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Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.
Surviving Minidoka preserves the legacy of Japanese Americans unjustly imprisoned during the Second World War. Elegantly presented with more than 200 photographs and paintings, the book confronts enduring questions of patriotic compliance and constitutional rights.
Distributed by the University of Nebraska Press for Caxton Press On February 19, 1942, President Franklin D. Roosevelt signed Executive Order 9066, authorizing U.S. Armed Forces to remove citizens and noncitizens from “military areas.” The result was the abrupt dislocation and imprisonment of 120,000 Japanese and Japanese American citizens in the western United States. In Minidoka: An American Concentration Camp, Teresa Tamura documents one of ten such camps, the Minidoka War Relocation Center in Jerome County, Idaho. Her documentation includes artifacts made in the camp as well as the story of its survivors, uprooted from their homes in Alaska, Washington, Oregon, and California. The essays are supplemented by 180 black-and-white photographs and interviews that fuse present and past. Tamura began her project after President Bill Clinton designated part of the Minidoka site as the 385th unit of the National Park Service. Her work furthers the tradition of socially inspired documentary photojournalism, illuminating the cultural, sociological, and political significance of Minidoka. Ultimately, her book reminds us of what happens when fear, hysteria, and racial prejudice subvert human rights and shatter human lives.
As wartime hysteria mounted following the December 1941 attack on Pearl Harbor, President Franklin D. Roosevelt issued Executive Order 9066, and the U.S. government began forcibly relocating all West Coast individuals with Japanese ancestry to one of ten sites in inland states. Totaling close to 120,000, the majority were American citizens. The Minidoka War Relocation Center, a newly constructed camp at Hunt, Idaho, first opened in August 1942. Most of its approximately 9,300 incarcerees came from Portland, Seattle, Tacoma, and surrounding regions. It was a painful experience with lasting repercussions. Minidoka’s last occupant left in October 1945. Dr. Robert C. Sims devoted nearly half his life to research, writing, and education related to the unjust World War II Japanese American incarceration. Six of his previously published articles, as well as selections from conference papers and speeches, focus on topics such as Idaho Governor Chase Clark’s role in the involuntary removal decision, life in camp, the impact of Japanese labor on Idaho’s sugar beet and potato harvests, the effects of loyalty questionnaires, and more. His impassioned yet still academic approach to Minidoka is an important addition to others’ published memoirs and photo collections. In new essays, contributors share insights into Sims’ passion for social justice and how Minidoka became his platform, along with information about the Robert C. Sims Collection at Boise State University. Finally, the book recounts the thirty-five year effort to memorialize the Minidoka site. Now part of the National Park System, it highlights a national tragedy and the resilience of these victims of injustice.
“Please don’t cry,” wrote Iwao Matsushita to his wife Hanaye, telling her he was to be interned for the duration of the war. He was imprisoned in Fort Missoula, Montana, and she was incarcerated at the Minidoka Relocation Center in southwestern Idaho. Their separation would continue for more than two years. Imprisoned Apart is the poignant story of a young teacher and his bride who came to Seattle from Japan in 1919 so that he might study English language and literature, and who stayed to make a home. On the night of December 7, 1941, the FBI knocked at the Matsushitas’ door and took Iwao away, first to jail at the Seattle Immigration Stateion and then, by special train, windows sealed and guards at the doors, to Montana. He was considered an enemy alien, “potentially dangerous to public safety,” because of his Japanese birth and professional associations. The story of Iwao Matsushita’s determination to clear his name and be reunited with his wife, and of Hanaye Matsushita’s growing confusion and despair, unfolds in their correspondence, presented here in full. Their cards and letters, most written in Japanese, some in English when censors insisted, provided us with the first look at life inside Fort Missoula, one of the Justice Department’s wartime camp for enemy aliens. Because Iwao was fluent in both English and Japanese, his communications are always articulate, even lyrical, if restrained. Hanaye communicated briefly and awkwardly in English, more fully and openly in Japanese. Fiset presents a most affecting human story and helps us to read between the lines, to understand what was happening to this gentle, sensitive pair. Hanaye suffered the emotional torment of disruption and displacement from everything safe and familiar. Iwao, a scholarly man who, despite his imprisonment, did not falter in his committment to his adopted country, suffered the ignominity of suspicion of being disloyal. After the war, he worked as a subject specialist at the University of Washington’s Far Eastern Library and served as principal of Seattle’s Japanese Language School, faithful to the Japanese American community until his death in 1979.
After being forced into detainment camps for two years after Pearl Harbor, a number of Japanese American men were drafted by the same military that had been guarding them as subversives. This is the first book to tell the powerful story of those men who rejected the government's demands. 16 halftones.
From a title-winning boxer in Louisiana to a Broadway baritone in New York, Japanese Americans have long belied their popular representation as “quiet Americans.” Showcasing the lives and achievements of relatively unknown but remarkable people in Nikkei history, scholar and journalist Greg Robinson reveals the diverse experiences of Japanese Americans and explores a wealth of themes, including mixed-race families, artistic pioneers, mass confinement, civil rights activism, and queer history. Drawn primarily from Robinson’s popular writings in the San Francisco newspaper Nichi Bei Weekly and community website Discover Nikkei, The Unsung Great offers entertaining and compelling stories that challenge one-dimensional views of Japanese Americans. This collection breaks new ground by devoting attention to Nikkei beyond the West Coast—including the vibrant communities of New York and Chicago, as well as the little-known history of Japanese Americans in the US South. Expertly researched and accessibly written, The Unsung Great brings to light a constellation of varied and incredible life stories.
Poetry. Asian & Asian American Studies. "THIS IS HOW THE BONE SINGS by W. Todd Kaneko carries the pulse of ancient lament through the boneyards of war and unspeakable trauma. This lyric collection of profound beauty and grief reminds us to share our tales of generational trauma and topography--shaping our individual and collective memories--in place of forgotten histories."--Karen An-hwei Lee "What does it mean to be safe in America? In THIS IS HOW THE BONE SINGS, W. Todd Kaneko explores the legacy of concentration camps in the United States and how memory is carried forward. This book knows how to sing--to America, not its expected script, but the anthems of its history; and to a son, lessons on how to bring back the dead with stories, with a fading map, with birds."--Traci Brimhall "The best books about history are those that are also about the future. W. Todd Kaneko's marvelous THIS IS HOW THE BONE SINGS is more than a mere song--it is a singing across time and distance. In lyrics both personal and political, Kaneko composes a score that spans four generations, connecting his grandparents, who were prisoners in the unfathomable Minidoka concentration camps, to his young son and this unfathomable era in which he was born."--Dean Rader "To enter this book is to enter an orchard alive with memory's beasts. To read THIS IS HOW THE BONE SINGS is to witness how a poet at the height of his powers can alchemize history's violence into lyric and myth."--Brynn Saito "These are much-needed poems of unapologetic tenderness and talent--in other words, this collection does the near-impossible: it points us towards love even if what we know of this world doesn't."--Aimee Nezhukumatathil
Profiles fifty sites across the United States that trace the cultural history of the country, discussing the people and events that led to each site's importance, from the National Mall in D.C. to Pearl Harbor in Hawaii.