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“Tarek pondered lengthily before deciding on important matters. He was very cautious and meticulously planned for the day he left to join the demonstrations. He removed all his credit cards and ATM cards from his wallet and only left his national ID, his business card and engineer’s syndicate card. He removed the keys to his parents’ home as his ID included their address and he feared someone breaking into the house if something happened to him. Rania later noticed the keys hanging on the key holder, unaware that he had removed them. Tarek left a list of important information for Rania in case of emergency, and the steps that she should take if he disappeared... Tarek clearly instructed her to contact his father, his brother and his colleague at work if police detained him. At that point, Rania was thinking of two scenarios: either he would be beaten and released like Amr Salama, or he would be beaten and imprisoned. In her mind there was no third option...” In 2011, the winds of change blew across Egypt, the region and the world. An unexpected turn of events changed the history of Egypt, the region and the world balance of power. Go back in time to the 18 days of Egypt’s epical Tahrir events, which mesmerized and inspired the globe. Re-live the Tahrir uprising through the voices of 18 ordinary Egyptians in extraordinary circumstances. Experience their moments of hope and despair, generosity and caution, turmoil and quiet, pain and joy, victory and defeat... Tahrir Voices will make you question what you know, understand and think of those momentous days and the events they catalyzed thereafter. 18 different perspectives: Which of them do you disagree with? Which of them resonate with you? Are you able to accept all the points of view? I invite you to open up different avenues of understanding and discussion of these critical events through the perspectives explored in Tahrir Voices.
The Twitter posts of the activists who brought heady days of revolution to Egypt in early 2011, paint a picture of an uprising in real time. This book brings together a selection of key tweets in a compelling, fastpaced narrative, allowing the story to be told directly by the people who made the revoltution.
The ten Egyptian plays in this collection offer grassroots perspectives on the jubilation, terror, hope and heartbreak of mass uprising. Collectively, they sketch events unfolding in Egypt from the twilight of Hosni Mubarak's regime to Abdel Fattah el-Sisi's ascendance to the presidency. A comprehensive introduction situates the plays within their social, political, and economic context, an in-depth translator's note delves into the challenges of translating Arabic for English-speaking audiences. Yasmeen Emam Shghaf's The Mirror and Hany Abdel Naser and Mohamed Mu'iz's They Say Dancing is a Sin explore how stigma and poverty silence women's voices. Sondos Shabayek and the BuSSy Company's documentary storytelling piece Tahrir Monologues and Said Solaiman's drama with movement The Window consider how collective mobilization empowers individuals to overcome personal fears. Ibrahim El-Husseini's symbolic ensemble drama Comedy of Sorrows and Ahmed Hassan Albana's melodrama In Search of Said Abu-Naga warn of the powerful forces waiting to hijack the revolution. Magdy El Hamzawy's satirical tragedy Report on Revolutionary Circumstances and Muhammed Marros's naturalistic three-hander The Visit reflect on how and why the revolutionary forces failed to dislodge the entrenched power structures. Ashraf Abdu's Coptic Church drama Sorrowful City foretells of a post-revolutionary deterioration into sectarian violence, and a stage adaptation of Khaled Al Khamissi's novel Taxi asks what has changed, if anything, for poor and working Egyptians in the years since Mubarak's overthrow.
A gripping, in-depth account of the 2011 Egyptian revolution, through the eyes of its youthful vanguard January 25, 2011, was a watershed moment for Egypt and a transformative experience for the young men and women who changed the course of their nation’s history. Tahrir’s Youth tells the story of the organized youth behind the mass uprising that brought about the spectacular collapse of the Mubarak regime. Who were these activists? What did they want? How did the movement they unleashed shape them as it unfolded, and why did it ultimately fall short of its goals? Rusha Latif follows the trajectory of the movement from the perspective of the Revolutionary Youth Coalition (RYC), a key front forged in Tahrir Square during the early days of the revolt. Drawing on firsthand testimonies and her own direct experience, she offers insight into the motives, hopes, strategies, successes, failures, and disillusionments of the movement’s leaders. Her account details the challenges these activists faced as they attempted to steer the movement they had set in motion and highlights the factors leading to their struggle’s defeat, despite its initial promise. Tahrir’s Youth questions the belief that Egypt’s revolution was spontaneous and leaderless. Timely and necessary, this study not only illuminates the uprising’s leadership dynamics but also demonstrates the need for imagining new modes of revolutionary organizing for the twenty-first century.
This volume represents the proceedings of the 2013 International Conference on Innovation, Communication and Engineering (ICICE 2013). This conference was organized by the China University of Petroleum (Huadong/East China) and the Taiwanese Institute of Knowledge Innovation, and was held in Qingdao, Shandong, P.R. China, October 26 - November 1, 2013. The conference received 653 submitted papers from 10 countries, of which 214 papers were selected by the committees to be presented at ICICE 2013. The conference provided a unified communication platform for researchers in a wide range of fields from information technology, communication science, and applied mathematics, to computer science, advanced material science, design and engineering. This volume enables interdisciplinary collaboration between science and engineering technologists in academia and industry as well as networking internationally. Consists of a book of abstracts (260 pp.) and a USB flash card with full papers (912 pp.).
Singers generating cultural identity from K-Pop to Beverly Sills Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redžepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers’ ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer’s life and art build on one another; and technology’s ability to challenge our ideas about what constitutes music. Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions. Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald
There is growing recognition and understanding of music’s fundamentally spatial natures, with significances of space found both in the immediacy of musical practices and in connection to broader identities and ideas around music. Whereas previous publications have looked at connections between music and space through singular lenses (such as how they are linked to ethnic identities or how musical images of a city are constructed), this book sets out to explore intersections between multiple scales and kinds of musical spaces. It complements the investigation of broader power structures and place-based identities by a detailed focus on the moments of music-making and musical environments, revealing the mutual shaping of these levels. The book overcomes a Eurocentric focus on a typically narrow range of musics (especially European and North American classical and popular forms) with case studies on a diverse set of genres and global contexts, inspiring a range of ethnographic, text-based, historical, and practice-based approaches.
In Revolution Squared Atef Shahat Said examines the 2011 Egyptian Revolution to trace the expansive range of liberatory possibilities and containment at the heart of every revolution. Drawing on historical analysis and his own participation in the revolution, Said outlines the importance of Tahrir Square and other physical spaces as well as the role of social media and digital spaces. He develops the notion of lived contingency—the ways revolutionary actors practice and experience the revolution in terms of the actions they do or do not take—to show how Egyptians made sense of what was possible during the revolution. Said charts the lived contingencies of Egyptian revolutionaries from the decade prior to the revolution’s outbreak to its peak and the so-called transition to democracy to the 2013 military coup into the present. Contrary to retrospective accounts and counterrevolutionary thought, Said argues that the Egyptian Revolution was not doomed to defeat. Rather, he demonstrates that Egyptians did not fully grasp their immense clout and that limited reformist demands reduced the revolution’s potential for transformation.
Despite growing cultural and economic homogenization across the globe, the visible presence of immigrant communities stands out in many metropolises of the world. In almost all major cities the cultural and physical presence of various ethnic or religious groups is very much in evidence. Yet, until now, the academic treatment of international migration has mostly been confined to limited case studies, single ethnic groups, or single locations. Crossing Over offers an alternative to this method, bringing together a diverse group of academics charged with submitting new research that juxtaposes experiences and draws on comparisons between aspects of migration in Europe and the United States. The essays focus on two main issues: security issues--heightened by recent terrorist activities--and the question of citizenship, identity, and host-guest interaction. The result is a collection of accessible research essays that shed light on both the parallels and differences that exist for immigrant groups across continents and cultures.