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INSTANT NEW YORK TIMES BESTSELLER LA TIMES BOOK PRIZE FINALIST NBCC JOHN LEONARD PRIZE FINALIST ONE OF THE NEW YORK TIMES'S MOST NOTABLE BOOKS OF 2017 ONE OF THE WASHINGTON POST’S MOST NOTABLE BOOKS OF 2017 ONE OF NPR’S ‘GREAT READS’ OF 2017 A USA TODAY BEST BOOK OF THE YEAR AN AMAZON.COM BEST BOOK OF THE YEAR A BUSINESS INSIDER BEST BOOK OF THE YEAR "Impossible to put down." —NPR "A novel that readers will gulp down, gasping.” —The Washington Post "The word 'masterpiece' has been cheapened by too many blurbs, but My Absolute Darling absolutely is one." —Stephen King A brilliant and immersive, all-consuming read about one fourteen-year-old girl's heart-stopping fight for her own soul. Turtle Alveston is a survivor. At fourteen, she roams the woods along the northern California coast. The creeks, tide pools, and rocky islands are her haunts and her hiding grounds, and she is known to wander for miles. But while her physical world is expansive, her personal one is small and treacherous: Turtle has grown up isolated since the death of her mother, in the thrall of her tortured and charismatic father, Martin. Her social existence is confined to the middle school (where she fends off the interest of anyone, student or teacher, who might penetrate her shell) and to her life with her father. Then Turtle meets Jacob, a high-school boy who tells jokes, lives in a big clean house, and looks at Turtle as if she is the sunrise. And for the first time, the larger world begins to come into focus: her life with Martin is neither safe nor sustainable. Motivated by her first experience with real friendship and a teenage crush, Turtle starts to imagine escape, using the very survival skills her father devoted himself to teaching her. What follows is a harrowing story of bravery and redemption. With Turtle's escalating acts of physical and emotional courage, the reader watches, heart in throat, as this teenage girl struggles to become her own hero—and in the process, becomes ours as well. Shot through with striking language in a fierce natural setting, My Absolute Darling is an urgently told, profoundly moving read that marks the debut of an extraordinary new writer.
On Record provides descriptive accounts of record-keeping in a variety of important organizations: schools and universities; consumer credit agencies, general business organizations, and life insurance companies; military and security agencies; the Census Bureau and the Social Security Administration; public welfare agencies, juvenile courts, and mental hospitals. It also examines the legal status of records. The authors address questions such as: Who determines what records are kept? Who has access to the records? To what extent do the records follow an individual? What are some of the dangers and pitfalls in record-keeping? Throughout the volume, the authors show a concern for an appropriate balance between the need for information about people and protection against undue invasions of privacy. The introduction of electronic databases since the original publication of this book makes the issues raised in this seminal collection even more timely.
Can a song change a nation? In 1964, Marvin Gaye, record producer William “Mickey” Stevenson, and Motown songwriter Ivy Jo Hunter wrote “Dancing in the Street.” The song was recorded at Motown’s Hitsville USA Studio by Martha and the Vandellas, with lead singer Martha Reeves arranging her own vocals. Released on July 31, the song was supposed to be an upbeat dance recording—a precursor to disco, and a song about the joyousness of dance. But events overtook it, and the song became one of the icons of American pop culture. The Beatles had landed in the U.S. in early 1964. By the summer, the sixties were in full swing. The summer of 1964 was the Mississippi Freedom Summer, the Berkeley Free Speech Movement, the beginning of the Vietnam War, the passage of the Civil Rights Act, and the lead-up to a dramatic election. As the country grew more radicalized in those few months, “Dancing in the Street” gained currency as an activist anthem. The song took on new meanings, multiple meanings, for many different groups that were all changing as the country changed. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
For the first time in one volume, the two novels that began the epic tale of the Essalieyanese empire. Hunter's Oath When the covenant was made with the Hunter God, all who dwelt in Breodanir swore to abide by it. The Hunter Lords--and the hunting dogs to which their minds were attuned--would seek out game in the God's woods to provide food for their people, and the Hunter God would ensure that the Hunters, the land, and the people prospered. But in payment, once a year the Sacred Hunt must be called, the God's own Hunt in which the prey became one of the Lords, or his huntbrother--the companion chosen from the common folk to remind each Lord of his own ties to humanity. It was the Oath pledged in blood by Gilliam of Elseth and the orphan boy Stephen--and the fulfillment of that Oath would lead them to the kind of destiny from which legends were made.... Hunter's Death Averalaan, that most ancient of cities, had long been the home of magics both dark and bright. For the site where this most civilized city of mortals new stood had once been a dread place indeed, a citadel of evil ruled by the Lord of Hell. Only through the greatest of sacrifices had he been cast back into his own dimension. But now, trouble was once again stirring in the hidden byways of Averalaan. Blessed or cursed by their Hunter God and gifted with his most unique creation, the Hunter Lord Gilliam and his huntbrother Stephen were about to do the unthinkable. Guided by the seer Yvaine, they would journey beyond the borders of their kingdom, something no Hunter Lord had ever done. For only in Averalaan could they find their true destiny, even if it meant facing the Dark Lord himself....
Clementine Hunter (1887--1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her -- glass snuff bottles, discarded roofing shingles, ironing boards -- as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her paintings also reflect the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric François Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style. The book also highlights Hunter's impact on the modern art world and provides insight into a decades-long forgery operation that Tom Whitehead helped uncover. This recent attention reinforced the uniqueness of Hunter's art and confirmed her place in the international art community, which continues to be inspired by the life and work of Clementine Hunter.
Book 5 in Katie McGarry’s award-winning, powerful and romantic Pushing the Limits series, perfect for fans of Jennifer L. Armentrout, Stephanie Perkins and Simone Elkeles! “Amazing, heartbreaking, sexy and sweet…” —Monica Murphy, New York Times bestselling author of the One Week Girlfriend series “Echo and Noah stole my heart—and my breath—again. Bravo, Ms. McGarry, for another gripping, romantic ride.” —Tammara Webber, New York Times bestselling author of Easy “Highly emotional and hugely inspiring... I had an ache in my chest as I turned each page…” —Samantha Young, New York Times bestselling author of On Dublin Street A summer road trip changes everything… For new high school graduate Echo Emerson, a summer road trip out west with her boyfriend means getting away and forgetting what makes her so . . . different. It means seeing cool sights while selling her art at galleries along the way. And most of all, it means almost three months alone with Noah Hutchins, the hot, smart, soul-battered guy who’s never judged her. Echo and Noah share everything—except the one thing Echo’s just not ready for. But when the source of Echo’s constant nightmares comes back into her life, she has to make some tough decisions about what she really wants—even as foster kid Noah’s search for his last remaining relatives forces them both to confront some serious truths about life, love, and themselves. Now, with one week left before college orientation, jobs and real life, Echo must decide if Noah’s more than the bad-boy fling everyone warned her he’d be. And the last leg of an amazing road trip will turn seriously epic. Originally published in December 2014.
A moving and uniquely inspiring book of self-reflection and motivational musings from Ty Hunter, stylist to the stars. In this nuanced mix of memoir, photographs, motivational musings, and wisdom, legendary celebrity stylist Ty Hunter recounts both the trying times and brightest moments of his life. Faced with physical, mental, and emotional obstacles that range from a gunshot wound to caring for his sick parents to simply existing as a Black, gay man in America, Ty channeled his energy into surmounting the unconquerable, along the way developing a resilient spirit—one that begs to be shared with the world. In overcoming his own hardships and blossoming in his career as a stylist, where he worked with superstars like Beyoncé and Billy Porter, Ty has developed a knack for inspiring self-confidence in others. Perfect for the unstoppable badass in your life, this book tells the story of a vibrant soul who defeated the odds and whose goal is to guide you to a brighter and more positive future. DISTINGUISHED AUTHOR: Ty Hunter was Beyoncé's stylist for 18 years, currently works as Billy Porter's head stylist, and launched a fashion line with A Cloud. Ty's substantial following on Instagram, where he shares motivational life advice, demonstrates high demand for his words of wisdom. SUPERSTAR CONTRIBUTORS: Featuring a foreword by multi-platinum Grammy award–winning singer, songwriter, and actress Beyoncé and afterword by multi-award-winning actor, singer, and author Billy Porter. A GREAT READ AND GIFT: This gorgeous book is perfect for birthdays, holidays, Pride celebrations, or any other day that needs some positive energy. INSPIRING STORY: This book sends a bold and inspiring message to underdogs everywhere that they can overcome the impossible and thrive. Perfect for: Fans of Ty Hunter, Beyoncé, Tina Knowles, Billy Porter, and more Fashion and pop culture enthusiasts
Blackface minstrelsy is associated particularly with popular culture in the United States and Britain, yet despite the continual two-way flow of performers, troupes and companies across the Atlantic, there is little in Britain to match the scholarship of blackface studies in the States. This book concentrates on the distinctively British trajectory of minstrelsy. The historical study and cultural analysis of minstrelsy is important because of the significant role it played in Britain as a form of song, music and theatrical entertainment. Minstrelsy had a marked impact on popular music, dance and other aspects of popular culture, both in Britain and the United States. Its impact in the United States fed into significant song and music genres that were assimilated in Britain, from ragtime and jazz onwards, but prior to these influences, minstrelsy in Britain developed many distinct features and was adapted to operate within various conventions, themes and traditions in British popular culture. Pickering provides a convincing counter-argument to the assumption among writers in the United States that blackface was exclusively American and its British counterpart purely imitative. Minstrelsy was not confined to its value as song, music and dance. Jokes at the expense of black people along with demeaning racial stereotypes were integral to minstrel shows. As a form of popular entertainment, British minstrelsy created a cultural low-Other that offered confirmation of white racial ascendancy and imperial dominion around the world. The book attends closely to how this influence on colonialism and imperialism operated and proved ideologically so effective. At the same time British minstrelsy cannot be reduced to its racist and imperialist connections. Enormously important as those connections are, Pickering demonstrates the complexity of the subject by insisting that the minstrel show and minstrel performers are understood also in terms of their own theatrical dynamics, t
Here is a devastating, hilarious satire of coffee-swilling, celebrity-obsessed Southern California pop culture by one of the freshest new voices in fiction. Morgan Beale has a celebutante, masochist wife and a home being renovated. He begins adapting the latest bestseller, The Chihuahua in the Blue Prada Bag, from a local hotel room. Dodging the paparazzi one morning on his way to Starbucks, he discovers the surreal otherworld of Starbucks Nation, a film set littered with characters from Beale’s life and the novel he’s adapting, including a talking Chihuahua and an elite commando unit of ethnic cookie-making elves. Mercilessly lampooning our fascination with reality television, celebrity blunders, B movies, and mindless infotainment, Starbucks Nation brilliantly showcases the absurdities of modern society.