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Artistic work itself has been thought of as a life-saving behaviour for some suicidal artists. Artistic depictions of suicide can also have a contagion effect, causing suicides among members of the real-world audience. Guidelines are still needed for institutions such as the motion picture industry for minimising possible copycat effects of suicides in feature films and other artistic displays of suicide. Perhaps one of the most important reasons for studying suicide art is for insights into the motives for suicide. Artists portrayed many motives for suicide long before the rise of the science of suicidology in the 20th Century. Motives including social factors such as death of a loved one, honour, economic strain, and betrayal in love have roots in many historical artistic products. Sophocles's plays, dating from 2,500 years ago, contain several motives that are still found today. The history of suicide in art, especially if film is included, may be subject to continuities as well as changes in the motives for suicide. While the visual arts may have drifted away from certain causes of suicide, such as heroicism, these causes may actually live on in other art forms including film and opera. The present volume stresses a holistic approach to the study of suicide in art. Patterns in one art venue may be both similar and different to those in other venues. Hence, caution needs to be exercised in making generalisations on the basis of one or a few modalities of artistic creations.
If creativity is the highest expression of the life impulse, why do creative individuals who have made lasting contributions to the arts and sciences so often end their lives? M.F. Alvarez addresses this central paradox by exploring the inner lives and works of eleven creative visionaries who succumbed to suicide. Through a series of case studies, Alvarez shows that creativity and suicide are both attempts to authenticate and resolve personal catastrophes that have called into question the most basic conditions of human existence.
A New York Times Editor’s Pick. Shortlisted for the Bookmark Festival Book of the Year and the McIlvanney Prize "I wasn’t sure there could be a great pandemic novel. Here it is." Ian Rankin My name is Haley Cooper Crowe and I am in lockdown in a remote location I can’t tell you about. It’s five years after the pandemic, and for most people life has returned to normal—but not for Haley Cooper Crowe and her brother Ben. Children of divorce, they live with their mother, but their dad believes there’s a new, much deadlier virus spreading out of control, and that he can only save his kids by kidnapping them and hiding them in his remote prepper hideaway. Once confined to their off-grid “safe house”, Haley and Ben are completely cut off from civilisation. Will they make it out alive? How can they save their mother? How can they discover what’s happening on the outside? Propulsive, electrifying, tense, and often visceral and funny, How to Survive Everything is one teenage girl’s guide to navigating the imminent collapse of her world, family and sanity.
Over the past two decades, there has been a major increase in research into the effects of the arts on health and well-being, alongside developments in practice and policy activities in different countries across the WHO European Region and further afield. This report synthesizes the global evidence on the role of the arts in improving health and well-being, with a specific focus on the WHO European Region. Results from over 3000 studies identified a major role for the arts in the prevention of ill health, promotion of health, and management and treatment of illness across the lifespan. The reviewed evidence included study designs such as uncontrolled pilot studies, case studies, small-scale cross-sectional surveys, nationally representative longitudinal cohort studies, community-wide ethnographies and randomized controlled trials from diverse disciplines. The beneficial impact of the arts could be furthered through acknowledging and acting on the growing evidence base; promoting arts engagement at the individual, local and national levels; and supporting cross-sectoral collaboration.
Learn how to jump-start your imagination to conjure up innovative, worthwhile ideas with help from some of the greatest artists in the world. How do artists think? Where does their creativity originate? How can we, too, learn to be more creative? BBC Arts Editor Will Gompertz seeks answers to these questions in his exuberant, intelligent, witty, and thought-provoking style. Think Like an Artist identifies ten key lessons on creativity from artists that range from Caravaggio to Warhol, Da Vinci to Ai Weiwei, and profiles leading contemporary figures in the arts who are putting these skills to use today. After getting up close and personal with some of the world’s leading creative thinkers, Gompertz has discovered traits that are common to them all. He outlines basic practices and processes that allow your talents to flourish and enable you to embrace your inner Picasso—no matter what you do for a living. With wisdom, inspiration, and advice from an author named one of the fifty most original thinkers in the world by Creativity magazine, Think Like an Artist is an illuminating view into the habits that make people successful. It’s time to get inspired and think like an artist!
Artful Grief is a decade long study of loss by an art therapist, in the aftermath of her daughters suicide. On October 11, 2001, Sharon received a phone call in the middle of the night from the New York City Police Department telling her that her seventeen year old daughter Kristin, had fallen from the roof of her college dormitory. So began her journey into the labyrinth of unspeakable grief. As the ?rst year drew to a close she found no comfort in traditional therapy, and no solace in spoken or written words. In surrender to her inner art therapists guidance, she began to create collages. She cut and tore images out of magazines and glued them on various size paper. The paper was a safe and sacred container, receptive to the fullness of emotion, story and paradox. Over time there was transformation and healing. Artful Grief A creative roadmap through violent dying and grief. A dose of soul medicine for survivors. A way to retrieve the pieces of a shattered life, with paper, scissors and glue. A resourceful tool for those suffering with complicated grief and/or PTSD. A place for the unspeakable to be seen and heard. A process to quiet the mind and open the heart. A visual experience of trauma images as illustrations of hope. A sample of prophetic dreams and meditations that are illuminating. A heartfelt sharing of intimate secrets for understanding and compassion. A surprising grief gift that is inspiring.
Argues that United States' creative class is fighting for survival and explains why this should matter to all Americans.
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
Award-winning novelist and poet Gayle Brandeis’s wrenching memoir of her complicated family history and her mother’s suicide Gayle Brandeis’s mother disappeared just after Gayle gave birth to her youngest child. Several days later, her body was found: she had hanged herself in the utility closet of a Pasadena parking garage. In this searing, formally inventive memoir, Gayle describes the dissonance between being a new mother, a sweet-smelling infant at her chest, and a grieving daughter trying to piece together what happened, who her mother was, and all she had and hadn’t understood about her. Around the time of her suicide, Gayle’s mother had been working on a documentary about the rare illnesses she thought ravaged her family: porphyria and Ehlers-Danlos syndrome. In The Art of Misdiagnosis, taking its title from her mother’s documentary, Gayle braids together her own narration of the charged weeks surrounding her mother’s suicide, transcripts of her mother’s documentary, research into delusional and factitious disorders, and Gayle’s own experience with misdiagnosis and illness (both fabricated and real). Slowly and expertly, The Art of Misdiagnosis peels back the complicated layers of deception and complicity, of physical and mental illness in Gayle’s family, to show how she and her mother had misdiagnosed one another. Gayle’s memoir is both a compelling search into the mystery of one’s own family and a life-affirming story of the relief discovered through breaking familial and personal silences. Written by a gifted stylist, The Art of Misdiagnosis delves into the tangled mysteries of disease, mental illness, and suicide and comes out the other side with grace.