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"A certain king built himself a palace and summoned two persons to decorate it for him. The king divided his palace into two parts, putting one person in charge of one half and the second in charge of the other. One of the persons decorated his part of the palace with beautiful paintings of birds and animals. But the second person painted his half of the palace with black dye which was reflecting everything like a mirror. When the king came to judge the two decorations, everything he had seen in the first person's part he also saw in the second's part, since it was reflected in its black dye like in a mirror. Not only that, but even all the king could wish to put in the first half of his palace appeared in the second half. This found favor in the eyes of the king"--
Publication of Yosef Yerushalmi's Zakhor in 1982 inspired a generation of scholarly inquiry into historical images and myths, the construction of the Jewish past, and the making and meaning of collective memory. Here, eminent scholars in their respective fields extend the lines of his seminal study into topics that range from medieval rabbinics, homiletics, kabbalah, and Hasidism to antisemitism, Zionism, and the making of modern Jewish identity. Essays are clustered around four central themes: historical consciousness and the construction of memory; the relationship between time and history in Jewish thought; the demise of traditional forms of collective memory; and the writing of Jewish history in modern times.
This is a comprehensive study of myth in the Hebrew Bible and myth and mythmaking in classical rabbinic literature (Midrash and Talmud) and in the classical work of medieval Jewish mysticism (the book of Zohar). Michael Fishbane provides a close study of the texts and theologies involved and the central role of exegesis in the development and transformation of the subject. Taken up are issues of myth and monotheism, myth and tradition, and myth and language. The presence and vitality of myth in successive cultural phases is treated, emphasizing certain paradigmatic acts of God and features of the divine personality.
Leviathan, a manifestation of one of the oldest monsters in recorded history (3rd millennium BCE), and its sidekick, Behemoth, have been the object of centuries of suppression throughout the millennia. Originally cosmic, terrifying creatures who represented disorder and chaos, they have been converted into the more palatable crocodile and hippo by biblical scholars today. However, among the earliest Jews (and Muslims) and possibly Christians, these creatures occupied a significant place in creation and redemption history. Before that, they formed part of a backstory that connects the Bible with the wider ancient Near East. When examining the reception history of these fascinating beasts, several questions emerge. Why are Jewish children today familiar with these creatures, while Christian children know next to nothing about them? Why do many modern biblical scholars follow suit and view them as minor players in the grand scheme of things? Conversely, why has popular culture eagerly embraced them, assimilating the words as symbols for the enormous? More unexpectedly, why have fundamentalist Christians touted them as evidence for the cohabitation of dinosaurs and humans?
Sefer ha-Zohar (The Book of Radiance) has amazed and overwhelmed readers ever since it emerged mysteriously in medieval Spain toward the end of the thirteenth century. Written in a unique, lyrical Aramaic, this masterpiece of Kabbalah exceeds the dimensions of a normal book; it is virtually a body of literature, comprising over twenty discrete sections. The bulk of theZohar consists of a running commentary on the Torah, from Genesis through Deuteronomy. This fourth volume of The Zohar: Pritzker Edition covers the first half of Exodus. Here we find mystical explorations of Pharaoh's enslavement of the Israelites, the birth of Moses, the deliverance from Egypt, the crossing of the Red Sea, and the Revelation at Mount Sinai. Throughout, the Zohar probes the biblical text and seeks deeper meaningfor example, the nature of evil and its relation to the divine realm, the romance of Moses andShekhinah, and the inner meaning of the Ten Commandments. In the context of the miraculous splitting of the Red Sea, Rabbi Shim'on reveals the mysterious Name of 72, a complex divine name consisting of 216 letters (72 triads), formed out of three verses in Exodus 14. These mystical interpretations are interwoven with tales of the Companionsrabbis wandering through the hills of Galilee, sharing their insights, coming upon wisdom in the most astonishing ways from a colorful cast of characters they meet on the road.
National Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2016. From its first appearance, the Zohar has been one of the most sacred, authoritative, and influential books in Jewish culture. Many scholarly works have been dedicated to its mystical content, its literary style, and the question of its authorship. This book focuses on different issues: it examines the various ways in which the Zohar has been received by its readers and the impact it has had on Jewish culture, including the fluctuations in its status and value and the various cultural practices linked to these changes. This dynamic and multi-layered history throws important new light on many aspects of Jewish cultural history over the last seven centuries. Boaz Huss has broken new ground with this study, which examines of the reception and canonization of the Zohar as well as its criticism and rejection from its inception to the present day. His underlying assumption is that the different values attributed to the Zohar are not inherent qualities of the zoharic texts, but rather represent the way it has been perceived by its readers in different cultural contexts. He therefore considers not only the attribution of different qualities to the Zohar through time but also the people who were engaged in attributing such qualities and the social and cultural functions associated with their creation, re-creation, and rejection. For each historical period from the beginning of Zohar scholarship to the present, Huss considers the social conditions that stimulated the veneration of the Zohar as well as the factors that contributed to its rejection, alongside the cultural functions and consequences of each approach. Because the multiple modes of the reception of the Zohar have had a decisive influence on the history of Jewish culture, this highly innovative and wide-ranging approach to Zohar scholarship will have important repercussions for many areas of Jewish studies.
A snake smells with its tongue, hears with its flesh, and breathes under the sand with one lung; it can copulate for days with one snake or with fifty at once; it has infrared radar; and it can induce spontaneous bleeding if threatened. With all these qualities, it is easy to see how snakes have such varied associations in cultures around the world: while celebrated in tattoos and tales, and for medicinal benefits, snakes are also so universally feared that they constantly endure intense persecution and rarely enjoy protected rights. Drake Stutesman explores here in Snake the fascinating natural history of the maligned serpentine. Stutesman examines a wide range of sources to investigate the complex and widespread symbolism the snake has inspired, including the serpent's temptation of Eve in the Bible, Kaa in The Jungle Book, the Chinese zodiac, Indian snake charmers, and the Hollywood film Anaconda. She looks at the role snakes have played in human culture and science, from snake cuisine and the use of venom in medicine to the intriguing history of snake symbolism in art, architecture, cinema, and even clothing. Richly illustrated and written in an engaging style, Snake is an invaluable resource for snake enthusiasts and scholars, as well as for all who love, admire, or fear this fascinating and enduring animal.
Please see the Zohar Home Page for ancillary materials, including the publication schedule, press release, Aramaic text, questions, and answers.
"Here is a first time English translation of a seventeenth-century classic of Jewish literature that deals with many of the most important issues addressed by Kabbalists since the late twelfth century. Horowitz (c. 1570-1626) served as rabbi of several of the most important European Jewish communities before becoming Chief Ashkenazic Rabbi of Jerusalem in 1621."--Publisher description.
Here are previously unavailable texts, including The Book Bahir and the writings of the Iyyum circle, that were written during the first one hundred years of this movement that was to become the most important current in Jewish mysticism. This movement began in the late 12th century among Rabbinic Judaism in southern Europe.