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Years have passed since anti-terrorist agent John Corey battled Asad Khalil, a deadly Libyan terrorist known as the Lion. Now Khalil has returned to once again terrorize America and to get revenge on Corey. However, Corey is willing to risk everything to eliminate his longtime nemesis.
Leo Drake, the “Mad Monk of Monkcrest,” is notoriously eccentric and unquestionably reclusive. But he is also a noted antiquities expert, which is why Beatrice Poole has demanded his reluctant assistance. The freethinking authoress of “horrid novels,” Beatrice is searching for the Forbidden Rings of Aphrodite, a mythic treasure she suspects played a role in her uncle's death. Beatrice finds Leo every bit as fascinating as one of the heroes in her novels—and she's convinced he's the only one who can help her. But after only five minutes in her company, Leo is sure he's never met a woman more infuriating . . . and more likely to rescue him from boredom. Yet the alliance may well prove to be the biggest mistake of their lives. For a villain lurks in London, waiting for the pair to unearth the Forbidden Rings—knowing that when they do, that day will be their last. . . . Praise for With This Ring “If you start an Amanda Quick book in the late afternoon, you'll probably spend the night with it.”—The Denver Post “[Amanda Quick is] an exceptional storyteller.”—Daily News of Los Angeles
This volume of essays traces the historical-sociological background of minority policies in Hungary, along with nation's changing image and its immigration problems in the 20th century.
Jane Roberts is a celebrity. Now that Jane has weathered her first season on the air, she's learned a few things. Most importantly: Hollywood is full of people trying to use you. So Jane is trying to surround herself with the people she knows love her for her. Jane is on a break from boys. But that doesn't mean she can't hang out with Caleb.
Poet, painter, and engraver William Blake died in 1827 in obscure poverty with few admirers. The attention paid today to his remarkable poems, prints, and paintings would have astonished his contemporaries. Admired for his defiant, uncompromising creativity, he has become one of the most anthologized and studied writers in English and one of the most studied and collected British artists. His urge to cast words and images into masterpieces of revelation has left us with complex, forceful, extravagant, some times bizarre works of written and visual art that rank among the greatest challenges to plain understanding ever created. This Companion aims to provide guidance to Blake s work in fresh and readable introductions: biographical, literary, art historical, political, religious, and bibliographical. Together with a chronology, guides to further reading, and glossary of terms, they identify the key points of departure into Blake s multifarious world and work.
Hungarian language children's book. Jimmy, the little bunny doesn't want to sleep in his own bed. Every night he sneaks quietly into his parents' room and falls asleep in their bed. Until one night something unexpected happened....
Numerous claims have been made for a sexual Blake, from post-lapsarian pessimist to free-loving hippie. Queer Blake raises a flag for the weird, perverse, camp and gay directions of the artist's life and work. The contributors occupy diverse positions, illustrating what fresh interpretations result when heterosexuality is ditched as an ideal.
Representative collection of contemporary critical essays.
The Trinity of orthodox Christianity is harmonious. The Trinity for Blake is, conspicuously, not a happy family: the Father and the Son do not get on. It might be thought that so cumbersome a notion is inconceivable before the rise of Romanticism but the Ophite Gnostics of the second century AD appear to have thought that God the Father was a jealous tyrant because he forbade Adam and Eve to eat from the Tree of Knowledge and that the serpent, who led the way to the Tree of Knowledge, was really Christ. This book explores the possibility of an underground 'perennial heresy', linking the Ophites to Blake. The 'alternative Trinity' is intermittently visible in Marlowe's Doctor Faustus and even in Milton's Paradise Lost. Blake's notorious detection of a pro-Satan anti-poem, latent in this 'theologically patriarchal' epic is less capricious, better grounded historically and philosophically, than is commonly realised.
An antique bowl that comes into the possession of a lovelorn London art appraiser is no ordinary piece of clay; it is a ceramic sage, an urn of uncommon erudition that has witnessed all of history's major convulsions. Through its mantel-eye view, the pottery narrates the hilarious events which unfold in this brilliant comic romp.