death. More experimental than his novels, Tolstoy?s stories are essential reading for anyone interested in his development as one of the major writers and thinkers of his time.
This collection of Chekhov's finest early writing reveals a young writer mastering the art of the short story. 'The Steppe', which established his reputation, is the unforgettable tale of a boy's journey to a new school in Kiev, travelling through majestic landscapes towards an unknown destiny. 'Gusev' depicts an ocean voyage, where the sea takes on a terrifying, primeval power; 'The Kiss' portrays a shy soldier's failed romantic encounter; and in 'The Duel' two men's enmity ends in farce. Haunting and highly atmospheric, all the stories in this volume show a writer emerging from the shadow of his masters - Tolstoy, Turgenev and Gogol - and discovering his own voice. They also illustrate Chekhov's genius for evoking the natural world and exploring inner lives.