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Disneyland: Sunrise to Sunrise is a collection of more than 200 photos from one single operational day in Disneyland, specifically "One More Disney Day," which was an event on Leap Day 2012 at Disneyland. On "One More Disney Day," Disneyland was open 24 consecutive hours. Tom captured all of the photos in the eBook during the course of that morning, day, night, and second morning. In so doing, Tom was one of the crazy Disneyland guests in the park on "One More Disney Day" from start to the very finish snapping hundreds of photos along the way to document the day. Disneyland: Sunrise to Sunrise highlights some of the best photos that Tom captured on that single operational day in Disneyland and presents them in one attractive eBook. Throughout the book Tom presents tidbits of trivia, such as the inspiration for the original Tomorrowland Moonliner and why Snow White was ultimately added to Snow White's Scary Adventures attraction in Fantasyland. If you're a fan of the Disney theme parks, you'll enjoy this fresh and beautiful look at one day in Disneyland.
While vacationing at Disney World, detective Albert Cummings bumps into a teenage pickpocket. He befriends the young lady and they begin a relationship together that thrusts them deep into trying to solve the murder of a stunt show producer. (Hardcover edition)Follow the adventure as the team tries to unravel who in the cast could have carried out the murder.
This book addresses Disney parks using performance theory. Few to no scholars have done this to date—an enormous oversight given the Disney parks’ similarities to immersive theatre, interpolation of guests, and dramaturgical construction of attractions. Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney “Imagineers”—the designers and storytellers who construct the park experience—leads to the misconception that these exceptional artists puppeteer every aspect of the guest’s experience. Contrary to this assumption, Disney park guests find a range of possible reading strategies when they enter the space. Certainly Disney presents a primary reading, but generations of critical theory have established the variety of reading strategies that interpreters can employ to read against the text. This volume of twelve essays re-centers the park experience around its protagonist: the tourist.
Throughout its long and colorful history, Walt Disney Studios has produced scores of films designed to educate moviegoers as well as entertain them. These productions range from the True-Life Adventures nature documentaries and such depictions of cutting-edge technology as Man in Space and Our Friend the Atom, to wartime propaganda shorts (Education for Death), public-health films (VD Attack Plan) and coverage of exotic cultures (The Ama Girls, Blue Men of Morocco). Even Disney's dramatic recreations of historical events (Ten Who Dared, Invincible) have had their share of educational value. Each of the essays in this volume focuses on a different type of Disney "edutainment" film. Together they provide the first comprehensive look at Walt Disney's ongoing mission to inform and enlighten his worldwide audience.
"Conscientious and compassionate use of our money in a world where people spend $310 million on costumes for their pets and $5 billion on entertaining ringtones for their phones is not an easy task. The temptation to spend now and think later (or never!) is ever-present, but with good intentions and prayerful hearts, we can slow down and reflect on what we earn, how we spend it, who is affected by it, and who we can share it with." —from the introduction Every Christian knows that we are called to love God with all our heart, mind, soul, and strength. But what about our wallet? We are asked to open it every Sunday when the offering basket comes by and are told that giving is a way of being a "good steward," but what about spending money at a restaurant or grocery store? Best-selling author Mike Slaughter offers a comprehensive look at how Christians use their money in The Christian Wallet. Slaughter explores today's culture of consumerism and the impact of what we buy, asking difficult questions about morality and money while acknowledging that there are no easy answers. Throughout the book, profiles of real people inspire thoughtful reflection about the true value of money and the rewards of conscious spending. Questions for individual or group study are also included with each chapter. The Christian Wallet helps Christians grapple with important questions about using money: how we spend, how we live, how we save, how we give, and what it all means.
The engaging story of James Worden's struggle to produce the first commercially successful electric car. 19 illustrations.
At age 17, I went home from work and told my mother that I had received an appointment to study engineering at GMI. She said, “I didn’t know you wanted to be an engineer.” I said, “I do today!” I didn’t even know where GMI was located. On October 1, 1951, I entered Flint, Michigan to start my education with General Motors Institute. When Dad died, Mother was not employed. She said we were all going to stay together. The state would separate us if we couldn’t survive without Dad. I can still see her taking a knife and putting a slit in the top of that baking powder can, and we all contributed to it. We all put whatever we could earn in that can. During Mother’s last year, I would go over to see her, and she always wanted me to take something home. When I was checking her food supply, I found the baking powder can. I told her I would like to have it. She said there were a number of times she would look into it and see a dime, which meant she would have to be creative for supper. We never went hungry. She was one of my two most admired ladies. I married the other one. In March 1990, I flew into Moscow. All of the flights from out of the country came into Moscow in those days. After we landed, the intercom came on and asked for me. I remember this scared me. I wondered what was wrong. When I arrived in Tolyatti, two of my engineers met me and said, “Lets take a walk.” I thought this was strange since it was raining. They said you couldn’t talk in the rooms; they were bugged. They told about a session where they were planning the next phase of their work. The next morning the Russian engineers acted as if they had been in the meeting. Don Almquist has traveled the world doing business for GM. In this memoir starts with life on a small farm in Indiana, continues through his education and career at both Delco Remy and Delco Electronics Corporation. He talks of his personal life and career with stories from all over the world. He shares his beliefs on management and leadership and reflects on the last 90 years.
Debuting in 2019, Disney+ quickly became one of the most popular streaming services worldwide. With hubs for Disney, Pixar, Marvel, Star Wars and National Geographic, Disney+ not only provides "vault" content from these brands but also original films and television programming such as High School Musical: The Musical: The Series, The Mandalorian, The Mighty Ducks: Game Changers, Andor and The Imagineering Story. This collection of essays examines a variety of Disney+ exclusive content, exploring themes such as nostalgia, identity, representation and lived experience. Designed to appeal to both academics and the average Disney fan, it attempts to answer the question of whether its original streaming content is a plus or minus for the "Mouse House."
This work demonstrates that not everything that Disney touched turned to gold. In its first 100 years, the company had major successes that transformed filmmaking and culture, but it also had its share of unfinished projects, unmet expectations, and box-office misses. Some works failed but nevertheless led to other more stunning and lucrative ones; others shed light on periods when the Disney Company was struggling to establish or re-establish its brand. In addition, many Disney properties, popular in their time but lost to modern audiences, emerge as forgotten gems. By exploring the studio's missteps, this book provides a more complex portrayal of the history of the company than one would gain from a simple recounting of its many hits. With essays by writers from across the globe, it also asserts that what endures or is forgotten varies from person to person, place to place, or generation to generation. What one dismisses, someone else recalls with deep fondness as a magical Disney memory.
Look out for visual field guide like no other, and meet the people behind the names on the windows of Main Street, U.S.A. at the Disney parks! When you first enter Disneyland, in California, or the Magic Kingdom in Florida, a charming train station is set elevated before you, like a stage-show curtain. Walk through one of its tunnels to find vibrant posters displayed like "coming attractions" at a theater. Then arrive at Main Street, U.S.A., an idealized Victorian-era town of bright colors, upbeat melodies, and delicious smells. Here, your eyes finally meet the grand view ahead: a stunning castle, filled with the promise of adventures beyond. Keen observers will notice intricate details throughout the Disney parks, including names emblazoned on the building windows lining Main Street, U.S.A. Designed as calling cards for fictionalized shopkeepers, these names belong to the real life "all-stars" who helped make Disney's theme parks a reality. They are the opening credits to a show like no other. The people listed on these windows are skilled actors, artists, business leaders, Imagineers, songwriters, and more. With their imagination and sharp skills, each person has made an important contribution to The Walt Disney Company. In fact, many have also received the impressive Disney Legends award. Through short biographies and key imagery and a foreword by Disney Legend Marty Sklar, this expertly researched volume is sure to intrigue and inspire. As Walt famously said, "You can dream, create, design, and build the most wonderful place in the world . . . but it requires people to make the dream a reality."