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Superstructural Berlin is an experimental sociology of the city of Berlin. A mix of pamphlet-polemic, cultural critique, and weird colourful mapping enterprise. It tries to investigate the city as a series of infrastructures: drugs, nightclubs, arts, new economy and tourism.
Fear and Loathing in the Las Vegas of intellectuals and psychagogic city mapping.
Today, cities are being intensively reshaped by unexpected dynamics. The rise and growth of the digital economy have fundamentally changed the relationship between the urban fabric and its resident community, overcoming the conventional hierarchy based on production priorities. Moreover, contemporary society discovers new labour conditions and ways of satisfying needs and desires by developing new synergies and links. This book examines cultural and urban commons from a multidisciplinary perspective. Economists, architects, urban planners, sociologists, designers, political scientists, and artists explore the impact and implications of cultural commons on urban change. The contributions discuss both cases of successful urban participation and cases of strong social conflict, while also addressing a host of institutional contradictions and dilemmas. The first part of the book examines urban commons in response to institutional constraints from a theoretical point of view. The second and third parts apply the theories to case studies and discuss various practices of sustainable planning and re-appropriation in the urban context. In closing, the fourth part develops a new urban agenda as artists imagine it. This book will appeal to scholars interested in the social, economic and institutional implications of cultural and urban commons, and provide useful insights and tools to help local governments and policymakers manage social, cultural and economic change.
More than twenty years after Ernst Jünger's death in 1998, the controversial German writer's work continues to compel the attention of readers, critics, and scholars. In early 2019, Jünger's diaries, the Strahlungen, written while he was an officer in occupied Paris during World War II, were published in English to wide acclaim. These intimate accounts, of high literary and philosophical quality, reveal Jünger negotiating compliance with acts of subversion and resistance against the Nazi regime. His life is evidence that history can be both real and unrealistic at once, crystallising something essential about a twentieth century that witnessed the rise of total mobilisation, global war, and unprecedented technologies of mass extermination.This volume presents four new essays by established and emerging scholars on Jünger's work and legacy. Together, they provide biographical, philosophical, psychological, and aesthetic access-points to a major twentieth century German intellectual who, like few others, invites us to investigate the ambiguities, constraints, and imperatives of our own times.
The Power of New Urban Tourism explores new forms of tourism in urban areas with their social, political, cultural, architectural and economic implications. By investigating various showcases of New Urban Tourism within its social and spatial frames, the book offers insights into power relations and connections between tourism and cityscapes in various socio-spatial settings around the world. Contributors to the volume show how urban space has become a battleground between local residents and visitors, with changing perceptions of tourists as co-users of public and private urban spaces and as influencers of the local economies. This includes different roles of digital platforms as resources for access to the city and touristic opportunities as well as ways to organise and express protest or shifting representations of urban space. With contemporary cases from a wide disciplinary spectrum, the contributors investigate the power of New Urban Tourism in Africa, Asia, the Americas, Europe and Oceania. This focus allows a cross-cultural evaluation of New Urban Tourism and its dynamic, and changing conception transforming and subverting cities and tourism alike. The Power of New Urban Tourism will be of great interest to academics, researchers and students in the fields of cultural studies, sociology, the political sciences, economics, history, human geography, urban design and planning, architecture, ethnology and anthropology.
An accessible introduction to the ideas of Isaiah Berlin, this work argues that Berlin's critique of the modern enemies of liberty is exciting and powerful, but also that the coherence of his thought is threatened by a tension between its liberal and pluralist elements.
This interdisciplinary volume addresses the consequences of the fall of the Berlin Wall, from the revitalizing effect it had on Germany to the new challenges of integrating socially and politically old and new minorities, and forming a new European identity. It also considers how the fall was represented by the media.
This book is a cultural history of post-Wall urban, social, political, and cultural transformations in Berlin. Branding Berlin: From Division to the Cultural Capital of Europe presents a cultural analysis of Berlin’s cultural production, including literature, film, memoirs and non-fiction works, art, media, urban branding campaigns, and cultural diversity initiatives put forth by the Berlin Senate, and allows readers to understand the various changes that transformed the formerly divided city of voids into a hip cultural capital. The book examines Berlin’s branding, urban-economic development, and its search for a post-Wall identity by focusing on manifestations of nostalgic longing in documentary films and other cultural products. Building on the sociological research of urban branding and linking it with an interpretive analysis of cultural products generated in Berlin during that time, the author examines the intersections and tensions between the nostalgic views of the past and the branded images of Berlin’s present and future. This insightful and innovative work will interest scholars and students of cultural and media studies, branding and advertising, urban communication, film studies, visual culture, tourism, and cultural memory.
This work presents a survey of over 350 of the key terms encountered in cultural theory today, each entry providing explanations for students in a wide range of disciplines. These include literature, cultural studies, sociology and philosophy.
Marxism and Art is a collection of basic readings in Marxist criticism and aesthetics. Marxism and Art is a book of basic readings in Marxist criticism and aesthetics. Maynard Solomon, through his selections and critical introductions, shows connections between the arts and society, between imagination nd history, and between art and revolution. He selects from thirty-six authors to reveal the range of opinion from dogma to heresy, beginning with excerpts from the works of Marx and Engels that are pertinent to an understanding of Marxist philosophy. The book traverses a wide range of subjects from the origins of art to the nature of creativity, the aesthetic experience, the dialectics of consciousness, the psychology of art, and the evolution of art forms. The sources of art in ritual, in the labor process, in the play drive, and in social conflict are explored.