Download Free Swan Witch Book in PDF and EPUB Free Download. You can read online Swan Witch and write the review.

An RWA Best Historical Fantasy Romance—second in the enchanting medieval trilogy from the author of Swan Bride. As the setting sun haloed her flame-colored hair, beautiful Eithne glowed with netherworld witchery, her gentle nature clouded by the black magic of the Druid father who held her mother imprisoned. Having vowed never to speak, she could not cry a warning to the handsome knight who, by entering the gates of Rath Morna, had sealed his fate. With his raven-black hair braided like that of a king, Bron mac Llyr has traveled the land searching for the famed Swan Sister who is blessed with the powers to heal his battle wounds. Instead he finds a place of dark enchantment, a trap of lies and illusions, and an exotic, ethereal woman so lovely he burns to possess her. Bron vows to unveil the sorrowful secret that burdens Eithne’s heart. Now she must chance exchanging her father’s evil reign for the greater hazards of desire and so discover that a man can give as well as take, could free as well as possess his beloved Swan Witch.
The Salem Witch Trials is based on over twenty-five years of archival research--including the author's discovery of previously unknown documents--newly found cases and court records. From January 1692 to January 1697 this history unfolds a nearly day-by-day narrative of the crisis as the citizens of New England experienced it.
For fans of Serpent & Dove and A House of Salt and Sorrows comes a “transportive and beautiful” (Chloe Gong, New York Times bestselling author of These Violent Delights) romantic fantasy about an untrained witch who must unlock her power to free her brothers from a terrible curse and save her home. Rowenna Winthrop has always known there’s magic within her. But though she hears voices on the wind and possesses unusual talents, her mother Mairead believes Rowenna lacks discipline, and refuses to teach her the craft that keeps their Scottish village safe. And when Mairead dies a sinister death, it seems Rowenna’s only chance to grow into her power has died with her. Then, on a fateful, storm-tossed night, Rowenna rescues a handsome stranger named Gawen from a shipwreck, and her mother miraculously returns from the dead. Or so it appears. The resurrected Mairead is nothing like the old one. To hide her new monstrous nature, she turns Rowenna’s brothers and Gawen into swans and robs Rowenna of her voice. Forced to flee, Rowenna travels to the city of Inverness to find a way to break the curse. But monsters take many forms, and in Inverness, Rowenna is soon caught in a web of strangers who want to use her raw magic for their own gain. If she wishes to save herself and the people she loves most, Rowenna will have to take her fate into her own hands and unlock the power that has evaded her for so long.
Can a wolf and a swan be together? *** Darilus Gratagan is the Elven emperor of the Aluthia Empire. His rise to power brought to him a dark curse; a demonic wolf is infesting in his body. For a hundred and twelve years, he has managed to suppress the curse. But the demon is getting stronger, to the point that Darilus finds himself turning into a monster almost every night. He begins to desire blood and his people are in danger of himself. Until he finds the evil witch from Tollyria in his royal garden. “I can tame a demon dog,” she says. *** Sania has died. At least she thought so. But then she opens her eyes in Aluthia’s royal garden and when she looks at the reflection of the pond… she sees herself as a black swan. However, when night comes, she shifts back into her original form; the White Witch of Tollyria. For some reason, she cannot leave the royal garden. Then she meets the Emperor of Aluthia… in the form of a demonic wolf. “Make a deal with me,” he says. This story will be applied to PTR on Nov 5th 2021
From the Golden Book archives comes a Hans Christian Andersen fairy tale, gloriously illustrated by Gordon Laite in the late 1960s but never published until now! Gordon Laite’s breathtaking artwork for a Little Golden Book edition of the Andersen fairy tale was found recently in the Golden Books archive. Planned for a 1970 release but never published, this Little Golden Book is finally making its debut for today’s fairy tale fans! And it couldn’t be a lovelier retelling of the story of a determined princess whose loyalty saves her brothers from being turned into swans by an evil queen.
"[A] ferocious, exhilarating narrative!" - The New York Times Book Review A Tor.com Best of 2019 Pick A 2020 YALSA Best Fiction for Young Adults Pick Debut author Margaret Owen crafts a powerful saga of vengeance, survival, and sacrifice—perfect for fans of Leigh Bardugo and Kendare Blake—in The Merciful Crow. "Packed to the teeth with fresh worldbuilding and righteous fury...It's a ride that is wildly fun."—Emily A. Duncan, New York Times-bestselling author of Wicked Saints "Rich, harrowing, and unafraid to tackle discrimination—perfect for fans of Leigh Bardugo and Tomi Adeyemi."—Kirkus, Starred Review One way or another, we always feed the crows. A future chieftain Fie abides by one rule: look after your own. Her Crow caste of undertakers and mercy-killers takes more abuse than coin, but when they’re called to collect royal dead, she’s hoping they’ll find the payout of a lifetime. A fugitive prince When Crown Prince Jasimir turns out to have faked his death, Fie’s ready to cut her losses—and perhaps his throat. But he offers a wager that she can’t refuse: protect him from a ruthless queen, and he’ll protect the Crows when he reigns. A too-cunning bodyguard Hawk warrior Tavin has always put Jas’s life before his, magically assuming the prince’s appearance and shadowing his every step. But what happens when Tavin begins to want something to call his own?
Bringing together leading historians, anthropologists, and religionists, this volume examines the unbridled passions of witchcraft from the Middle Ages to the present. Witchcraft is an intensely emotional crime, rooted in the belief that envy and spite can cause illness or even death. Witch-trials in turn are emotionally driven by the grief of alleged victims and by the fears of magistrates and demonologists. With examples ranging from Russia to New England, Germany to Cameroon, chapters cover the representation of emotional witches in demonology and art; the gendering of witchcraft as female envy or male rage; witchcraft as a form of bullying and witchcraft accusation as a form of therapy; love magic and demon-lovers; and the affective memorialization of the “Burning Times” among contemporary Pagan feminists. Wide-ranging and methodologically diverse, the book is appropriate for scholars of witchcraft, gender, and emotions; for graduate or undergraduate courses, and for the interested general reader.
Presents an historical analysis of the Salem witch trials, examining the factors that may have led to the mass hysteria, including a possible occurrence of ergot poisoning, a frontier war in Maine, and local political rivalries.
After brilliantly reimagining the worlds of Oz, Wonderland, Dickensian London, and the Nutcracker, the New York Times bestselling author of Wicked turns his unconventional genius to Hans Christian Andersen's "The Wild Swans," transforming this classic tale into an Italian-American girl's poignant coming-of-age story, set amid the magic of Christmas in 1960s New York. Following her brother's death and her mother's emotional breakdown, Laura now lives on the Upper East Side of Manhattan, in a lonely townhouse she shares with her old-world, strict, often querulous grandparents. But the arrangement may be temporary. The quiet, awkward teenager has been getting into trouble at home and has been expelled from her high school for throwing a record album at a popular girl who bullied her. When Christmas is over and the new year begins, Laura may find herself at boarding school in Montreal. Nearly unmoored from reality through her panic and submerged grief, Laura is startled when a handsome swan boy with only one wing lands on her roof. Hiding him from her ever-bickering grandparents, Laura tries to build the swan boy a wing so he can fly home. But the task is too difficult to accomplish herself. Little does Laura know that her struggle to find help for her new friend parallels that of her grandparents, who are desperate for a distant relative’s financial aid to save the family store. As he explores themes of class, isolation, family, and the dangerous yearning to be saved by a power greater than ourselves, Gregory Maguire conjures a haunting, beautiful tale of magical realism that illuminates one young woman’s heartbreak and hope as she begins the inevitable journey to adulthood.
For centuries, the figure of the witch represented the hostile and feared “other” on the edge of human society, placed “in between” the world of people and the world of demons. Whether she stood for the untamed powers of nature, dark powers of knowledge or magic, or evil powers derived from the devil, she was always identified with fear as a disturbance, as a danger to the order of society and to the well-being of those who understood themselves as settled within the borders of the patriarchal order and its psychological and sexual corselet. In this role, the witch appeared in numerous literary works, including, among others, writings by Chaucer, Shakespeare and Middleton. However, since the 1840s, the image of the witch has undergone enormous transformations, mainly due to the influence of various matriarchate theories and of feminist ideas. The witch, reclaimed by women for women, became an identification figure and representative of their expectations, fears, hopes and claims. This study investigates examples of witches in publications by contemporary British women writers to see how this figure is perceived, related to, and utilised in their respective texts. Iris Murdoch, Jeanette Winterson, Angela Carter and Fay Weldon, among others, refer consistently to this witch figure, whom they interpret in various creative and surprising ways, adopting innovative approaches to this comparably ancient figure.