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This book addresses questions surrounding the constructions of space, culture, society, identity and representation. The geography of cinema extends beyond the screen, director and audience, to include the wider industrial and political complex of the cultural economy. In this sense, culture can be viewed as an economic commodity set within the broader frame of globalization and postmodernism. A cinematic world occupies a territory between our citys streets, the Cineplex, the TV set, and our geographical imagination and identity. These contexts invite inquiries into the production, distribution, exhibition, and consumption of film as well as global cinema, hapticalities of viewing, critical political economies, and cinematic ethno-graphies. This collection provides unique and eclectic insights into the exciting and emerging subfield of film geography.
A landmark American drama that inspired a classic film and a Broadway revival—featuring an introduction by David Mamet A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, Twelve Angry Men holds at its core a deeply patriotic faith in the U.S. legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst. After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
With contributions from leading brand experts around the world, this valuable resource delineates the case for brands (financial value, social value, etc.) and looks at what makes certain brands great. It covers best practices in branding and also looks at the future of brands in the age of globalization. Although the balance sheet may not even put a value on it, a company’s brand or its portfolio of brands is its most valuable asset. For well-known companies it has been calculated that the brand can account for as much as 80 percent of their market value. This book argues that because of this and because of the power of not-for-profit brands like the Red Cross or Oxfam, all organisations should make the brand their central organising principle, guiding every decision and every action. As well as making the case for brands and examining the argument of the anti-globalisation movement that brands are bullies which do harm, this second edition of Brands and Branding provides an expert review of best practice in branding, covering everything from brand positioning to brand protection, visual and verbal identity and brand communications. Lastly, the third part of the book looks at trends in branding, branding in Asia, especially in China and India, brands in a digital world and the future for brands. Written by 19 experts in the field, Brands and Branding sets out to provide a better understanding of the role and importance of brands, as well as a wealth of insights into how one builds and sustains a successful brand.
A collection of 11 essays exploring the relationship between film and the politics of social and cultural representation from the perspective of geography. Without attempting to establish a theoretical consensus for the embryonic field, they discuss such places as the Third World, Jerusalem, Highway 66, and British new towns, and such movies as Chariots of Fire, Storm Boy, and Lawrence of Arabia. Annotation copyright by Book News, Inc., Portland, OR
In the beginning, a scarecrow made his own history, like a symbol that everyone sees year-around (like Halloween) placed in the middle of surrounding pumpkins and flames all around but never hurting the scarecrow. At the end, two different species-a goblin and a troll-made their own history as well. Keeping the scarecrow strong and their willpower intact, so nobody can erase all three of their history, in which no one can change.
"Based on interviews of Haley's contemporaries, personal correspondence, legal documents, [and] newspaper accounts, Adam Henig investigates the unraveling of one of America's most successful yet enigmatic authors"--Page 4 of cover.
Results of 13-year study of grizzly bear in Yellowstone National Park.
From one of the great bon vivants of our age comes this witty memoir of an extraordinary life lived among a glittering social set. Acclaimed designer and founder of Pret-a-Porter Marc Rosen shares in this delightful reminiscence the stories of his encounters with the great beauties, talents, and personalities of the last 50 years. Marc has rubbed shoulders with everyone - from Hollywood royalty (including Helen Hayes, Bette Davis, and his own wife, Arlene Dahl, the girl for whomTechnicolor was invented) to actual royalty (Princess Grace of Monaco, the Romanovs) to the moguls of the beauty and fashion worlds (Charles Revson, Karl Lagerfeld) over the course of his brilliant career.
When Sofia falls in love, a mourning spirit begins to haunt her...CORFU, 1987On a long holiday with her grandparents, Sofia Aspioti meets Danny Markson, a charming flirt who makes her laugh. Although she tries to keep him at arm's length, worried that village gossip will get back to her strict family, she falls desperately in love. That's when strange dreams about Brighton's West Pier and a woman dressed in black begin to haunt her. Who is this grieving woman? And how is her lament related to Sofia's feelings for Danny?BRIGHTON, 1937Dreaming of wealth and happiness, Laura Mayfield arrives in Brighton to pursue a new life. She falls for Christian Searle, a happy-go-lucky stagehand at the West Pier theatre, but when she's offered a chance to perform there, her love for him is put to the test. Charles Willard, a wealthy aristocrat, is fascinated by her and pursues her relentlessly. Will Laura choose love...or money?