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'It is Williams's Welshness that makes the examination of her mixed-race identity distinctive, but it is the humour, candour and facility of her style that make it exceptional . . . an engaging and perceptive voice describing an engrossing and particular personal story.' – Gary Younge 'In its exploration of geographical, racial and cultural dislocation, Sugar and Slate is in the finest tradition of work to have emerged from the black diaspora in recent times.' – The Guardian 'Within this review, I can only scrape the surface of the many dimensions of Williams' memoir, so I strongly encourage you to read this precious book for yourself, and find those parts of it which speak most to you.' – Sarah Tanburn, Nation.Cymru 'Warmly recommended to any curious minds, at 20 years old Sugar And Slate still speaks to us in these modern times, helping to ensure marginal voices remain heard.' – Buzz A mixed-race young woman, the daughter of a white Welsh-speaking mother and black father from Guyana, grows up in a small town on the coast of north Wales. From there she travels to Africa, the Caribbean and finally back to Wales. Sugar and Slate is a story of movement and dislocation in which there is a constant pull of to-ing and fro-ing, going away and coming back with always a sense of being 'half home'. This is both a personal memoir and a story that speaks to the wider experience of mixed-race Britons. It is a story of Welshness and a story of Wales and above all a story for those of us who look over our shoulder across the sea to some other place. It would have been so much easier if I had been able to say, 'I come from Africa,' then maybe added under my breath, 'the long way round.' Instead, the Africa thing hung about me like a Welsh Not, a heavy encumbrance on my soul; a Not-identity; an awkward reminder of what I was or what I wasn't. Once at a seminar, one of those occasions when the word Diaspora crops up too many times and where there aren't too many of us present, the only other Diaspora-person sought me out. His eyes caught mine in recognition of something I can't say I could name, yet I must have responded because later as we chatted over fizzy water and conference packs, he offered quite uninvited and with all the authority of an African: 'People like you? You gotta get digging and if you dig deep enough you're gonna find Africa.'
For fans of the New York Times bestseller I Quit Sugar or Katie Couric's controversial food industry documentary Fed Up, A Year of No Sugar is a "delightfully readable account of how [one family] survived a yearlong sugar-free diet and lived to tell the tale...A funny, intelligent, and informative memoir." —Kirkus It's dinnertime. Do you know where your sugar is coming from? Most likely everywhere. Sure, it's in ice cream and cookies, but what scared Eve O. Schaub was the secret world of sugar—hidden in bacon, crackers, salad dressing, pasta sauce, chicken broth, and baby food. With her eyes opened by the work of obesity expert Dr. Robert Lustig and others, Eve challenged her husband and two school-age daughters to join her on a quest to quit sugar for an entire year. Along the way, Eve uncovered the real costs of our sugar-heavy American diet—including diabetes, obesity, and increased incidences of health problems such as heart disease and cancer. The stories, tips, and recipes she shares throw fresh light on questionable nutritional advice we've been following for years and show that it is possible to eat at restaurants and go grocery shopping—with less and even no added sugar. Year of No Sugar is what the conversation about "kicking the sugar addiction" looks like for a real American family—a roller coaster of unexpected discoveries and challenges. "As an outspoken advocate for healthy eating, I found Schaub's book to shine a much-needed spotlight on an aspect of American culture that is making us sick, fat, and unhappy, and it does so with wit and warmth."—Suvir Sara, author of Indian Home Cooking "Delicious and compelling, her book is just about the best sugar substitute I've ever encountered."—Pulitzer Prize-winning author Ron Powers
Ten walks through idyllic scenery reveal the countryside’s forgotten links to transatlantic slavery and colonialism—a work of accessible history that will transform our understanding of British landscapes and heritage. The green fields, rugged highlands, and rolling hills of England, Scotland, and Wales are commonly associated with adventure, romance, and seclusion as well as literary figures like Jane Austen and William Wordsworth. But in reality, many of these rural places—with their country houses, lakes, and shorelines—were profoundly changed by British colonial activity. Even hamlets and villages were affected by distant colonial events. Taking ten country walks, author Corinne Fowler explores the unique colonial dimensions of British agriculture, copper-mining, landownership, wool-making, coastal trade, and factory work in cotton mills. One route shows the links between English country houses and Indian colonization. Another explores banking history in Southern England and its link to slavery on Louisianan plantations. Other walks uncover the historical impact of sugar profits on the Scottish isles and 18th-century tobacco imports on an English coastal port. The history of these countryside locations—and the people who lived and worked in them—is closely bound up with colonial rule in far-away continents. Accompanying the author on her walks are a fascinating group of people—artists, musicians, and writers—with strong attachments to the landscapes featured in this book and family links to former British colonies like Barbados and Senegal. These companions illuminate the meaning of colonial history in local settings. Crucially, this is not just a history book but a compassionate reflection on the way we respond to sensitive, shared histories which link people across cultures, generations, and political divides.
With its inclusion of original essays challenging the view of travel writing as a Eurocentric genre, this book will stand as a benchmark study of future inquiries in the field. It will revitalize the critical debate, sparking a much needed rethinking of a vibrant and highly popular but also volatile genre that has seen many changes in recent years.
Very Recent History by Choire Sicha is an idiosyncratic and elegant narrative that follows a handful of young men in New York City as they navigate the ruins of money and power—in search of love and connection. After the Wall Street crash of 2008, the richest man in town is the mayor. Billionaires shed apartments like last season’s fashions, even as the country’s economy turns inside out. The young and careless go on as they always have, getting laid and getting laid off, falling in and out of love, and trying to navigate the strange world they traffic in: the Internet, complex financial markets, credit cards, pop stars, micro-plane cheese graters, and sex apps. A true-life fable of money, sex, and politics, Choire Sicha’s Very Recent History: An Entirely Factual Account of a Year (c. AD 2009) in a Large City turns our focus to a year in the life of a great city.