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An innovative study of the influence of black popular culture on modern American life; In any age and any given society, cultural practices reflect the material circumstances of people's everyday lives. According to Joel Dinerstein, it was no different in America between the two World Wars - an era sometimes known as the machine age - when innovative forms of music and dance helped a newly urbanized population cope with the increased mechanization of modern life. Grand spectacles such as the Ziegfield Follies and the movies of Busby Berkeley captured the American ethos of mass production, with chorus girls as the cogs of these fast, flowing pleasure vehicles. Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Drawing on a legacy of engagement with and resistance to technological change, with deep roots in West African dance and music, black artists developed new cultural forms that sought to humanize machines. In The Ballad of John Henry, the epic toast Shine, and countless blues songs, African Americans first addressed the challenge of industrialization. Jazz musicians drew
“This gonzo-journalistic exploration of the Silicon Valley techno-utopians’ pursuit of escaping mortality is a breezy romp full of colorful characters.” —New York Times Book Review (Editor's Choice) Transhumanism is a movement pushing the limits of our bodies—our capabilities, intelligence, and lifespans—in the hopes that, through technology, we can become something better than ourselves. It has found support among Silicon Valley billionaires and some of the world’s biggest businesses. In To Be a Machine, journalist Mark O'Connell explores the staggering possibilities and moral quandaries that present themselves when you of think of your body as a device. He visits the world's foremost cryonics facility to witness how some have chosen to forestall death. He discovers an underground collective of biohackers, implanting electronics under their skin to enhance their senses. He meets a team of scientists urgently investigating how to protect mankind from artificial superintelligence. Where is our obsession with technology leading us? What does the rise of AI mean not just for our offices and homes, but for our humanity? Could the technologies we create to help us eventually bring us to harm? Addressing these questions, O'Connell presents a profound, provocative, often laugh-out-loud-funny look at an influential movement. In investigating what it means to be a machine, he offers a surprising meditation on what it means to be human.
Perfect for fans of Stuart Gibbs and James Ponti, this “absolute blast” (Jarrett Lerner, author of the EngiNerds series) of a middle grade sci-fi adventure set in 1980s Ohio follows a young girl who makes incredible discoveries about family and belonging while chasing a kidnapping robot. It’s the summer of 1983, and one by one, the kids of Far Flung Falls are disappearing. With sheer drop-offs at every turn, the woods behind Molly McQuirter’s house have always been a dangerous place—even before something big and metal started lurking in them. But when Molly’s little brother is snatched up before her eyes, she has no choice but to follow. Sure, Wally tends to ruin everything, and his finger practically lives up his nose, but she isn’t about to let him be abducted by some unknown enemy, especially since their mom ran off to Florida two years ago and their dad, who’s slowly morphing into a couch potato, won’t be any help. If Molly wants to protect the family she has left, Wally’s rescue is going to be up to her. So, aided a crew of unusually determined pets, Molly sets off on Pink Lightning—her tricked-out bicycle—on a chase through the hills of southern Ohio. Finding the robot culprit only creates more questions, however, and when the unlikely mastermind behind the robot is uncovered, a new story begins to unfold—one of lost love, family bonds, and some seriously weird science.
The story, based on extensive individual interviews, of the women’s swing bands that toured extensively during World War II and after -- a kind of “League of their Own” for jazz.
In 1957, Ben Hogan’s Five Lessons: The Modern Fundamentals of Golf introduced a technique that transformed the golf game. Almost every golfer, recreational or professional, used some elements of his method. It has since been the “gold standard” for half a century. But in the last two decades, driving distances have stagnated. Rory McIlroy, the distance leader in 2018, drove it a mere 14 yards past John Daly in 1999. With the attendant advances in the golf ball and equipment technology, that improvement is meager. It does suggest that the modern swing has reached its technical limits. Hogan’s method has several stumbling blocks. Notably, its shoulder-width stance is too wide for efficient motion and the insufficiently open left foot, at 22 degrees, effectively blocks the downswing. The result is a weak “concave” strike on the ball. The Reflex Convex Swing introduces a whole new method of striking the ball with a “convex” bow shaft. A feat unimagined, let alone attempted before. The Convex Strike Force will deliver undreamed-of distances. The Convex Swing will change the game! The Reflex Convex Swing is the “silver bullet” to pierce and take down the “gold standard”. Will it stand the test of time? Probably. The “convex” bow shaft is the only other way to bend a shaft - there is no third way. This DIY book teaches you to master golf reflexively with various drills and well-illustrated diagrams designed for self-training. You can acquire the “silver bullet”, load it, lock it, and be ready to fire. Now! Indeed you may beat five professionals, identified in the book, to be the first to strike the ball with a “convex” bow shaft.
A guidebook to the human body, examining conception, heredity, and stages of life, the circulatory and immune systems, the heart, brain, senses, digestion, and much more.