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Please note: This is a companion version & not the original book. Sample Book Insights: #1 The fingerprint, with its distinctive pattern of lines and curves, has become a universal embodiment of crime. It is a pattern so characteristic and specific, it can tell a story almost without the need for explanation. #2 The Detection Club, which was founded in 1930, was open to both women and men, but it was only writers of detection fiction who were allowed to join. Christie was president from 1957 until her death in 1976. #3 The Detection Club was a group of crime fiction writers who met to discuss their craft and collaborate on books and radio broadcasts. It was an important resource for Christie going forward, as it allowed her to converse with other writers about crime and fiction from the early stages of her career. #4 The purpose of ridge detail on the fingertips is simply to provide some mammals with friction on smooth surfaces. However, the patterns created as a by-product have become one of the best forensic identifiers.
Discover the science of forensics through Agatha Christie's novels in the ultimate true crime investigation Agatha Christie is the bestselling novelist of all time, and nearly every story she ever wrote involves one—or, more commonly, several—dead bodies. And the cause of death, the motives behind violent crimes, the clues that inevitably are left behind, and the people who put the pieces together to solve the mystery invite the reader to analyze the evidence and race to find the answer before the detective does. Nearly every step of the way, Christie outlines the nuts and bolts of early 20th-century crime detection, relying on physical evidence to tell the real story behind the facades humans erect to escape detection. Christie wouldn't have talked of "forensics" as it is understood today—most of her work predates the modern developments of forensics science—but in each tale she harnesses the power of human observation, ingenuity, and scientific developments of the era. A fascinating, science-based deep dive, The Science of Murder examines the use of fingerprints, firearms, handwriting, blood spatter analysis, toxicology, and more in Christie's beloved works. What readers are saying: "Highly entertaining with many fascinating snippets of insider information about real life criminal cases. This is a must for Christie fans." "Thoroughly researched and a delight to read!" "A wealth of information and knowledge to help give an insight to the golden age of crime fiction." "Absolutely brilliant book that looks at how Agatha Christie made use of developments in forensic science in her novels and upgraded her understanding over time." "Agatha Christie is one of my favorite authors, unparalleled in her clever plots and twisting tales. She was also a forensic expert, weaving into her novels human observation, ingenuity and genuine science of the era. This book illuminates all of Agatha's incredible knowledge, showing how she stayed at the cutting edge of forensic knowledge, as seen through her much loved characters."
Fascinating - Prima Engaging and informative - Guardian Agatha Christie is one of our most beloved authors - a storyteller unparalleled in her clever plots and twisting tales. But Agatha was also a forensic expert; in each of her books she employs an expert weaving of human observation, ingenuity and genuine science of the era. In Murder Isn't Easy Carla Valentine illuminates all of Agatha's incredible knowledge, showing how she stayed at the cutting edge of forensics from ballistics to fingerprint analysis, as seen through much-loved characters such as Poirot and Miss Marple. From the glamour and grit of Agatha Christie's stories, to the real-life cases that inspired them, Murder Isn't Easy will immerse you in the forensics that influenced generations of writers and scientists alike.
"Using the most common post-mortem process as the backbone of the narrative, [this book] takes the reader through the process of an autopsy while also describing the history and changing cultures of our relationship with the dead. The book [examines] what happens to our bodies in the end. Each chapter considers an aspect of an autopsy alongside an aspect of Carla's own life and work and touches on some of the more controversial aspects of our feelings towards death, including the relationship between sex and death and our attitudes toward human tissue collection"--
A day in the life of Carla Valentine - curator, pathology technician and 'death professional' - is not your average day. She spent ten years training and working as an Anatomical Pathology Technologist: where the mortuary slab was her desk, and that day's corpses her task list. Past Mortems tells Carla's stories of those years, as well as investigating the body alongside our attitudes towards death - shedding light on what the living can learn from dead and the toll the work can take on the living souls who carry it out. Fascinating and insightful, Past Mortems reveals the truth about what happens when the mortuary doors swing shut or the lid of the coffin closes.
Agatha Christie's detailed plotting is what makes her books so compelling. Christie used poison to kill her characters more often than any other murder method, with the poison itself being a central part of the novel, and her choice of deadly substances was far from random; the chemical and physiological characteristics of each poison provide vital clues to discovery of the murderer. With gunshots or stabbings the cause of death is obvious, but not so with poisons. How is it that some compounds prove so deadly, and in such tiny amounts?Christie demonstrated her extensive chemical knowledge (much of it gleaned from her working in a chemists during both world wars) in many of her novels, but this is rarely appreciated by the reader. A is for Arsenic celebrates the use of science in Christie's work. Written by Christie fan and research chemist Kathryn Harkup, each chapter takes a different novel and investigates the poison (or poisons) the murderer used. A is for Arsenic looks at why certain chemicals kill, how they interact with the body, and the feasibility of obtaining, administering and detecting these poisons, both at the time the novel was written and today. This book is published as part of the 125th anniversary celebration of Christie's birth.Fourteen novels. Fourteen poisons. Just because its fiction doesn't mean its all made-up ...
William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn't shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly. Elizabethan London provides the backdrop for Death by Shakespeare, as Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Kathryn investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure.
NOW A MAJOR MOTION PICTURE—The #1 New York Times bestselling worldwide sensation with more than 18 million copies sold, hailed by The New York Times Book Review as “a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature.” For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.
This is the story of a national obsession. Ever since the Ratcliffe Highway Murders caused a nation-wide panic in Regency England, the British have taken an almost ghoulish pleasure in 'a good murder'. This fascination helped create a whole new world of entertainment, inspiring novels, plays and films, puppet shows, paintings and true-crime journalism - as well as an army of fictional detectives who still enthrall us today. A Very British Murder is Lucy Worsley's captivating account of this curious national obsession. It is a tale of dark deeds and guilty pleasures, a riveting investigation into the British soul by one of our finest historians.
"Andrea Bobotis is a new, original voice as Southern as they come! In The Last List of Miss Judith Kratt, she unravels a complicated web of dirty Southern secrets. Using masterful writing and a perfectly calculated reveal of damaged history, she ends up weaving a tapestry that is so much more."—LEAH WEISS, bestselling author of If the Creek Don't Rise In the hard-luck cotton town of Bound, South Carolina, some bury their secrets close to home. Others scatter them to the wind and hope they land somewhere far away. Judith Kratt inherited everything her family had to offer—the pie safe, the copper clock, the murder no one talks about. She's presided over the Carolina house quite well, thank you very much, with a little help from her companion, Olva. When her wayward sister suddenly returns, Judith must make an inventory of all that belongs to them—and her sister is determined to include the skeletons the Kratt family had hoped to take to their graves. Interweaving the present with chilling flashbacks from one fateful evening in 1929, Judith pieces together the devastating influence of the Kratt family on their small South Carolina cotton town, learning that the effects of dark family secrets can last a lifetime and beyond. Perfect for fans of Kim Michele Richardson, Hannah Pittard, and Sue Monk Kidd—Andrea Bobotis presents a book of small-town, Southern charm and dark family drama.