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With a heightened sense of the boundless possibility and lurking doom that Orwell and Huxley once envisioned, Matthew Derby's stories provide a glimpse into an intricately imagined world: a world in which clouds are treated with behavioral serum, children are handicapped by their ability to float, and all food (including Popsicles) is made of meat.
A generation of children forced to live without words. It begins as a statistical oddity: a spike in children born with acute speech delays. Physically normal in every way, these children never speak and do not respond to speech; they don't learn to read, don't learn to write. As the number of cases grows to an epidemic level, theories spread. Maybe it's related to a popular antidepressant; maybe it's environmental. Or maybe these children have special skills all their own. The Silent History unfolds in a series of brief testimonials from parents, teachers, friends, doctors, cult leaders, profiteers, and impostors (everyone except, of course, the children themselves), documenting the growth of the so-called silent community into an elusive, enigmatic force in itself--alluring to some, threatening to others. Both a bold storytelling experiment and a propulsive reading experience, Eli Horowitz, Matthew Derby, and Kevin Moffett's The Silent History is at once thrilling, timely, and timeless.
Superhydrophobic surfaces, with a water contact angle >150°, have attracted both academic and industrial interest due to their wide range of applications, such as water proofing, anti-fogging, antifouling, anti-icing, fluidic drag reduction and anti-corrosion. Currently the majority of superhydrophobic coatings are created using organic chemicals with low surface energy. However, the lack of mechanical strength and heat resistance prevents the use of these coatings in harsh environments. Quality superhydrophobic coatings developed using inorganic materials are therefore highly sought after. Ceramics are of particular interest due to their high mechanical strength, heat and corrosion resistance. Such superhydrophobic coatings have recently been successfully fabricated using a variety of ceramics and different approaches, and have shown the improved wear and tribocorrosion resistance properties. This Special Issue will focus on the recent developments in the fabrication of superhydrophobic coatings and their robustness against corrosion and wear resistance, but the original work on other properties of superhydrophobic coatings are also welcome. In particular, the topics of interest include, but are not limited to: - Robust superhydrophobic coatings; - Coatings with super-wettability in multifunctional applications; - Wetting effects on corrosion and tribology; - Hierarchical Coating for wetting and modelling
A New York Times Editors' Choice The fascinating story of America’s national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore’s Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don’t know is the story of how this everyday “broadside ballad,” one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation’s one and only anthem and today’s magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song’s use in sports, at times of war, and for political protest, he argues that the anthem’s meaning reflects—and is reflected by—the nation’s quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key’s song is the story of America itself. Each chapter in the book explores a different facet of the anthem’s story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key’s complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song’s resonance and meaning. From its first lines Key’s lyric poses questions: “O say can you see?” “Does that banner yet wave?” Likewise, Clague’s O Say Can You Hear? raises important questions about the banner; what it meant in 1814, what it means to us today, and why it matters.