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Acland looks back at the strange history of subliminal seduction: a theory first propagated in the late 1950s by marketing researcher James Vicary, who claimed that movie audiences bought more refreshments if advertising messages too quick to be noticed were inserted into movies. The study was soon proven false, but that hasnt kept the concept from having a long afterlife in the popular imagination.
These kitchen-tested recipes, reflecting the savory dishes for which the Deep South is noted, will have strong appeal for the sophisticated cook and the beginner as well. Collected and refined during the author's long career as a Louisiana State University home demonstration agent, these more than 700 recipes will provide the basis for countless hours of cooking and dining pleasure. Included are sections dealing with the preparation of gumbos and soups, breads, poultry, meats, seafood, rice, vegetables, salads, pastries, candies, jellies, jams, and preserves. Also presented are the author's special salad secrets, a complete section on the preparation of party foods, and surefire instructions on how to brew a perfect pot of coffee.
This edition presents Jonathan Swift's most important Irish writings in both prose and verse, together with an introduction, head notes and annotations that shed new light on the full context and significance of each piece. Familiar works such as "Gulliver's Travels" and "A Tale of a Tub" acquire new and deeper meanings when considered within the Irish frameworks presented in the edition. Differing in noteworthy ways from the more traditional, canonical, Anglocentric picture conveyed by other published volumes, the Swift that emerges from these pages is a brilliant polemicist, popular satirist, political agitator, playful versifier, tormented Jeremiah, and Irish patriot.
Swifts pose some of the most difficult identification field identification problems and it is the aim of this guide to provide information that will help resolve many of these problems. For the first time all 96 species of swifts and treeswifts are included in a single volume. Swifts are found throughout the world except in the polar regions; some, such as the Common Swift and the Chimney Swift, are common and widespread, but others are both elusive and scarce. The 24 colour plates have been designed so that, wherever possible, species that can be confused are shown together. All species and, wherever relevant, all distinct plumage differences have been illustrated in flight, from above and below. The main field characteristics are highlighted in the accompanying caption text to facilitate the separation of species whose ranges overlap. The comprehensive text has a strong emphasis on identification and distribution, but also includes information on habitat, voice, habits and breeding. The species' descriptions are very detailed, often describing features that are not easily visible in the field but which may contribute to the overall appearance of the bird. They are intended to be useful both in the field and in the hand. A range map accompanies each species account and many line drawings are included to illustrate specific features. Phil Chantler and Gerald Driessens have between them observed a large number of the world's swifts and they have drawn extensively on this experience in producing this work. This text includes much unpublished data and the painstakingly-researched plates are based on field sketches and photographs wherever possible. This important book, which is the standard reference on the subject, will stimulate interest in these fascinating and challenging birds.
The Enthusiast tells the story of a character type that was developed in early modern Britain to discredit radical prophets during an era that witnessed the dismantling of the Church of England's traditional means for punishing heresy. As William Cook Miller shows, the caricature of fanaticism here called the Enthusiast began as propaganda against religious dissenters, especially working-class upstarts, but was adopted by a range of writers as a literary vehicle for exploring profound problems of spirit, soul, and body and as a persona for the ironic expression of their own prophetic illuminations. Taking shape through the public and private writings of some of the most insightful authors of seventeenth-century Britain—Henry More, John Locke, the Third Earl of Shaftesbury, Mary Astell, and Jonathan Swift, among others—the Enthusiast appeared in various guises and literary modes. By attending to this literary being and its animators, The Enthusiast establishes the figure of the fanatic as a bridge between the Reformation and the Enlightenment, showing how an incipient secular modernity was informed by not the rejection of religion but the transformation of the prophet into something sparkling, witty, ironic, and new.
The second episode in this award-winning trilogy impressively shows how the Union and Confederacy, slowly and inexorably, reconciled themselves to an all-out war—an epic struggle for freedom. In Terrible Swift Sword, Bruce Catton tells the story of the Civil War as never before—of two turning points which changed the scope and meaning of the war. First, he describes how the war slowly but steadily got out of control. This would not be the neat, short, “limited” war both sides had envisioned. And then the author reveals how the sweeping force of all-out conflict changed the war’s purpose, in turning it into a war for human freedom. It was not initially a war against slavery. Instead, this was, Mr. Lincoln kept insisting, a fight to reunite the United States. At first, it was not even much of a fight. Cautious generals; inexperienced, incompetent, or jealous administrators; shortages of good people and supplies; excess of both gloom and optimism, kept each side from swinging into decisive action. As the buildup began, there were maddening delays. The earliest engagements were halting and inconclusive. After these first tests at arms, reputations began to crumble. Buell, Halleck, Beauregard Albert Sidney Johnston. Failed to drive ahead—for reasons good and bad. General McClellan (impaled in these pages on the arrogant words of his letters) captured more imaginations than enemies, and continued to accept serious over estimates of Confederate strength while becoming more and more fatally estranged from his own government.
Harness the power of the latest edition with this in-depth and comprehensive guide to the Swift language Key FeaturesFifth edition of this bestselling book, improved and updated to cover the latest version of the Swift 5 programming languageGet to grips with popular and modern design techniques to write easy-to-manage Swift codeLearn how to use core Swift features such as concurrency, generics, and copy-on-write in your codeBook Description Over the years, the Mastering Swift book has established itself amongst developers as a popular choice as an in-depth and practical guide to the Swift programming language. The latest edition is fully updated and revised to cover the new version: Swift 5. Inside this book, you'll find the key features of Swift 5 easily explained with complete sets of examples. From the basics of the language to popular features such as concurrency, generics, and memory management, this definitive guide will help you develop your expertise and mastery of the Swift language. Mastering Swift 5, Fifth Edition will give you an in-depth knowledge of some of the most sophisticated elements in Swift development, including protocol extensions, error handling, and closures. It will guide you on how to use and apply them in your own projects. Later, you'll see how to leverage the power of protocol-oriented programming to write flexible and easier-to-manage code. You will also see how to add the copy-on-write feature to your custom value types and how to avoid memory management issues caused by strong reference cycles. What you will learnUnderstand core Swift components, including operators, collections, control flows, and functionsLearn how and when to use classes, structures, and enumerationsUnderstand how to use protocol-oriented design with extensions to write easier-to-manage codeUse design patterns with Swift, to solve commonly occurring design problemsImplement copy-on-write for you custom value types to improve performanceAdd concurrency to your applications using Grand Central Dispatch and Operation QueuesImplement generics to write flexible and reusable codeWho this book is for This book is for developers who want to delve into the newest version of Swift. If you are a developer and learn best by looking at and working with code, then this book is for you. A basic understanding of Apple's tools would be beneficial but not mandatory. All examples should work on the Linux platform as well.
A contextual reassessment of Swift's political writing concentrating on A Tale of a Tub and Gulliver's Travels.
In How Machines Came to Speak Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens.
Jonathan Swift's angers were all too real, though Swift was temperamentally equivocal about their display. Even in his most brilliant satire, A Tale of a Tub, the aggressive vitality of the narrative is designed, for all the intensity of its sting, never to lose its cool. Yet Swift's angers are partly self-implicating, since his own temperament was close to the things he attacked, and behind his angers are deep self-divisions. Though he regarded himself as 'English' and despised the Irish 'natives' over whom the English ruled, Swift became the hero of an Irish independence he would not have desired. In this magisterial account, Claude Rawson, widely considered the leading Swift scholar of our time, brings together recent work, as well as classic earlier discussions extensively revised, offering fresh insights into Swift's bleak view of human nature, his brilliant wit, and the indignations and self-divisions of his writings and political activism.