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Scottish folk literature is characterised by a wide range of creative expression: story, song, play and proverb. This anthology, first published in 1984, provides an authoritative introduction to Scottish folk literature, and is unique in that it deals with all the genres intrinsic to Scottish tradition. Its selected texts offer an unusual and diverse enjoyment to the reader, including such forms as wonder tales or Märhcen, classical ballads, riddles, jocular tales, lyric and comic and occupational folksongs, rhymes, historical and supernatural legends, and guisers’ plays. The texts chosen cover the main regional traditions of Lowland Scotland, from Galloway to the Shetlands, and span a number of centuries, through both pre- and post-industrial periods, from a sailor’s worksong of the sixteenth century to modern urban legends just recently recorded. The book is arranged in four sections, on Folk Narrative, Folksong, Folksay, and Folk Drama, each with an introduction and a bibliographical essay setting the material in context and indicating some of its international links. Folk literature itself is brought into firm focus by discussion and generic example, and the anthology as a whole illuminates substantial areas of Scottish social and cultural life.
Angus is a landscape of dramatic glens and rich farmland, ancient weaving towns and fishing villages, from the city of Dundee in the lee of the Sidlaw hills in the south, and the Grampian mountains in the north. The tales of Angus are as varied as the landscapes they are tied to, told through the years in castles, bothies, tenements and Travellers' tents. Here, historical legends tell of Caterans roaming the glens, Jacobite intrigue in Glenisla and pirates roving the stormy waters off the Arbroath coast. Kelpies, broonies and fairies lurk just out of sight on riverbanks and hillsides, waiting to draw unsuspecting travellers into another world. The land bears memories of ancient battles, and ghosts continue to walk the old roads in the gloaming. In this collection, storyteller and local historian Erin Farley brings you a wealth of legends and folk tales, both familiar and surprising.
For more than a century, the word 'Kailyard' has been a focal point of Scottish literary and cultural debate. Originally a term of literary criticism, it has come to be used, often pejoratively, across a whole range of academic and popular discourse. Historians, politicians and critics of Scottish film and media have joined literary scholars in using the term to set out a diagnosis of Scottish culture. This is the first comprehensive study of the subject. Andrew Nash traces the origins of the Kailyard diagnosis in the nineteenth century and considers the critical concerns that gave rise to it. He then provides a full reassessment of the literature most commonly associated with the term - the fiction of J.M. Barrie, S.R. Crockett and Ian Maclaren. Placing this work in more appropriate contexts, he considers the literary, social and religious imperatives that underpinned it and discusses the impact of these writers in the publishing world. These chapters are succeeded by detailed analysis of the various ways in which the term has been used in wider discussions of Scottish literature and culture. Discussing literary criticism, film studies, and political and sociological analyses of Scotland, Nash shows how Kailyard, as a critical term, helps expose some of the key issues in Scottish cultural debate in the twentieth century, including discussions over national representation, popular culture and the parochialism of Scottish culture.