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The first-ever collection of essays by one of our most distinguished poets, the Pulitzer Prize–winner and former Poet Laureate of the United States. Synthesizing Gravity gathers for the first time a thirty-year selection of Kay Ryan’s probings into aesthetics, poetics, and the mind in pursuit of art. A bracing collection of critical prose, book reviews, and her private previously unpublished soundings of poems and poets—including Robert Frost, Stevie Smith, Marianne Moore, William Bronk, and Emily Dickinson—Synthesizing Gravity bristles with Ryan’s crisp wit, her keen off-kilter insights, and her appetite and appreciation for the genuine. Among essays like “Radiantly Indefensible,” “Notes on the Danger of Notebooks,” and “The Abrasion of Loneliness,” are piquant pieces on the virtues of emptiness, forgetfulness and other under-loved concepts. Edited and with an introduction by Christian Wiman, this generous collection of Ryan’s distinctive thinking gives us a surprising look into the mind of an American master. “Synthesizing Gravity is a delight, if a tart and idiosyncratic one . . . If Ryan gives us a view through a keyhole, it’s a view often made richer by its constraints.” —The New York Times Book Review “Reading Ryan’s writing will charge and recharge the mind . . . a wonderful entry point to her work.” —San Francisco Chronicle “Brilliant . . . For poetry enthusiasts and skeptics alike, this will be an inviting portal into the mind of one of America’s greatest living writers.” —Publishers Weekly (starred review) “Damn fine prose . . . What a wonderful voice [Ryan] displays.” —John Freeman, “Lit Hub’s Most Anticipated Books of 2020”
“Clear and lucid” poems from a US Poet Laureate and Pulitzer Prize winner who “journeys through the landscape of memory, consciousness, loss, and love” (The Washington Post). Kay Ryan is acclaimed for her highly relatable, deeply insightful poems. Erratic Facts is her first new collection since the Pulitzer Prize–winning The Best of It, and it is animated with her signature swift, clearheaded, lyrical style. At once witty and melancholy, playful and heartfelt, Ryan examines enormous subjects—existence, consciousness, love, loss—in compact poems that have immensely powerful resonance. Her sly rhymes and strong cadences convey both musicality and wisdom. While these pieces are composed of the same brevity and vitality that have characterized her singular voice over the course of more than twenty years, her imagination is more eccentric and daring than ever. Erratic Facts solidifies Ryan’s place at the pinnacle of American poetry. “Read a poem once and take in its crisp rhythms, subtle rhymes, and arresting images. Read it again and detect its hide-and-seek metaphors and meanings. . . . [Ryan’s] quantum poems pose resonant questions of physics and metaphysics, of attentiveness and caring on scales intimate and universal.” —Booklist
“A poetry collection that marries wit and wisdom more brilliantly than any I know” by the Pulitzer Prize–winning former US Poet Laureate (Jane Hirshfield, author of Come, Thief). Filled with wry logic and a magical, unpredictable musicality, Kay Ryan’s poems continue to generate excitement with their frequent appearances in The New Yorker and other leading periodicals. Say Uncle, Ryan’s fifth collection, is filled with the same hidden connections, the same slyness and almost gleeful detachment that has delighted readers of her earlier books. Compact, searching, and oddly beautiful, these poems, in the words of internationally acclaimed poet and writer Dana Gioia, “take the shape of an idea clarifying itself.” “The first thing you notice about her poems is an elbow-to-the-ribs playfulness.” —San Francisco Chronicle “The short lines and quick images—almost snapshots—are elemental. Ryan puts them together, then pulls them apart, and twists them in playful fashion, as though she were an alchemist with a modern experimental attitude . . . Truly short-line, one-stanza (for the most part) wonders: full-brained poems in a largely half-brained world.” —Kirkus Reviews “Witty, charming, serious and delightful . . . her tight structures, odd rhymes and ethical judgments place her more firmly in the tradition of Marianne Moore and, latterly, Amy Clampitt. Those poets, though, wrote many kinds of poems: Ryan, in this volume, writes just one kind. It is, however, a kind worth looking out for—well crafted, understated, funny and smart.” —Publishers Weekly
This book shows that the strong interaction forces, which keep hadrons and nuclei together, are relativistic gravitational forces exerted between very small particles in the mass range of neutrinos. First, this book considers the motion of two or three charged particles under the influence of electrostatic and gravitational forces only, which shows that bound states are formed by following the same semi-classical methodology used by Bohr to describe the H atom. This approach is also coupled with Newton’s gravitational law and with Einstein’s special relativity. The results agree with experiments on the masses, binding energies, radii, angular moments and magnetic moments of hadrons. The model provides the means to rationalize all the main experimental features of the strong force. Some of the implications for the unification of forces and the nature of our micro-cosmos and macro-cosmos are also discussed. The creation of mass itself, in other words, of hadrons from particles as light as neutrinos, can now be modeled in a straightforward manner.
How do we live well? The first sentence of Grace and Gravity raises the fundamental question that constantly occupies our minds-and of all those who lived before us. Paradoxically, the impossibility of answering this question opens up the very room needed to find ways of living well. It is the gap where all disciplines fall short, where architecture does not fit its inhabitants, where economy is not based on shortage, where religion cannot be explained by its followers, and where technology works far beyond its own principles. According to Lars Spuybroek, the prize-winning former architect, this marks the point where the “paradoxical machine” of grace reveals its powers, a point where we “cannot say if we are moving or being moved”. Following the trail of grace leads him to a new form of analysis that transcends the age-old opposition between appearances and technology. Linking up a dazzling and often delightful variety of sources-monkeys, paintings, lamp posts, octopuses, tattoos, bleeding fingers, rose windows, robots, smart phones, spirits, saints, and fossils-with profound meditations on living, death, consciousness, and existence, Grace and Gravity offers an eye-opening provocation to a wide range of art historians, architects, theologians, anthropologists, artists, media theorists and philosophers.
Based on the IAG scientific assembly in Rio de Janeiro, Brazil, this volume combines papers in the fields of gravity and geoid, geodynamics, and geodesy in Antarctica. The volume contains papers on recent progress in absolute and relative gravimetry, on models of the global gravity field, theoretical developments in physical geodesy, and many examples of regional gravity field and geoid models. Geodynamics chapters include papers on earth rotation and geopotential variations, reference frames and global deformations, as well as a section on the combination of space and terrestrial methods for deformation observations. The current status of geodesy in Antarctica is illustrated by a number of papers.
Elephant Rocks, Kay Ryan’s third book of verse, shows a virtuoso practitioner at the top of her form. Engaging and secretive, provocative and profound, Ryan’s poems have generated growing excitement with their appearances in The New Yorker and other leading periodicals. Sometimes gaudily ornamental, sometimes Shaker-plain, here is verse that is compact on the page and expansive in the mind.
These Proceedings include the written version of papers presented at the IAG International Symposium on "Gravity, Geoid and Earth Observation 2008". The Symposium was held in Chania, Crete, Greece, 23-27 June 2008 and organized by the Laboratory of Geodesy and Geomatics Engineering, Technical University of Crete, Greece. The meeting was arranged by the International Association of Geodesy and in particular by the IAG Commission 2: Gravity Field. The symposium aimed at bringing together geodesists and geophysicists working in the general areas of gravity, geoid, geodynamics and Earth observation. Besides covering the traditional research areas, special attention was paid to the use of geodetic methods for: Earth observation, environmental monitoring, Global Geodetic Observing System (GGOS), Earth Gravity Models (e.g., EGM08), geodynamics studies, dedicated gravity satellite missions (i.e., GOCE), airborne gravity surveys, Geodesy and geodynamics in polar regions, and the integration of geodetic and geophysical information.