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Hop aboard a magic ladybird and join Pearlie on seven dazzling travel adventures.
The first work of its kind, this encyclopedia provides 360 brief biographies of African American film and television acPER010000tresses from the silent era to 2009. It includes entries on well-known and nearly forgotten actresses, running the gamut from Academy Award and NAACP Image Award winners to B-film and blaxpoitation era stars. Each entry has a complete filmography of the actress's film, TV, music video or short film credits. The work also features more than 170 photographs, some of them rare images from the Schomburg Center for Research in Black Culture.
Cheska Harlow-Wright was born into a life of luxury and privilege. She has never wanted for anything. A comfortable future as a married London socialite awaits her. But since the age of thirteen, Cheska has harbored a secret—an unshakeable fixation on a boy who could never offer her anything close to comfort. A boy steeped in sin and draped in depravity. A boy born into the possessive embrace of darkness. When Cheska’s seemingly perfect world is ripped apart by an unknown but deadly enemy, there’s only one person she can run to. One person in the world who has the power to keep her safe. The one person her weak and shattered heart craves. Arthur Adley. The new head of the most feared crime family in London. Forced too young to take the helm of the Adley firm, Arthur has become even more ruthless, formidable, and cold than ever before. His enemies are circling, and he must fight—and kill—to maintain his family’s place at the top of the London crime underworld. There is no room for weakness, emotion, or loss of control. But then Cheska smashes back into his life with the force of a wrecking ball. She has no place in this dark, vicious, and bloodthirsty world. And worse, she is the solitary chink in his impenetrable armor. He’s already pushed her away once, but this time she desperately needs him. She’s broken, lost, and in danger, and he is the only one who can help. Arthur must protect her. He must destroy those who dare to threaten her, hunt down those who would take what is his. He would raze all of London to the ground to keep her safe... but can he also protect himself? The infamous Dark Lord of London Town faces his most brutal battle yet—the crippling weight of the past, the unrelenting enemies lurking in the shadows... and the havoc that Cheska’s presence is wreaking on the granite fortress that was once his heart.
Everyone has heard of the fairies who live at the bottom of the garden. But did you know that fairies also live in the big city? Of course they do! Pearlie looks after Jubilee Park and it keeps her very busy. Every day she makes the slippery dip slippery, opens all the flowers, polishes the dragonflies' wings, and looks after all the animals who live in the park. But one day she wakes up to find everything topsy-turvy. Hurly-burly! What can have gone wrong? It's up to Pearlie to find out . . . A delightfully funny urban fairytale, Pearlie in the Park is perfect for new and emerging readers.
This book sets out to assess the role and impact of socio-economic strategies used by civil society actors in South Africa. Focusing on a range of socio-economic rights and national trends in law and political economy, the book's authors show how socio-economic rights have influenced the development of civil society discourse and action.
In her third book of poetry Emily Grosholz brings together forty lyric, narrative, and epistolary poems that trace a pilgrimage from the Eden of childhood through alienation and loss to an earthly paradise regained as the poet establishes her own family and a new sense of the purposes of her art. The route traverses Detroit in the early twenties, Paris and Washington, D.C., in the early seventies, Athens and Toronto in the mid-eighties, yesterday's Thimphu and Cassis. But it always returns to the poet's heartland, Philadelphia and the back country of Pennsylvania and New York. Punctuated by meditations on solitude and death, the poems come full circle to the pleasures of marriage, of friends and children, of creation. To her husband, the poet writes, "However often now our woven/ lives converge and separate, my love, / today we've come this far." And to her son, "With you fast in my arms, / I'm back again in the heart's Italy."
The Harlem Renaissance was an unprecedented period of vitality in the American Arts. Defined as the years between 1910 and 1927, it was the time when Harlem came alive with theater, drama, sports, dance and politics. Looking at events as diverse as the prizefight between Jack Johnson and Jim 'White Hope' Jeffries, the choreography of Aida Walker and Ethel Waters, the writing of Zora Neale Hurston and the musicals of the period, Krasner paints a vibrant portrait of those years. This was the time when the residents of northern Manhattan were leading their downtown counterparts at the vanguard of artistic ferment while at the same time playing a pivotal role in the evolution of Black nationalism. This is a thrilling piece of work by an author who has been working towards this major opus for years now. It will become a classic that will stay on the American history and theater shelves for years to come.
Examines Frantz Fanon's relevance to contemporary South African politics and by extension research on postcolonial Africa and the tragic development of postcolonies. Scholar Nigel C. Gibson offers theoretically informed historical analysis, providing insights into the circumstances that led to the current hegemony of neoliberalism in South Africa.
This study of black images in American motion pictures, is re-issued for its 30th anniverary in its 4th edition. It includes the entire 20th century through black images in film, from the silent era to the unequalled rise of the new African American cinema and stars of today. From The Birth of a Nation, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, Waiting to Exhale, The Hurricane, and Bamboozled, Donald Bogle reveals the way the image of blacks in American cinema has changed - and also the shocking way in which it has often remained the same.
Put on your dancing shoes and join Pearlie for a Spanish adventure Pearlie is visiting sunny Spain. Her new fairy friend Florentina is throwing a fabulous flamenco party in her honor. But Pearlie is a little worried. She doesn't know how to dance the flamenco. Can the famous Señor Philippe teach her some magical moves so all the fairies will shout "Olé?"