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The first complete English translation of the work of the brilliant seventeenth-century Frisian poet Titia Brongersma.
Acclaimed as Sappho reborn by the circle of humanist intellectuals centred around Groningen University in the Netherlands, the Dutch poet Titia Brongersma published her only book, The Swan of the Well, in 1686. This is the first full translation of Brongersma's extant work. An artist as versatile, eloquent, and daring as her English contemporary Aphra Behn, Brongersma dedicated more than thirty impassioned poems to her beloved, Elisabeth Joly, and experimented with pastoral verse in West Frisian. Famed, too, for her part in a pioneering excavation at the ancient monument in Borger, Brongersma celebrated this experience in strong verse. Evoking Ovid, Petrarch, Dutch theatre, and French opera, the poet brought to life a lost world of gifted, surprising, charming women and men - Joly, her own family, her friends, her patrons, and her supporters - as well as figures from history and mythology. Brongersma expressed a powerful sentiment of solidarity with her sex. Her interest in women's lives, their pleasures, plights, and priorities, inflected the baroque profusion of genres she so captivatingly adopted. Eric Miller's facing-page translations of every piece that Brongersma published are themselves works of art, adequate to this artist's extraordinary bequest. His introduction and notes redeem Brongersma from three centuries of obscurity, survey relevant scholarship, and develop original insights into the poet's inspirations, physical surroundings, sources, and connections.
This book provides a welcome English translation of a marvelous anthology of women's religious and secular writing, stretching from the visions of the late medieval mystics through the prison testaments of sixteenth-century Anabaptist martyrs to the pamphleteers and novelists of the growing urban bourgeoisie. The translations and introductions demonstrate the ways that women in the Low Countries shaped the intellectual and cultural developments of their eras.
This book tells the story of women in archaeology worldwide and their dedication to advancing knowledge and human understanding. In their own voices, they present themselves as archaeologists working in academia or the private and public sector across 33 countries. The chapters in this volume reconstruct the history of archaeology while honoring those female scholars and their pivotal research who are no longer with us. Many scholars in this volume fiercely explore non-traditional research areas in archaeology. The chapters bear witness to their valuable and unique contributions to reconstructing the past through innovative theoretical and methodological approaches. In doing so, they share the inherent difficulties of practicing archaeology, not only because they, too, are mothers, sisters, and wives but also because of the context in which they are writing. This volume may interest researchers in archaeology, history of science, gender studies, and feminist theory. Chapter 11 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Dutch Golden Age scholar Anna Maria van Schurman was widely regarded throughout the seventeenth century as the most learned woman of her age. She was 'The Star of Utrecht','The Dutch Minerva','The Tenth Muse', 'a miracle of her sex', 'the incomparable Virgin', and 'the oracle of Utrecht'. As the first woman ever to attend a university, she was also the first to advocate, boldly, that women should be admitted into universities. A brilliant linguist, she mastered some fifteen languages. She was the first Dutch woman to seek publication of her correspondence. Her letters in several languages Hebrew, Greek, Latin, and French – to the intellectual men and women of her time reveal the breadth of her interests in theology, philosophy, medicine, literature, numismatics, painting, sculpture, embroidery, and instrumental music. This study addresses Van Schurman's transformative contribution to the seventeenth-century debate on women's education. It analyses, first, her educational philosophy; and, second, the transnational reception of her writings on women's education, particularly in France. Anne Larsen explores how, in advocating advanced learning for women, Van Schurman challenged the educational establishment of her day to allow women to study all the arts and the sciences. Her letters offer fascinating insights into the challenges that scholarly women faced in the early modern period when they sought to define themselves as intellectuals, writers, and thoughtful contributors to the social good.
An authoritative volume that is the first literary history of the Netherlands and Flanders in English since the 1970s
Jan Zwicky is one of Canada's most innovative intellectual figures. As a poet, philosophy teacher, and violinist, Zwicky strives to give voice to the ecology of experience. Whether reflecting on music, history, poetry, or the nature of thought itself, her work opens the reader to nothing less than the possibility of a different way of being. Despite receiving critical and academic praise culminating in nominations for two separate categories of the Governor General's Literary Award, both in one year, Zwicky's work remains mostly unknown; Lyric Ecology seeks to change this. This collection of twenty-five meditations from various contributors comprises the first formal consideration of Zwicky's philosophy. It includes essays, poems, letters, reviews, and songs, all giving readers insight into her work, what it has achieved, and what makes it significant today.
In this short introductory book, Professor Forster examines Petrarchism as a European phenomenon transcending national boundaries. He begins with a general survey of themes and conventions, providing, with quotation, something like a repertory of the devices. He then shows in an important historical study how various vernacular literatures were seeking for a renewal of poetic diction at the moment when Petrarchism was available to meet the need. The third study examines specific forms and shows how realism in love-relationships could be accommodated within the tradition. A fourth shows how the literary conventions, applied to England's Virgin queen, could serve political and national ends; and the last shows the devices still being used in Goethe's Faust. This is a learned and engaging book, ranging freely among literatures: Latin, Italian, French, Dutch, English, and German, with translations provided. It gives an introduction to one of the most important and longest-lasting traditions in comparative literary studies.