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Rebel, Jester, Mystic, Poet tells the story of the evolution of Iranian contemporary art by examining the work of 30 artists. This is art where the ills of internal politics remain astutely masked below a layer of ornamentation, poetry, or humor. What unites the disparate works into a coherent theme is the artists' coping mechanisms, which consist of subversive critique, quiet rebellion, humor, mysticism, and poetry--hence the publications title. The subtitle Contemporary Persians is also a reference to a strategy of survival, this one used by Iranians in the United States during the early 2000s; at a time when 'Iranians' were identified with hostage takers and terrorists, they adopted the identity 'Persians', which remained free of such associations. This title collects the work of a number of artists who are already well-known in the United States, including among others Afruz Amighi, whose work is in the permanent collection of the Metropolitan Museum of Art in New York and Monir Farmanfarmaian, who received a major exhibition at the Guggenheim Museum in 2015.
This publication analyses recent developments in migration movements and policies in OECD countries and selected non-OECD countries. It also includes two special chapters on the skills of immigrants and their use in the labour market as well as on the management of labour migration.
Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Notes on Contributors -- Acknowledgements -- 1 The city and its regulations: Unexpected margins -- Part I Space and state regulation: The urban interstices -- 2 Markets and marginality in Beirut -- 3 The tremendous making and unmaking of the peripheries in current Istanbul -- 4 Resilient forms of urbanity on the margins? Al-Kherba: A vivid market in a damaged section of the medina of Tunis -- 5 Whose margins? Marginality, poverty and the moral geography of pre-Soviet Bukhara -- 6 On the margins of the city: Izmir Prison in the late Ottoman Empire -- Part II Diversity and moral policing: Making claims through marginalisation -- 7 'Texas': An off-centre district at the heart of nightlife in Odienné -- 8 The Manyema in colonial Dar es Salaam (Tanzania) between urban margins and regional connections -- 9 On the margins: Suburban space and religious deviancy in Jakarta and Kuala Lumpur -- 10 Ethnic differentiation and conflict dynamics: Uzbeks' marginalisation and non-marginalisation in southern Kyrgyzstan -- Index
National Jewish Book Award Finalist Wingate Literary Prize Shortlist Named a Notable Translated Book of the Year by World Literature Today From the internationally best-selling author of Three Floors Up, a literary page-turner that delves into the deepening cracks in a carefully constructed public persona. A writer tries to answer a set of interview questions sent to him by a website editor. At first, they stick to the standard fare: Did you always know you would be a writer? How autobiographical are your books? Have you written any stories you would never publish? Usually his answers in these situations are measured, calculated, cautious. But this time, when his heart is about to break and his life is about to crumble, he finds he cannot tell anything but the truth. The naked, funny, sad, scandalous, politically incorrect truth. Every question the writer tackles opens a door to a hidden room of his life. And each of his answers reveals that at the heart of every truth, there is a lie—and vice versa. Surprising, bold, intimate, and utterly engrossing, The Last Interview shows just how tenuous the lines are between work and life, love and hate, fact and fiction. And in exploring the many, often contradictory facets of an Israeli author’s identity, Eshkol Nevo also gives us a nuanced, thought-provoking portrait of a country at odds with itself.
In the tradition of GODEL, ESCHER, BACH comes a profound and original book that looks at computers and shows the potential of these astounding machines to reshape what we think about and even how we think. Ranging widely over the history of ideas from Galileo to Darwin and beyond, AFTER THOUGHT will astonish and fascinate all of us who much come to terms with today's unstoppable computer revolution.
From the archives of the YIVO Institute for Jewish Research, a collection of traditional Yiddish folksongs by highly regarded ethnomusicologist Ruth Rubin, presented with added commentary from music scholars Chana Mlotek and Mark Slobin.