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Presents over 20 ceramic artists and the techniques they used to create innovative forming, unusual surfaces, spectacular glazing and more.
Ceramics Masterclass examines 100 great pieces of ceramics from history and explores how they were made what they do well and what we learn from them. The subject of ceramics is steeped in history and tradition. For thousands of years humans have exploited the versatile qualities of clay as a material to produce items ranging from humble utilitarian vessels integral to family living, right through to exquisite works of art. Louisa Taylor explores this diverse discipline by showcasing 100 of the most innovative and inspiring artists past and present, analysing the techniques and methods used to create the works, and the concepts which underpin their creative process. The book shows how to recreate intricate still-life dioramas like fifteenth-century artist Bernard Palissy, explore narrative like Grayson Perry and convey sensitivity to material like Phoebe Cummings. Arranged thematically, Ceramics Masterclass will include chapters on vessels, form and surface, function, figurative works, one-offs and installations. Explores the artistic process, methodology and techniques of 100 great artists In-depth ceramic techniques section covering skills integral to working with clay Includes historical and contemporary examples Represents a global perspective of the field, including dynamic and ground-breaking approaches to clay Perfect for students, amateur ceramicists and professionals, this book will represent a global perspective of historical and contemporary approaches to clay and be a catalyst for discovery and intrigue.
NEW YORK TIMES BEST SELLER • An insightful look into the mind of a master storyteller—and a unique look at the craft of writing from the beloved and best-selling author of 1Q84, Norwegian Wood, and What I Talk About When I Talk About Running. "Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers" —New York Times Book Review A MOST ANTICIPATED BOOK: Esquire, Vulture, LitHub, New York Observer Aspiring writers and readers who have long wondered where the mysterious novelist gets his ideas and what inspires his strangely surreal worlds will be fascinated by this engaging book from the internationally best-selling author. Haruki Murakami now shares with readers his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians. Here are the personal details of a life devoted to craft: the initial moment at a Yakult Swallows baseball game, when he suddenly knew he could write a novel; the importance of memory, what he calls a writer’s “mental chest of drawers”; the necessity of loneliness, patience, and his daily running routine; the seminal role a carrier pigeon played in his career and more. "What I want to say is that in a certain sense, while the novelist is creating a novel, he is simultaneously being created by the novel as well." —Haruki Murakami
This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.
An in-depth study of 24 artists, their work and studios. Almost a mini biography on many of the most prominent andexciting artists around.
This book is devoted to the broad subject of flavor physics, embracing the question of what distinguishes one type of elementary particles from another. The articles range from the forefront of formal theory (treating the physics of extra dimensions) to details of particle detectors. Although special emphasis is placed on the physics of kaons, charmed and beauty particles, top quarks, and neutrinos, the articles also dealing with electroweak physics, quantum chromodynamics, supersymmetry, and dynamical electroweak symmetry breaking. Violations of fundamental symmetries such as time reversal invariance are discussed in the context of neutral kaons, beauty particles, electric dipole moments, and parity violation in atoms. The physics of the Cabibbo-Kobayashi-Maskawa matrix and of quark masses are described in some detail, both from the standpoint of present and future experimental knowledge and from a more fundamental viewpoint, where physicists are still searching for the correct theory.
This is a study of a group of potters living in a small community in the south of Japan, and about the problems they face in the production, marketing and aesthetic appraisal of a kind of stoneware pottery generally referred to as mingei, or folk art. It shows how different people in an art world bring to bear different sets of values as they negotiate the meaning of mingei and try to decide whether a pot is 'art', 'folk art', or mere 'craft'. At the same time, this book is an unusual monograph in that it reaches beyond the mere study of an isolated community to trace the origins and history of 'folk art' in general. By showing how a set of aesthetic ideals originating in Britain was taken to Japan, and thence back to Europe and the United States - as a result of the activities of people like William Morris, Yanagi So etsu, Bernard Leach and Hamada Sho ji - this book rewrites the history of contemporary western ceramics.