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The work sketches the main outlines of Indian naturalism as it appears in both systematic and unsystematic speculation before its decline in the Indian Middle Ages, which began around the time of Muhammed.
The establishment of a settlement at the Cape of Good Hope in the seventeenth century and an expansion of the sphere of colonial influence in the eighteenth century made South Africa the only part of sub-Saharan Africa where Europeans could travel with relative ease deep into the interior. As a result individuals with scientific interests in Africa came to the Cape. This book examines writings and drawings of scientifically educated travellers, particularly in the field of ethnography, against the background of commercial and administrative discourses on the Cape. It is argued that the scientific travellers benefited more from their relationship with the colonial order than the other way around.
This book contains a collection of original research articles on lexicography written by prominent international scholars within the field. It aims at describing the state-of-the-art in lexicography at the beginning of the 21st century and at making proposals for future theoretical and practical work in the field. Theoretical lexicography currently has two competing theories: a contemplative theory focusing on the description of existing dictionaries on the basis of linguistic principles, and a function-based, transformative theory focusing on the dictionary and the user in order to develop new principles for dictionary research and dictionary making. Research in lexicography has now reached a crossroads and it is time to take stock of the present situation and try to identify the theories and principles that will set the agenda and point the direction for future lexicographic research and the production of printed and electronic dictionaries.
“I was immediately mesmerized . . . as brilliant as it is haunting.” —Toni Morrison In 1940s apartheid South Africa, Milla de Wet discovers a child abandoned in the fields of her family farm. Ignoring the warnings of friends and family, Milla brings the girl, Agaat, into her home. But the kindness is fleeting, as Milla makes Agaat her maidservant and, later, a nanny for her son. At turns cruel and tender, this relationship between a wealthy white woman and her Black maidservant is constantly fraught and shaped by a rigid social order. Decades later, Milla is confined to her bed with ALS, and is quickly losing her ability to communicate. Her family has fallen apart, her country is on the brink of change, and all she has left are her memories—and a reckoning with the only person who remains by her side: Agaat. In complex and devastating ways, the power shifts between the two women, mirroring the historic upheavals happening around them and revealing a shared lifetime of hopes, sacrifices, and control. Hailed as an international masterpiece, Marlene van Niekerk’s Agaat is a haunting and deeply layered saga of resilience, loyalty, betrayal, and how the passage of time cannot heal all wounds.