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An anthology of fantasy and science fiction stories featuring battle poets
Excerpt from Sword Blades and Poppy Seed N 0 one expects a man to make a chair Without first learning how, but there is a popular impres sion that the poet is born, not made, and that his verses burst from his overflowing heart of them selves. As a matter of fact, the poet must learn his trade in the same manner, and With the same painstaking care, as the cabinet-maker. His heart may overflow with high thoughts and sparkling fancies, but if he cannot convey them to his reader by means of the written word he has no claim to be considered a poet. A workman may be par doned, therefore, for spending a few moments to explain and describe the techhique of his trade. A work of beauty Which cannot stand an inti mate examination is a poor and jerry-built thing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
As the only female detective in Tokyo's most elite police unit, Mariko Oshiro has to fight for every ounce of respect, especially from her new boss. But when he gives her the least promising case possible, the attempted theft of an old samurai sword, it proves more dangerous than anyone on the force could have imagined. Mariko's investigation has put her on a collision course with a curse centuries old and as bloodthirsty as ever. She is only the latest in a long line of warriors and soldiers to confront this power, and even the sword she wields could turn against her.
Vulcan the god has a hard task to perform for his bored and restless colleagues — forge 12 magic Swords, quenched with human blood, and scatter them across the world. Each Sword possesses a different power. With them the gods will play a new, grand, and glorious Game. Mere humans foolishly striving for dominion, wealth and glory, are invited to risk their puny lives by joining in. (Later, the gods realize with horror that something has gone wrong in the forging, and with the Game. The Swords are much too powerful, controlling chance, enhancing fortune, changing destiny. And lethal even to their divine creators.) Jord the Smith, drafted to help Vulcan in his task, loses his right arm in the process (receiving the Sword Townsaver as pay). He is too weak to claim Mala, his bride-to-be, who joins a traditional fertility rite, where her partner might be the enigmatic Emperor, his face hidden by a leather mask. Nine months later, she gives birth to Mark. Thirteen years pass, then Townsaver wipes out a raiding party on orange-furred warbeasts, sent to Mark’s village. It falls to Mark to carry the blade away to hide or destroy it.
Joy Davidman (1915-1960) is probably best known today as the woman that C.S. Lewis married in the last decade of his life. But she was also an accomplished writer in her own right - an award-winning poet and a prolific book, theatre, and film reviewer during the late 1930s and early 1940s. This title provides a comprehensive critical study of Joy Davidman's poetry, nonfiction, and fiction.