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This volume gathers twelve studies on key aspects of the history of Rome and its empire between the end of the Hannibalic War (200 BCE) and the election of Tiberius Gracchus to the tribunate (134 BCE). Through this periodization, which places the focus on what intervened between two major and well-studied historical turning points in Republican history, the book aims to bring new light to the interplay between imperial expansion, political volatility, and intellectual developments, and on the various levels on which historical change unfolded. The lack of a continuous ancient narrative for this period, even late or derivative, has shaped much of the historiographical discourse about it. This volume seeks to convey a new sense of the depth of the period and establishes new connections among aspects of human agency and action that are usually considered in isolation from one another. It puts in fruitful dialogue contribution on a range of topics as diverse as climate change, oratory, agrarian laws, urban architecture, and the civilian military, among others. The result is a diverse, multifocal, non-hierarchical assessment of a critical but often understudied period in Roman history. With a well-balanced list of established and up-and-coming scholars, A Community in Transition fills a substantial historiographical gap in the study of the Roman Republic.
Roman plays have been well studied individually (even including fragmentary or spurious ones more recently). However, they have not always been placed into their ‘context’, though plays (just like items in other literary genres) benefit from being seen in context. This edited collection aims to address this issue: it includes 33 contributions by an international team of scholars, discussing single plays or Roman dramatic genres (including comedy, tragedy and praetexta, from both the Republican and imperial periods) in contexts such as the literary tradition, the relationship to works in other literary genres, the historical and social situation, the intellectual background or the later reception. Overall, they offer a rich panorama of the role of Roman drama or individual plays in Roman society and literary history. The insights gained thereby will be of relevance to everyone interested in Roman drama or literature more generally, comparative literature or drama and theatre studies. This contextual approach has the potential of changing the way in which Roman drama is viewed.
Reprint of the original, first published in 1875.