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Sun-Up, and Other Poems is a lyrical collection by Lola Ridge. Excerpt: "It's strange about stars.... You have to be still when they look at you. They push your song inside of you with their song. Their long silvery rays sink into you and do not hurt. It is good to feel them resting on you like great white birds... and their shining whiteness doesn't burn like the sun— it washes all over you and makes you feel cleaner'n water."
Sun-Up, and Other Poems is a lyrical collection by Lola Ridge. Excerpt: "It's strange about stars.... You have to be still when they look at you. They push your song inside of you with their song. Their long silvery rays sink into you and do not hurt. It is good to feel them resting on you like great white birds... and their shining whiteness doesn't burn like the sun— it washes all over you and makes you feel cleaner'n water."
Icebergs brighten as the sky peels itself of darkness and stretches awake. . . . Welcome, Summer. We've been waiting for you. Experience summer like you've never experienced it before by traveling to Antarctica with evocative poetry. The sun rises, ice melts, grass grows, seals squabble, whales sing, and young penguins slide, glide, and belly flop. Whimsical illustrations and additional facts accompany each poem to provide further details about the animals and the environment at the bottom of the world.
Poetry. Edited and with an introduction by Daniel Tobin. LIGHT IN HAND offers selections from Ridge's first three volumes of poetry that have entered the public domain: The Ghetto and Other Poems, Sun-Up and Other Poems, and Red Flag. The poems in this volume showcase Ridge's critical yet compassionate eye for the world around her, from the Jewish ghetto of the Lower East Side to the bloody frontlines of World War I. Rich with finely-drawn details of person and place, Ridge's poems marry a materialist political sensibility with a deep spiritual belief in the ability of humankind to transcend the world's havoc and strife. As Ridge writes in "Obliteration" of "The emptily effacing air,/ That has closed upon so many cries./ Yet holds in its blue vacuum/ No bleached white evidence," it is often the work of history to bury the cries of the oppressed, as well as those who try to speak out against injustice. It was Ridge's lifelong mission to counteract this erasure and illuminate that evidence.
Alex Dimitrov’s third book, Love and Other Poems, is full of praise for the world we live in. Taking time as an overarching structure—specifically, the twelve months of the year—Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is “our best invention.” Dimitrov doesn’t resist joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
Come feel the cool and shadowed breeze, come smell your way among the trees, come touch rough bark and leathered leaves: Welcome to the night. Welcome to the night, where mice stir and furry moths flutter. Where snails spiral into shells as orb spiders circle in silk. Where the roots of oak trees recover and repair from their time in the light. Where the porcupette eats delicacies—raspberry leaves!—and coos and sings. Come out to the cool, night wood, and buzz and hoot and howl—but do beware of the great horned owl—for it’s wild and it’s windy way out in the woods!
Like Divakaruni's much-loved and bestselling short story collection Arranged Marriage, this collection of poetry deals with India and the Indian experience in America, from the adventures of going to a convent school in India run by Irish nuns (Growing up in Darjeeling) to the history of the earliest Indian immigrants in the U.S. (Yuba City Poems). Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves. This collection is touched with the same magic and universal appeal that excited readers of Arranged Marriage. In Leaving Yuba City, Chitra Banerjee Divakaruni proves once again her remarkable literary talents.
The Sun Will Rise and So Will We, is a poetry book filled with all things sunshine without ignoring the storms. Pain is real. Anxiety is real. Depression is real. Hardships in life are real. I hope when you pick up this book you feel heard and comforted. Even if it doesn't seem like it right now, your sun will rise once again, and I am cheering you on for that moment. What will it feel like, when your sun rises?
Named a Best Poetry Book of 2017 by the New York Times Book Review, Sun in Days is “O’Rourke’s most ravishing and brilliant collection yet” (Cathy Park Hong). From acclaimed poet and critic Meghan O’Rourke comes a powerful collection about the frailty of the body, the longing for a child, and the philosophical questions raised when the body goes dramatically awry. These formally ambitious poems and lyric essays give voice to the experience of illness, the permanence of loss, and invigorating moments of grace. A Paterson Poetry Prize finalist, Sun in Days is unsentimental yet deeply felt, characterized by O’Rourke’s signature lyric precision and force of observation.