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This volume investigates Degas' dual role as both artist and collector. Featuring works by well-known artists like Delacroix, Ingres, Daumier, Manet, Cézanne, Gauguin, Van Gogh, Cassatt, and others, this publication is the definitive text outlining Degas' long career collecting important pieces by his predecessors as well as his contemporaries. -- Metropolitan Museum of Art website.

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American Art Association, Anderson Galleries (Firm)

Published: 1922

Total Pages: 1662


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This new catalogue of the paintings of Camille Pissarro, while drawing extensively on the 1939 edition published by his son, makes an innovative contribution to the understanding of the work of this great artist through the discovery of previously unpublished pictures and documents. Over a career that spanned the second half of the 19th century, Pissarro tested every pictorial experiment of his time, from Impressionism to Pointillism. His rich style reveals the gifts of a great colorist and of a master of light endowed with a striking sensitivity to nature. This exhaustive 3-volume catalogue, co-published with the Wildenstein Institute, features 1528 paintings--of which 213 have never been published or are little known--detailed commentaries with rigorous analyses of each work, a complete biography of the artist, illustrated with archival photographs, a bibliography and a complete list of exhibitions.
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.