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Deep inside a lab run by an organization known as N.O.W.H.E.R.E., a living weapon was being developed from the DNA of the Kryptonian visitor Superman.á Spliced with human DNA, this clone of Superman seemed to be a failed experiment, until it escapedand became known as Superboy.As Superman attempts to help Superboy understand and control his powers, they are set upon by another Kryptonian refugee by the name of H'el.á H'el is determined to resurrect his home planet by any means necessary andthat includes the destruction of Earth. Collects Superboy #13-19 and Superboy Annual #1.
The Teen of Steel decides it's time to become more proactive in his battle against evil. The H.I.V.E. agency and their psi-operatives are a perfect place to begin. But as Superboy, with help from the Teen Titans, get closer to these lethal enemies, they'll find secrets and revelations darker than they ever could have imagined. This new chapter of the Teen of Steel begins with rising star writer Justin Jordan (The Strange Talent of Luther Strode) taking the helm on SUPERBOY VOL. 4: BLOOD AND STEEL, collecting issues #20-27.
As a part of the acclaimed DC Comics—The New 52 event of September 2011, this new volume of Superboy takes us to the labs of Project N.O.W.H.E.R.E., where the scientists thought he was just an experiment--and a failed one at that! But with the combination of Kryptonian and human DNA, the Clone turns out to be more than just a set of data when his stunning powers was revealed.Written by comic industry veteran Scott Lobdell, this new title from the DC Comics—The New 52 lineup follows Superboy as you haven't seen him before! Collects issues #1-7.
Originally published in single magazine form as SUPERBOY 26-31.
Enjoy this great comic from DC’s digital archive!
Collects Superboy issues #20-25, Superman #25 and Teen Titans Annual 2.
Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.
Superman is the original superhero, an American icon, and arguably the most famous character in the world--and he's Jewish! Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel, the son of immigrants from Eastern Europe, and Joe Shuster, an immigrant. They based their hero's origin story on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war. In the following decades, Superman's mostly Jewish writers, artists, and editors continued to borrow Jewish motifs for their stories, basing Krypton's past on Genesis and Exodus, its society on Jewish culture, the trial of Lex Luthor on Adolf Eichmann's, and a future holiday celebrating Superman on Passover. A fascinating journey through comic book lore, American history, and Jewish tradition, this book examines the entirety of Superman's career from 1938 to date, and is sure to give readers a newfound appreciation for the Mensch of Steel!
In a 2019 interview with the webzine DC in the 80s, Jeff Lemire (b. 1976) discusses the comics he read as a child growing up in Essex County, Ontario—his early exposure to reprints of Silver Age DC material, how influential Crisis on Infinite Earths and DC’s Who’s Who were on him as a developing comics fan, his first reading of Watchmen and The Dark Knight Returns, and his transition to reading the first wave of Vertigo titles when he was sixteen. In other interviews, he describes discovering independent comics when he moved to Toronto, days of browsing comics at the Beguiling, and coming to understand what was possible in the medium of comics, lessons he would take to heart as he began to establish himself as a cartoonist. Many cartoonists deflect from questions about their history with comics and the influences of other artists, while others indulge the interviewer briefly before attempting to steer the questions in another direction. But Lemire, creator of Essex County Trilogy, Sweet Tooth, The Nobody, and Trillium, seems to bask in these discussions. Before he was ever a comics professional, he was a fan. What can be traced in these interviews is the story of the movement from comics fan to comics professional. In the twenty-nine interviews collected in Jeff Lemire: Conversations, readers see Lemire come to understand the process of collaboration, the balancing act involved in working for different kinds of comics publishers like DC and Marvel, the responsibilities involved in representing characters outside his own culture, and the possibilities that exist in the comics medium. We see him embrace a variety of genres, using each of them to explore the issues and themes most important to him. And we see a cartoonist and writer growing in confidence, a working professional coming into his own.
This volume collects a wide-ranging sample of fresh analyses of Spider-Man. It traverses boundaries of medium, genre, epistemology and discipline in essays both insightful and passionate that move forward the study of one of the world's most beloved characters. The editors have crafted the book for fans, creators and academics alike. Foreword by Tom DeFalco, with poetry and an afterword by Gary Jackson (winner of the 2009 Cave Canem Poetry Prize).