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"Sheer, unadulterated pleasure. . ..Written from the heart." --Jennifer Blake A Mother's Sacrifice Ruthlessly kidnapped, Elizabeth Fleming has endured nine years as an English slave to a Seneca warrior. Only devotion to her two small children, fathered in captivity, have brought her comfort. But now, a handsome stranger has come to free her—whether she wants it or not. For her son and daughter must stay behind. Elizabeth can only hope the man is as kind as he is bold—and that the desire he awakens in her does not divert her from her course. . . A Woman's Heart More Indian than white, Hunt Campbell was sure that rescuing Elizabeth was a fool's errand. She'd no longer be the girl her father remembered. And he was right. Elizabeth was a grown woman—more courageous and beautiful than Hunt imagined. And more stubborn. For after one thrilling, intimate night together, Elizabeth flees to save her children. But now Hunt knows it is his destiny to risk his life for her mission—and her love. . . "A masterful storyteller." --Rendezvous 150,000 Words
Robbed of his daughter and his horses by a war party of Lakota Sioux, Con Brann relies on guide and scout Skye to lead him across the Great Plains in search of his child.
A troubled girl and a damaged horse find each other, and against all odds — mistaken identity, abandonment, corruption, and fraud — make an unbeatable team. His name is Sundancer, and from the moment he arrives at Saddle Creek Farm, Bird is fascinated by him. The horse is suspicious and guarded, touchy, and even cruel. Bird’s Aunt Hannah calls him “unrideable,” and Bird has to admit that Sundancer might be trouble. But Bird, whose mother left her to be raised by her aunt halfway across the country, is a bit of trouble herself. How else would you describe a girl who hasn’t spoken since she was six, and hears things no one else can hear — like the thoughts of the animals she befriends? Sundancer is a wounded horse with a story he’s not ready to share. Bird starts to feel like, maybe, they aren’t so different, and maybe she needs him as much as he needs her. Will she be able to reach him before it’s too late?
Legend has it that bank robber Harry Longbaugh and his partner, Robert Parker, were killed in a shoot-out in Bolivia. That was the supposed end of the Sundance Kid and Butch Cassidy. SUNDANCE tells a different story. At the beginning of the twentieth century, Longbaugh is very much alive, though serving in a Wyoming prison under an alias. When he is released in 1913, Longbaugh enters a changed world. What hasn't changed is his ingenuity and his love for his wife, even if she stopped visiting him two years ago. He sets out on her trail and finds himself in a deadly game.
He gained renown as the sidekick of Butch Cassidy, but the Sundance Kid—whose real name was Harry Alonzo Longabaugh—led a fuller life than history or Hollywood has allowed. A relative of Longabaugh through marriage, Donna B. Ernst has spent more than a quarter century researching his life. She now brings to print the most thorough account ever of one of the West’s most infamous outlaws, tracing his life from his childhood in Pennsylvania to his involvement with the Wild Bunch and, in 1908, to his reputed death by gunshot in Bolivia. Combining genealogical research, access to family records, and explorations in historical archives, Ernst details the Sundance Kid’s movements to paint a complete picture of the man. She recounts his homesteading days in Colorado, offers new information on his years as a cowboy in Wyoming and Canada, and cites newly uncovered records that substantiate both his outlaw activities and his attempts at self-reform. While taking readers on the wild chase that became Longabaugh’s life, outracing posses and Pinkertons, Ernst corrects inaccuracies in the historical record. She demonstrates that he could not have participated in the Belle Fourche bank heist or the Tipton train robbery and refutes speculations that Butch and Sundance managed to escape their fate in Bolivia. The Sundance Kid is enlivened by more than three dozen photographs, including family photos never before seen.
About 1875 the Crows abandoned their own Sun Dance, but they continued to carry out other traditional rites despite opposition from missionaries and the federal government. In 1941, Crow Indians from Montana sought out leaders of the Sun Dance among the Wind River Shoshonis in Wyoming and under the direction of John Truhujo, made the ceremony a part of their lives. In The Shoshoni-Crow Sun Dance, Fred W. Voget draws on forty years of fieldwork to describe the people and circumstances leading to this singular event, the nature of the ceremony, the reconciliation’s with Christianity and peyotism, the role of the Sun Dance as a catalyst for the reassertion of Crow cultural identity, and the place the Sun Dance now holds in Crow life and culture. Voget’s description includes photographs and diagrams of the Sun Dance.
The Battle of the Little Big Horn from the Indian point of view. The novel is narrated by Sarah Kilory, a white Quaker schoolteacher from Pennsylvania who went west to teach Indian children. She married an Indian chief, led a nomadic life, and through her eyes is seen the white invasion and the events that led to the battle. By the author of The Spiral Dance.