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The work is today considered to be one of the cornerstones of Hungarian literature, and one of most important works of the seventeenth century of any language, but has been virtually unknown and entirely inaccessible outside of Hungary -- until now.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
This book is a printed edition of the Special Issue Religious Experience in the Hindu Tradition that was published in Religions
At the core of postmodern thought, especially in literary theory, is the belief that such ideals as truth, reason, and objectivity are social constructs that have no universal or trans-historical validity. In exploring this constructivist view, Satya P. Mohanty examines its underlying epistemological claims and their social and political implications. His book points the way toward a critical alternative to the epistemological and cultural relativisms. Mohanty grounds his critique in readings of some of the major figures of postmodernism, including Paul de Man, Louis Althusser, Fredric Jameson, and Jacques Derrida and analyzes the views of Mikhail Bakhtin, C. S. Peirce, Hilary Putnam, and Richard Rorty, particularly their notions of language and referentiality. Mohanty defends a post-positivist realist conception of objectivity as a legitimate ideal of all inquiry. He outlines a realist theory of social identity and multicultural politics which sees radical moral universalism and cultural diversity as complementary—not competing—ideals.
One of the most innovative artists and thinkers of the first half of the twentieth century, László Moholy-Nagy (1895-1946) emigrated to Britain after the forced closure of the Bauhaus, following his colleague Walter Gropius. This book examines the two years he spent in Britain in the mid-1930s before moving on to the United States--two intense years filled with commissions, collaborations, opportunities, disappointments, artistic exchanges, and friendship. Moholy-Nagy was especially known in the UK as a photographer, his photos having previously been published in the Architectural Review. In Britain, he worked as a graphic designer on books, advertisements, and London Transport posters. He worked as an art advisor for Simpsons' menswear store and designed publicity for the Isokon Furniture Company. He made a couple of documentary films--Lobsters and New Architecture at London Zoo--and worked as a designer on Things to Come for Alexander Korda. Although brief, Moholy-Nagy's English period represented the peak of his photographic activity. As well as the films and photographic essays for the AR, he was introduced by John Betjeman to publisher John Miles, who commissioned him to illustrate three books: The Street Markets of London, Eton Portrait, and An Oxford University Chest. He also worked with Gropius and Maxwell Fry on various exhibition designs. Moholy-Nagy also gave lectures and wrote articles throughout his stay and The London Gallery held an exhibition of his work in January 1937. This highly visual book weaves a stimulating collection of images, documents and narrative to create a picture of the man and the artist during this critical and highly productive phase of his life.