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A selection of Swift's Irish pamphlets, illustrating the full range of his interests and commitments. Also included is a special appendix which lists all his prose writing on Ireland.
This edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and significance of each piece. Familiar works such as "Gulliver's Travels" and "A Tale of a Tub" acquire new and deeper meanings when considered within the Irish frameworks presented in the edition. Differing in noteworthy ways from the more traditional, canonical, Anglocentric picture conveyed by other published volumes, the Swift that emerges from these pages is a brilliant polemicist, popular satirist, political agitator, playful versifier, tormented Jeremiah, and Irish patriot.
In one of the most powerful and darkly satirical works of the 18th century, a chilling solution is proposed to address the dire poverty and overpopulation plaguing Ireland. Jonathan Swift presents a shockingly calculated and seemingly rational argument for using the children of the poor as a food source, thereby addressing both the economic burden on society and the issue of hunger. This provocative piece is a masterful example of irony and social criticism, as it exposes the cruel attitudes and policies of the British ruling class towards the Irish populace. Jonathan Swift's incisive critique not only underscores the absurdity of the proposed solution but also serves as a profound commentary on the exploitation and mistreatment of the oppressed. A Modest Proposal remains a quintessential example of satirical literature, its biting wit and moral indignation as relevant today as it was at the time of its publication. JONATHAN SWIFT [1667-1745] was an Anglo-Irish author, poet, and satirist. His deadpan satire led to the coining of the term »Swiftian«, describing satire of similarly ironic writing style. He is most famous for the novel Gulliver’s Travels [1726] and the essay A Modest Proposal [1729].
Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish Studies Renowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century. Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
A celebration of the tenacious life of the enduring Irish classics, this book by one of Irish writing's most eloquent readers offers a brilliant and accessible survey of the greatest works since 1600 in Gaelic and English, which together have shaped one of the world's most original literary cultures. In the course of his discussion of the great seventeenth- and eighteenth-century Gaelic poems of dispossession, and of later work in that language that refuses to die, Declan Kiberd provides vivid and idiomatic translations that bring the Irish texts alive for the English-speaking reader. Extending from the Irish poets who confronted modernity as a cataclysm, and who responded by using traditional forms in novel and radical ways, to the great modern practitioners of such paradoxically conservative and revolutionary writing, Kiberd's work embraces three sorts of Irish classics: those of awesome beauty and internal rigor, such as works by the Gaelic bards, Yeats, Synge, Beckett, and Joyce; those that generate a myth so powerful as to obscure the individual writer and unleash an almost superhuman force, such as the Cuchulain story, the lament for Art O'Laoghaire, and even Dracula; and those whose power exerts a palpable influence on the course of human action, such as Swift's Drapier's Letters, the speeches of Edmund Burke, or the autobiography of Wolfe Tone. The book closes with a moving and daring coda on the Anglo-Irish agreement, claiming that the seeds of such a settlement were sown in the works of Irish literature. A delight to read throughout, Irish Classics is a fitting tribute to the works it reads so well and inspires us to read, and read again.
The Cambridge Companion to Jonathan Swift is a specially commissioned collection of essays. Arranged thematically across a range of topics, this volume will deepen and extend the enjoyment and understanding of Jonathan Swift for students and scholars. The thirteen essays explore crucial dimensions of Swift s life and works. As well as ensuring a broad coverage of Swift s writing - including early and later works as well as the better known and the lesser known - the Companion also offers a way into current critical and theoretical issues surrounding the author. Special emphasis is placed on Swift s vexed relationship with the land of his birth, Ireland; and on his place as a political writer in a highly politicised age. The Companion offers a lucid introduction to these and other issues, and raises new questions about Swift and his world. The volume features a detailed chronology and a guide to further reading.
Artie Cohen is a good-looking New York City cop with a taste for women and jazz and no intention of looking back to the past he left behind twenty-five years earlier in Moscow. In Red Hot Blues, he is faced with a case that leaves him no choice but to confront that past. When a former KGB general is shot dead on live TV, Artie is compelled to take the case; the general was a friend of his father's. Artie doesn't have to go far until he is led into the heart of the Brighton Beach mafia, where the most lethal weapon on the street is rumored to be an elusive substance known as Red Mercury - an atomic weapon that has the terrifying advantage of being pocket-sized. Artie stumbles upon a radioactive trail of atomic smuggling that leads all the way back to Moscow. For Artie to solve this case, he must reclaim his past and return to the home he left behind. It is in Moscow that he finds love, tragedy, and the truth.
This is the first comprehensive analysis of late eighteenth-century Irish patriot thought and its development into 1790s radical republicanism. The book is a history of the rich political ideas and languages that emerged from the tumultuous events and colourful individuals of this pivotal period in Irish history. Patriots, radicals, and republicans played key roles in the movements for free trade, legislative independence, parliamentary reform, Catholic relief and independence fromBritain; and many of their ideas helped precipitate the rebellion in 1798. Stephen Small explains the ideological background to these issues, sheds new light on the origins of Irish republicanism, and places late eighteenth-century Irish political thought in the wider context of British, Atlantic,and European ideas.Dr Small argues that Irish patriotism, radicalism, and republicanism were constructed out of five key political 'languages': Protestant superiority, ancient constitutionalism, commercial grievance, classical republicanism, and natural rights. These political languages, which were Irish dialects of languages shared with the English-speaking and European world, combined in the late 1770s to construct the classic expression of Irish patriotism. This patriotism was full of contradictions,containing the seeds of radical reform, Catholic emancipation, and republican separatism - as well as a defence of Protestant Ascendancy.Over the next two decades, the American and French Revolutions, the reform movement, popular politicization, Ascendancy reaction, and Catholic political revival disrupted and transformed these languages, causing the fragmentation of a broad patriot consensus and the emergence from it of radicalism and republicanism. These developments are explained in terms of tensions and interactions between Protestant assumptions of Catholic inferiority, the increasing popularity of natural rights, and theenduring centrality of classical republican concepts of virtue to all types of patriot thought.