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Landmark work illustrates the history of North American indigenous resistance and the struggle for land rights.
This is the first volume to fully explore the complex relationship between war and tourism by considering its full range of dynamics; including political, psychological, economic and ideological factors at different levels, in different political and geographical locations. Issues of peace and tourism are dealt with insofar as they pertain to the effects of war on tourism that emerge after the cessation of hostilities. The book therefore reveals how not only location, but also political strategies, accidents of history, transportation linkages, and economic expediency all have played their role in the development and continuation of tourism before, during, and after wartime. It further show how the effects of war are seldom if ever simply a negation or reversal of the effects of peace on tourism. The volume draws on a range of examples, from medieval times to the present, to reveal the multi-faceted development of tourism amidst and because of conflict in a wide variety of locations, including the Pacific, Europe, the Middle East, North America, Africa and South East Asia, showing the diverse ways in which tourism and war interacts. In doing so it explores how some locations have been developed as tourist attractions primarily because of war and conflict, e.g. as resting and training places for troops, and others flourished because of the threat of danger from conflicts to more traditional tourist locations. This thought provoking volume contributes to the understanding of the interrelationships between war, peace and tourism in many different parts of the world at different scales. It will be valuable reading for all those interested in this topic as well as dark tourism, battlefield tourism and heritage tourism.
The news of the bombardment of the Basque town of Guernica by German planes during the Spanish Civil War was the inspiration that set Picasso to work on Guernica, the picture that transcended the specific historical moment to wich it refers to become the great icon of the twentieth century. In 2017 we commemorate the eightieth anniversary of the work's creation and the twenty-fifth anniversary of its arrival to the Museo Reina Sofía, with the organization of Pity and Terror: Picasso's Path to Guernica, a new exhibition of more than 170 pieces from the museum's own collection and from other institutions. To coincide with the anniversary of Guernica, the Museo Reina Sofía is publishing two books that are the result of research carried out by the Collections Department. The first is the current volume, Pity and Terror: Picasso's Path to Guernica, while the second will examine Guernica's travels.
(Woodwind Solo). Two saxophone parts included: (1) original version by Chick Corea and (2) edited version by Nobuya Sugawa. Original version written in piano score.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.