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The Swedish film director, who has turned towriting novels, probes the life of his parents in a sequelto Best Intentions. This book, too, is populated by a castof complex characters: a tyrannical father, a beautifulwife contemplating separation, children, aunts anddomestics.
Pu Bergman is eight years old when Mother rents Pastor Dahlberg’s ramshackle house for the summer. Pu is a Sunday’s child—one said to be endowed with special gifts of sensitivity, clairvoyance, and the ability to see ghosts. As the novel opens, Pu’s heart is full of anticipation as he goes to the train station to greet his father. When Father arrives, he is strangely distant, melancholy, and severe. Over the next twenty-four hours, Pu’s world is marked indelibly. In beautifully realized set pieces that reveal the Bergman family landscape and culminate in a train trip Pu and his father take together, Pu encounters death and the infirmities of aging, is humiliated by his terrorizing older brother, dwells on ghost stories the servants tell, and witnesses the painful arguments between his parents. A series of “flashbacks to the future” enriches our understanding of the relationship between man and boy, as a much older Ingmar Bergman visits his ill and dying father, bringing the novel full circle. In his review of the film made from Sunday’s Children, Vincent Canby called the story “gorgeous, richly poignant . . . Not since Wild Strawberries has Mr. Bergman dealt with time in a way that is simultaneously quite so limpid and so mysterious.”
Serena Katt’s grandfather, whom she knew as Opa, was a ‘Sunday’s Child’, one of the lucky ones for whom everything always went right. Opa left a brief account of his childhood and teenage years, but it is opaque, a story of prizes won and boyish adventures. In Sunday’s Child, Serena Katt interrogates Opa’s version of his life. Was it really so innocent? Did he really not know what the Nazis were doing? He joined the Hitler Youth at the age of ten, swearing an oath of loyalty to the Fuhrer. From then on the games he played were actually military training, designed to produce a ‘new German youth ... violent, domineering, unafraid, cruel ... which the world will fear’. At seventeen, in the final desperate days of the war, he is called up but his luck holds. He is sent home and thus survives the war. Sunday’s Child marks the debut of a remarkable graphic novelist. Serena Katt’s book is powerful, eloquent and moving, and her drawing is superb.
Don’t miss the fourth book in the heartwarming six-part series from the No.1 Sunday Times bestselling author Dilly Court!
Sunday Everette has a childhood unlike any other in the "Jim Crow" era of the South, growing up at the Pea Island Life-Saving Station among the barren dunes of North Carolina's stormy Outer Banks. In sheltered isolation, guided solely by the influence of the Station's heroic all-black crewmen, she blossoms into a strong and beautiful young woman with a spirit to match. But Sunday's secluded paradise cannot last. Her calm, simple days by the sea must inevitably give way to the fast-approaching storms of life. Unexpectedly, those darkening skies bring with them an unlikely mix of forbidden love, murder, and revenge--along with a Nazi submarine carrying millions of dollars in gold stolen from Hitler's Third Reich. First in a trilogy, Sunday's Child begins the saga of three unique families from across the world, flung fatally together by three of mankind's most basic traits: war, love, and greed.
In Let the Little Children Come, Scott Aniol strives to convince church leaders and parents that children best grow into faithful, mature worshipers of Jesus Christ when they are led to Jesus by their parents in the context of intergenerational church gatherings and in daily worship at home. In Part 1, Scott presents biblical and theological reasons families should worship together both on Sundays and the other six days too, addressing common objections and suggesting some practical ways family worship might be recovered. In Part 2, Scott then offers practical tips and myriads of resources for engaging children in church worship as well as family worship at home.
"Carter has written a memoir that captures the quintessential America that now seems to be slipping away from us. A real treat." --John Tebbel, author, A History of Book Publishing in the United States "Deeply moving.The book is a delight, and, of course, you write like a dream.Your introductory comments on the subject of memoirs are interesting.Congratulations on what I believe we used to call a great read, and more than that, a deeply affecting record." --Ellen Feldman, author, Lucy "Robert Carter has that rare quality in a writer whose prose is transparent: nothing apparently stands between the reader and the world of the 1930s and early 1940s. That world is portrayed as essentially an unflinchingly revealed emotional one; there is a heartbreaking account of his mother's death--an event that drives his subsequent relations." James Scanlon, Professor Emeritus of History, Randolph-Macon College
It all starts with one little lie: I wasnt even born on Sunday. Dominga Garcia says it without much thought as she drives Nico home from the martial arts studio on a hot summer day. Although separated by a generation, the two are also connected by the deep traditions of their Puerto Rican neighborhood in east Houston. It seems almost too obvious that they will become lovers. Dominga knew better than to tell that lie. Even the smallest fib can cause loads of trouble, a lesson she learned as a teenager. Still, Nico laughed when she said it, and Dominga wanted what she wanted, even if scheming was the only way to get it. So begins a whirlwind romance filled with passion and play, but everything is not as it seems. Dominga is soon reminded that one lie leads to another and another, and in the end, its hard to keep all her stories straight. But a spider always remembers her own threads, and Dominga is sure shell come out of her predicament with exactly what and whom she wants. What she isnt counting on is the fact the she isnt the only one lying.
DigiCat Publishing presents to you this special edition of "With the Children on Sundays" (Through Eye-Gate and Ear-Gate into the City of Child-Soul) by Sylvanus Stall. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
When a genetic condition meets an addiction, life becomes difficult for a middle class mid-western girl. The Story Of A Sunday's Child is the true story of such an encounter. After becoming a young adult Stevie finds that her learning problems and physical traces on her body are the result of a genetic condition called Neurofibromatosis. When Stevie tells her fiancée about her problems she expects to be rejected but instead he is sympathetic. Unfortunately he turns out to be a high functioning alcoholic. Stevie watches helplessly as her marriage and her appearance become increasingly influenced by these two factors. It's the story of learning to live with something that cannot be changed; then finding the courage to leave a marriage gone aground on alcoholism. Nothing is sugar coated. Stevie's story is bluntly honest. It is not a "how I learned to live with" type of book. Many questions remain unresolved at the end of the narrative.