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Dolores came from El Salvador with her aunt that didn't love her. Finally she was adopted by a kind American woman. Just as she was ready to graduate and start college in the fall, her mother (whom she'd never met) decides to visit. This was the worst thing that could happen to her. What will her summer of dolores bring her?
In the afternoon, while I'm on the porch, the rains begin. This first rain is only a sprinkle and the ground quickly drinks it up. My children, who are playing in the yard, look to the sky, wanting more. Their hair glistens . . . A breeze, cooled by the rain, passes across the house. I hold my hands to my face and smell on them the mango flowers I sliced. I must have a little sweetness in my life, I think, not damp hands and indifferent kisses.
Because bricks often give structure to a town as a whole, they also encase the memories of the people, events, and social pressures that shaped a particular place and time. This book is a history of Booneville, Mississippi, from 1907 to 1965. In this unique narrative, personal interviews are intertwined with historical documentation to take you from Main Street (by way of the back alleys) to cotton fields, jails, and train stations. The memories described in "Old Bricks" recount the needs of people (primarily remote country families) who gathered in the old town for trade, entertainment, and socialization. Most of the time, these memories are the sweet reflections of a bygone era. However, occasionally they reflect a time when a "good ole boy" legal system existed and social injustices were perpetrated against black citizens. All the characters in this book are real and all the stories are confirmed-leaving you, the reader, to reflect on how the past still shapes us today.
An unsung American heroine, Dolores a nurse in surgery is betrayed by her own kind: doctors! Th e first one, a gynecologist, keeps her waiting for 3 months before he does a D & C, and by way of a biopsy, finds out she has cervical cancer. At first he is going to do a radical hysterectomy, changes his mind, and dumps her on a radiologist with a non-existent Stage IC diagnosis report. The radiologist, not knowing his Merck Manual too well, convinces her that radiology is as effective as a hysterectomy operation for any Stage I cervical cancer. A year later, the cancer had metastasized. She receives chemotherapy and becomes very religious. The tumors disappear and she believes she is healed. However, three months later her health deteriorates, again. The husband and Dolores meet a lady cured of lung cancer by a strict metabolic diet and Laetrile pills. This happens while he is on a 3 month tour of duty assignment at Fort Hood, Texas as a civilian engineer for the US Army Tank-Automotive Command. On her advice and a talk with the doctor in Mexico they take a chance to cure Dolores with a trip to Clinica Cydel in Tijuana. After a few days of Laetrile treatment, but inability to hold down food, Dolores collapses and she is hospitalized at Dr. Contreras Hospital del Mar. She is put on a plane from San Diego to Detroit 3 weeks later, but rapidly breaks down in health. Her last day out, she attends a faithful Christian service conducted by evangelist Nora Lam. Dolores expires 4 months later.
A True Story of an American Nazi Spy, William C. Colepaugh. A Biography William C. Colepaugh was born and raised in Black Point Connecticut. Living on the banks of Long Island Sound he developed a love for the sea and aspired to become a naval architect. His goals were sidetracked by his lack of educational skills as he failed in his attempt at a degree from either the Naval Academy or MIT. Influenced by family members, schoolmates, and social acquaintances, he developed a love for Germany and all things German. This love grew to a desire to go to Germany to further attempt to achieve his original goals. It didnt take long for him to become disenchanted after he finally arrived in Germany as the Germans had different plans for him. He was trained as an espionage agent and saboteur by the SS and returned to the United States to carry out his mission with a fellow German national, Eric Gimpel. After a 54-day submarine journey they landed near Bar Harbor Maine with $60,000, diamonds, fire arms, and espionage equipment and made they way to New York City that was to become their base of operation. However, after three weeks, mistrust developed between the two spies. Colepaugh broke loose from Gimpel with the money but was soon outsmarted by the seasoned spy. Soon after, Colepaugh decided to turn himself in to the FBI and provided them with enough information that culminated in the capture of Gimpel a few days later. They were tried and convicted by military tribune and sentenced to be hanged, but presidential politics and world events led to a change in their sentence to life in prison. Colepaugh served 15 years in Federal prison and was released in 1960. For the next 42 years of his life he functioned as a successful businessman, community member, and husband, with his past only known to a select few including his wife. In 2002 he was exposed by a journalist and lived in seclusion the remaining three years of his life.
In Apocalyptic Dread, Kirsten Moana Thompson examines how fears and anxieties about the future are reflected in recent American cinema. Through close readings of such films as Cape Fear, Candyman, Dolores Claiborne, Se7en, Signs, and War of the Worlds, Thompson argues that a longstanding American apocalyptic tradition permeates our popular culture, spreading from science-fiction and disaster films into horror, crime, and melodrama. Drawing upon Kierkegaard's notion of dread—that is, a fundamental anxiety and ambivalence about existential choice and the future—Thompson suggests that the apocalyptic dread revealed in these films, and its guiding tropes of violence, retribution, and renewal, also reveal deep-seated anxieties about historical fragmentation and change, anxieties that are in turn displaced onto each film's particular "monster," whether human, demonic, or eschatological.
The spirit of aloha is found in Hawaii’s fresh ocean air, the flowers, the trade winds . . . the natural beauty that smooth the struggles of daily life. In 1922 Honolulu, unhappy in the adoptive family that’s raised her, Dolores begins to search for that spirit early on—and she begins by running away at sixteen to live with her newlywed friend Maria. Trying to find her own love, Dolores marries a young Portuguese man named Manolo His large family embraces her, but when his drinking leads to physical abuse, only his relative Alberto comes to her rescue—and sparks a passion within Dolores that she hasn’t known before. Staunch Catholics can’t divorce, however; so, after the Pearl Harbor attack, Dolores flees with her two daughters to California, only to be followed by both Manolo and Alberto. In California, Manolo’s drinking problems continue—and Alberto’s begin. Outraged that yet another man in her life is turning to the bottle for answers, Dolores starts to doubt her feelings for Alberto. Is he only going to disappoint her, as Manolo has? Or is Alberto the embodiment of the aloha spirit she’s been seeking?
'The Crest of the Continent: A Summer's Ramble in the Rocky Mountains and Beyond' takes readers on a breathtaking journey through the Rocky Mountains and their surrounding areas. Written by Ernest Ingersoll, this travelog captures the beauty and wonder of the American West, providing vivid descriptions of its landscapes, people, and wildlife. From the foothills of Colorado to the hot springs of New Mexico, readers will experience the thrill of exploring uncharted territory alongside Ingersoll's colorful characters. With engaging anecdotes and historical context, this book is a must-read for anyone seeking to understand the natural and cultural history of this magnificent region.