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The pilot book of an extensive saga, Reunited' sets the stage for a post apocalyptic world where technology has taken a back-seat to magic and fey. Alien creatures live among us, and the last true bastion of American society has become a cesspool of demons and vampires. Tales of Atonement follows the lives of several people who survive and make families in this world, taking you to locales like the dark and dangerous City of Atone, to the magical Island of Mayflora, and the far off Planet Syc; and even combat the evils that now infest the world. With creative illustrations, engaging characters, and interestingly new races, Reunited weds science fiction to fantasy, and sets the stage for an entire series of books that will tell a descriptive story of adventure, love, and triumphant victory. Tales of Atonement is a sci-fi fantasy book series that currently holds a 4/5 star rating!
"The revelatory account of a woman's quest for a new life in Africa in the wake of World War II--a heroic career that hid a dark wartime past"--
Filmed on location in the U.K., the story of Atonement spans several decades. In 1935, 13-year-old fledgling writer Briony Tallis (Saoirse Ronan) and her family live a life of wealth and privilege in their enormous mansion. On the warmest day of the year, the country estate takes on an unsettling hothouse atmosphere, stoking Briony's vivid imagination. Robbie Turner (James McAvoy), the educated son of the family's housekeeper, carries a torch for Briony's headstrong older sister Cecilia (Keira Knightley). Cecilia, he hopes, has comparable feelings; all it will take is one spark for this relationship to combust. When it does, Briony—who has a crush on Robbie— is compelled to interfere, going so far as accusing Robbie of a crime he did not commit. Cecilia and Robbie declare their love for each other, but he is arrested—and with Briony bearing false witness, the course of three lives is changed forever. Briony continues to seek forgiveness for her childhood misdeed. Through a terrible and courageous act of imagination, she finds the path to her uncertain atonement, and to an understanding of the power of enduring love. In addition to the complete script, this Newmarket Shooting Script® book includes an exclusive introduction by screenwriter ChristopherHampton, a color photo section, and the complete cast and crew credits.
This is the authoritative account of the Israeli army’s performance in the bitter Yom Kippur War of 1973. The origins of the war amid the turbulent history of competing powers in the Middle East are fully explored, as is the build-up of Arab forces that almost inexplicably caught Israel by surprise. The author then provides a gripping narrative of the conflict itself, punctuated by firsthand accounts and interviews with combatants. The War of Atonement is full of drama and tales of inspirational bravery, as Israel defied the odds to defeat the two-pronged invasion. An analysis of the political implications of the conflict bring this epic tale to a close. For this edition Chaim Herzog’s son, Brigadier General Michael Herzog, has written an introduction which places the book in the context of his father’s achievements and gives a revealing insight into the man himself. This is the most comprehensive work on a conflict that has had major implications for our own troubled times.
Set in late 1980s Europe at the time of the fall of the Berlin Wall, Black Dogs is the intimate story of the crumbling of Bernard and June Tremaine’s marriage, as witnessed by their son-in-law, Jeremy, who seeks to comprehend how their deep love could be defeated by ideological differences that seem irreconcilable. In writing June’s memoirs, Jeremy is led back to a moment, that was, for June, as devastating and irreversible in its consequences as the changes sweeping Europe in Jeremy’s own time. Ian McEwan weaves the sinister reality of civilization’s darkest moods—its black dogs—with the tensions that both create love and destroy it.
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.
An updated edition that sheds new light on one of the most dramatic reversals of military fortune in modern history. The easing of Israeli military censorship after four decades has enabled Abraham Rabinovich to offer fresh insights into this fiercest of Israel-Arab conflicts. A surprise Arab attack on two fronts on the holiest day of the Jewish calendar, with Israel’s reserves un-mobilized, triggered apocalyptic visions in Israel, euphoria in the Arab world, and fraught debates on both sides. Rabinovich, who covered the war for The Jerusalem Post, draws on extensive interviews and primary source material to shape his enthralling narrative. We learn of two Egyptian nationals, working separately for the Mossad, who supplied Israel with key information that helped change the course of the war; of Defense Minister Moshe Dayan’s proposal for a nuclear “demonstration” to warn off the Arabs; and of Chief of Staff David Elazar’s conclusion on the fifth day of battle that Israel could not win. Newly available transcripts enable us to follow the decision-making process in real time from the prime minister’s office to commanders studying maps in the field. After almost overrunning the Golan Heights, the Syrian attack is broken in desperate battles. And as Israel regains its psychological balance, General Ariel Sharon leads a nighttime counterattack across the Suez Canal through a narrow hole in the Egyptian line -- the turning point of the war.
A shimmering jewel of a book about writing from two-time Booker Prize finalist Deborah Levy, to publish alongside her new work of nonfiction, The Cost of Living. Blending personal history, gender politics, philosophy, and literary theory into a luminescent treatise on writing, love, and loss, Things I Don't Want to Know is Deborah Levy's witty response to George Orwell's influential essay "Why I Write." Orwell identified four reasons he was driven to hammer at his typewriter--political purpose, historical impulse, sheer egoism, and aesthetic enthusiasm--and Levy's newest work riffs on these same commitments from a female writer's perspective. As she struggles to balance womanhood, motherhood, and her writing career, Levy identifies some of the real-life experiences that have shaped her novels, including her family's emigration from South Africa in the era of apartheid; her teenage years in the UK where she played at being a writer in the company of builders and bus drivers in cheap diners; and her theater-writing days touring Poland in the midst of Eastern Europe's economic crisis, where she observed how a soldier tenderly kissed the women in his life goodbye. Spanning continents (Africa and Europe) and decades (we meet the writer at seven, fifteen, and fifty), Things I Don't Want to Know brings the reader into a writer's heart.
Why did God have to murder his only son to pay our debts? What kind of vengeful, violent God can only be satisfied by vicarious blood atonement? In Executing God, theologian Sharon Baker presents a biblically based and theologically sound critique of popular theories of the atonement. Concerned about the number of acts of violence performed in the name of God, Baker challenges cultural assumptions about the death of Jesus and its meaning to Christians. She ultimately offers a constructive alternate view of atonement based on God's forgiveness that opens up salvation to a wider group of people.
Alfred Busi lives alone in his villa overlooking the waves. Famed in his tiny Mediterranean town for his music, he is mourning the recent death of his wife and quietly living out his days. Then one night, Busi is viciously attacked by an intruder in his own courtyard—bitten and scratched. He insists his assailant was neither man nor animal. Soon, Busi’s account of what happened is being embellished to fan the flames of old rumor—of an ancient race of people living in the surrounding forest. It is also used to spark new controversy, inspiring claims that something must finally be done about the town’s poor, whose numbers have been growing. In trademark crystalline prose, Jim Crace portrays a man taking stock of his life and looking into an uncertain future, while bearing witness to a community in the throes of great change.