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The Taldek Heroic Tales are a collection of adventurous stories of three heroes in the fantasy Taldek time line as they fight to save their country and friends from spies, warring kingdoms, and dragons. Caleb will betray a friend to save the girl from the conniving count and his country from destruction. Jamie will buck the status quo save a dragon she believes in, even when only one will stand by her side. Elizabeth is the only one available to go to Dragon Valley and save not only them, but her own home as well, at least, as long as that man doesn't get in her way. Follow Caleb, Jamie, and Elizabeth as their personal adventure becomes your own and proving that anyone can be the star of their own story.
The sagas of the ancient Narts are to the Caucasus what Greek mythology is to Western civilization. This book presents, for the first time in the West, a wide selection of these fascinating myths preserved among four related peoples whose ancient cultures today survive by a thread. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, Nart Sagas from the Caucasus brings these cultures to life in a powerful epos. In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock--a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate. Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future. Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary. With this book, no longer will the analysis of ancient Eurasian myth be possible without a close look at the Nart sagas. And no longer will the lover of myth be satisfied without the pleasure of having read them. Excerpts from the Nart sagas "The Narts were a tribe of heroes. They were huge, tall people, and their horses were also exuberant Alyps or Durduls. They were wealthy, and they also had a state. That is how the Narts lived their lives. . . ." "The Narts were courageous, energetic, bold, and good-hearted. Thus they lived until God sent down a small swallow. . . ." "The Narts were very cruel to one another. They were envious of one another. They disputed among themselves over who was the most courageous. But most of all they hated Sosruquo. . . . A rock gave birth to him. He is the son of a rock, illegally born a mere shepherd's son. . . ." In a new introduction, folklorist Adrienne Mayor reflects on these tales both in terms of the fascinating warrior culture they depict and the influence they had on Greco-Roman mythology.
The Nart sagas are a series of tales originating from the North Caucasus, forming the basic mythology of the tribes in the area. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, these myths bring these cultures to life in a powerful epos. In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock -- a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate. Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future. Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary.
An exciting collection of mythology about heroes, heroines, villains, and monsters in the intriguing world of the nomad warriors of the Caucasus The Nart sagas are to the Caucasus what Greek mythology is to Western civilization. Tales of the Narts expands the canon of this precious body of lore by presenting a wide selection of fascinating tales that are part of a living tradition among the peoples of Ossetia in southern Russia. A mythical tribe of nomad warriors, the Narts are courageous, bold, and good-hearted, but also capable of envy, cruelty, and violence. In this wonderfully vivid and accessible collection, colorful and exciting heroes, heroines, villains, and monsters pursue their destinies though a series of exploits, often with the intervention of ancient gods.
This volume boldly proposes that the core of the Arthurian and Holy Grail traditions derived not from Celtic mythology, but rather from the folklore of the peoples of ancient Scythia (what are now the South Russian and Ukrainian steppes). Also includes 19 maps.
Brilliant horsemen and great fighters, the Scythians were nomadic horsemen who ranged wide across the grasslands of the Asian steppe from the Altai mountains in the east to the Great Hungarian Plain in the first millennium BC. Their steppe homeland bordered on a number of sedentary states to the south - the Chinese, the Persians and the Greeks - and there were, inevitably, numerous interactions between the nomads and their neighbours. The Scythians fought the Persians on a number of occasions, in one battle killing their king and on another occasion driving the invading army of Darius the Great from the steppe. Relations with the Greeks around the shores of the Black Sea were rather different - both communities benefiting from trading with each other. This led to the development of a brilliant art style, often depicting scenes from Scythian mythology and everyday life. It is from the writings of Greeks like the historian Herodotus that we learn of Scythian life: their beliefs, their burial practices, their love of fighting, and their ambivalent attitudes to gender. It is a world that is also brilliantly illuminated by the rich material culture recovered from Scythian burials, from the graves of kings on the Pontic steppe, with their elaborate gold work and vividly coloured fabrics, to the frozen tombs of the Altai mountains, where all the organic material - wooden carvings, carpets, saddles and even tattooed human bodies - is amazingly well preserved. Barry Cunliffe here marshals this vast array of evidence - both archaeological and textual - in a masterful reconstruction of the lost world of the Scythians, allowing them to emerge in all their considerable vigour and splendour for the first time in over two millennia.
An absorbing exploration of the mysterious, perfectly preserved Caucasian mummies of western China--an informative unveiling of an ancient and exotic world. 16 pp. of color photos. 50 drawings. Author lectures.
The Circassians have a long history forged in the crucible of their homeland in the mountains and valleys of the Northwest Caucasus. Of the many peoples of the Caucasus, they are notable for their wide and vociferous diaspora, particularly in Turkey and the Middle East. After living for many centuries in comparative obscurity under the shadow of Russia, the Circassians staged a minor comeback after the collapse of the Soviet Union. As was the case with other regions in the Caucasus, this rebirth into nationhood was swiftly stifled, yet today's Circassian territories have been rediscovered as a cultural and political focus for Circassians globally. This book provides an in-depth description by an insider' of the ancient beliefs, customs and traditions of a remarkable people - offering insights into a fascinating world, much of which has until now remained unknown. This complex universe is unlocked in the hope of spurring more interest in the unique culture of the Circassians.
The Caucasus has an extremely rich folk literature, almost unknown among English speakers, which includes myths, legends, magical tales, anecdotes and proverbs. The one hundred and one legends included in this book reflect the cultures of fourteen different ethnic groups - their dynamism and the matters that concerned them: survival against external dangers, the risk of starvation and the persistence of the family or clan as a coordinated group. Descended from an oral tradition, much of their knowledge was retained in memories and passed down the generations. Yet, with the introduction of the alphabet, the way of life they portray is rapidly becoming extinct. An incomparable collection, Legends of the Caucasus conveys the poetry and romance of these swiftly vanishing tribes. 'This book has brought into light some of the hidden treasures of the Caucasus ... A major contribution not only to the study of the Caucasus, but also to world folklore.' John Colarusso, McMaster University, Canada 'Inventive and meticulous in rendering the extraordinary folk poetry of the many nations of the Caucasus ... [This is] essential reading for anyone seeking an insight into the cultures of the Caucasus.' Donald Rayfield, Queen Mary University of London, UK