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SHAW 21 offers readers an eclectic perspective on Shaw, his works, and his contemporaries. Basil Langton, actor and director, reminisces about his early development as an actor, his meeting with Shaw, and his career as director of many of Shaw's plays. He focuses upon Shaw's stagecraft, augmenting his views with those of Sybil Thorndike and Sir Lewis Casson, whom he interviewed in 1960. Galen Goodwin Longstreth analyzes the correspondence between Shaw and Ellen Terry and argues that the exchange is itself a literary genre, a dramatic performance that reveals their personal identities. The next two contributors, Stanley Weintraub and Andrea Adolph, examine the Shaw/Virginia Woolf relationship. Weintraub focuses on those occasions when their respective lives touched each other, what their feelings for each other were, and how those occasions were obliquely woven into Shaw's plays, most notably Heartbreak House. Professor Adoph argues that in Woolf's only dramatic text, Freshwater: A Comedy, she was conforming to the traditional theatrical mode of the day, dominated, of course, by Shaw, but that she subverted his traditional literary depiction of paternity as, for example, the paternity dramatized in Major Barbara. Sidney Albert and Bernard Dukore provide unique perspectives on reading Major Barbara. Albert shows how John Bunyan's The Pilgrim's Progress serves as Shaw's source for Barbara's progress toward enlightened understanding. Dukore, focusing on the perspective of the familial relationship within the play, concludes that Shaw's dialectic gives the kids the future and not the dad. It will be the next generation, not Father Undershaft, who will determine where society will go next. Julie Sparks and Martin Bucco approach Shaw from a comparative basis, juxtaposing him with two American writers, contemporaries of Shaw, Mark Twain and Sinclair Lewis, respectively. Sparks explores the commonality that exists in Shaw's and Twain's thinking about evolution, namely, their heretical visions of a post-Darwinian Eden. Both viewed conventional Christianity iconoclastically, but both arrived at different conclusions about human origin and destiny, a view Sparks describes as emanating from the deist-pessimist-evolutionary-determinist perspective versus the mystic-optimistic-creative-evolutionist perspective, or the Personal Godhead versus the Impersonal Force. Professor Bucco enumerates the many references Sinclair Lewis makes to Bernard Shaw throughout his writings, both prose and fiction, to underscore the American novelist's admiration for the Irish playwright, both recipients of the Nobel Prize for Literature. The final two contributors to SHAW 21, Rodelle Weintraub and William Doan, provide the readers with distinctive perspectives on John Bull's Other Island and The Doctor's Dilemma, respectively. Weintraub recasts the play into a dream sequence whereby Doyle's dream becomes an artifice for problem solving. Implied within Father Keegan's lines in the play, "Every dream is a prophecy: every jest is an earnest in the womb of Time," is the resolution of Doyle's problem with Nora, the girl he had left behind, and of the dream of modernizing Roscullen. Doan suggests that in The Doctor's Dilemma Shaw uses the idea of unconsummated adultery to argue for the efficacy of art over science. In the conflict between the artist and the scientist, the latter plans to have the artist's muse. In the end, not only is he deprived of the wife but also of the works of art themselves and the spirit that animates them. SHAW 21 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
This is the story of T.E. Lawrence (Lawrence of Arabia) as Aircraftman T.E. Shaw at RAF College Cranwell in Lincolnshire from August 1925 - December 1926.
Since the end of the First World War, the legend of 'Lawrence of Arabia' has enjoyed much currency in the popular imagination of the West. Behind this legend, however, is a man, Thomas Edward Lawrence, tortured and brilliant, a man whose life and literature reflect the modern consciousness and the war that indelibly marked it. Here in this volume are essays which seek to address what has been overlooked by the legend and to better understand the legacy of his presence in the twentieth century. Contributors explore Lawrence's relation to other major writers of his time, the colonial and postcolonial implications of his link with Arabia, his sexuality, and his status as cultural icon.
A major new history of Churchill in the 1930s, showing how his meetings at Chartwell, his country home, strengthened his fight against the Nazis In the 1930s, amidst an impending crisis in Europe, Winston Churchill found himself out of government and with little power. In these years, Chartwell, his country home in Kent, became the headquarters of his campaign against Nazi Germany. He invited trusted advisors and informants, including Albert Einstein and T. E. Lawrence, who could strengthen his hand as he worked tirelessly to sound the alarm at the prospect of war. Katherine Carter tells the extraordinary story of the remarkable but little known meetings that took place behind closed doors at Chartwell. From household names to political leaders, diplomats to spies, Carter reveals a fascinating cast of characters, each of whom made their mark on Churchill's thinking and political strategy. With Chartwell as his base, Churchill gathered intelligence about Germany's preparations for war--and, in doing so, put himself in a position to change the course of history.
Michael Korda’s Hero is an epic biography of the mysterious,Englishman whose daring exploits made him an object of intense fascination, known the world over as ‘Lawrence of Arabia. An Oxford Scholar and archaeologist, T.E. Lawrence was sent to Cairo as an intelligence officer in 1916 and vanished into the desert in 1917. He united and led the Arab tribes to defeat the Turks and eventually capture Damascus, an adventure he recorded in the classic Seven Pillars of Wisdom. A born leader, utterly fearless and seemingly impervious to pain and danger, he remained modest, and retiring. Farsighted diplomat, brilliant military strategist, the first media celebrity, and acclaimed writer, Lawrence was a visionary whose achievements transcended his time: had his vision for the modern Middle East been carried through, the hatred and bloodshed that have since plagued the region might have prevented. The democratic reforms he would have implemented as British High Commissioner of Egypt, are those the Egyptians are now demanding, 91 years later. Ultimately, as this magisterial work demonstrates, Lawrence remains the paradigm of the hero in modern times.
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant.An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers.For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl
Apsley Cherry-Garrard was one of the youngest members of Robert Falcon Scott’s legendary expedition to Antarctica, the last man sent out to meet Captain Scott and his men in February 1912, when they were expected to return victorious any day from the South Pole. He embarked on his own epic journey into the Antarctic winter to collect eggs of the Emperor penguin. It was dark all the time, his teeth shattered, and the tent blew away in the cold. “But we kept our tempers,” he wrote, “even with God.” After serving in the First World War, with zealous encouragement from his neighbor George Bernard Shaw, Cherry wrote the undisputed masterpiece of polar literature, The Worst Journey in the World. But as the years progressed, he faced a terrible struggle against depression and despair. Sara Wheeler’s Cherry is the first biography of this great hero of Antarctic exploration, written with unrestricted access to his papers and with the full cooperation of his family.