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This book reveals the rich, but generally unknown, influence of Sufism on nineteenth- and early twentieth-century American literature. The translation of Persian poets such as Hafiz and Sa'di into English and the ongoing popularity of Omar Khayyam offered intriguing new spiritual perspectives to some of the major American literary figures. As editor Mehdi Aminrazavi notes, these Sufi influences have often been subsumed into a notion of "Eastern," chiefly Indian, thought and not acknowledged as having Islamic roots. This work pays considerable attention to two giants of American literature, Ralph Waldo Emerson and Walt Whitman, who found much inspiration from the Sufi ideas they encountered. Other canonical figures are also discussed, including Mark Twain, Herman Melville, Henry David Thoreau, and Henry Wadsworth Longfellow, along with literary contemporaries who are lesser known today, such as Paschal Beverly Randolph, Thomas Lake Harris, and Lawrence Oliphant.
Explores the influence of Sufism on nineteenth- and early twentieth-century writers. This book reveals the rich, but generally unknown, influence of Sufism on nineteenth- and early twentieth-century American literature. The translation of Persian poets such as Hafiz and Sa’di into English and the ongoing popularity of Omar Khayyam offered intriguing new spiritual perspectives to some of the major American literary figures. As editor Mehdi Aminrazavi notes, these Sufi influences have often been subsumed into a notion of “Eastern,” chiefly Indian, thought and not acknowledged as having Islamic roots. This work pays considerable attention to two giants of American literature, Ralph Waldo Emerson and Walt Whitman, who found much inspiration from the Sufi ideas they encountered. Other canonical figures are also discussed, including Mark Twain, Herman Melville, Henry David Thoreau, and Henry Wadsworth Longfellow, along with literary contemporaries who are lesser known today, such as Paschal Beverly Randolph, Thomas Lake Harris, and Lawrence Oliphant.
Uncovering Islam's little known yet formative impact on U.S. literary culture, this book traces genealogies of Islamic influence that span America's earliest generations, reaching from the Revolution to Reconstruction. Excavating personal appeals to Islam by pioneering national authors-Ezra Stiles, William Bentley, Washington Irving, Lydia Maria Child, Ralph Waldo Emerson-Einboden discovers Muslim discourse woven into the familiar fabric of unpublished letters and sermons, journals and journalism, memoirs and marginalia. The first to unearth multiple manuscripts exhibiting American investment in Middle Eastern languages and literatures, Einboden argues that Islamic precedents helped to prompt and propel creativity in the young Republic, acting as vehicles of artistic reflection, religious contemplation, and political liberation. Intersecting informal engagements and intimate exchanges, Islamic sources are situated in this timely study as catalysts for American authorship and identity, with U.S. writers mirroring the defining struggles of their country's first decades through domestic investment in the Qur'an, Hadith, and Persian Sufi poetry.
In America today, online spaces serve as critical alternatives for tech-savvy Muslims seeking a place to root their faith, forge religious identity, and build communities. With a particular focus on the Inayati Order, a branch of the oldest Sufi community in the West, Robert Rozehnal explores the online revolution in internal communication, spiritual pedagogy, and public outreach – and looks ahead to the future of digital Islam in the age of Web 3.0.
Sufism in America sheds light on spiritual, mystical Islam in America. The Sufi path focuses on developing a personal relationship with God, doing what is beautiful in the sight of God, and struggling against the lower self to reach loving submission. Up to this point, very little has been written about the Sufi orders in America and those who participate in them. This study focuses on the Alami Tariqa in Waterport, New York, which was started in the 1970s by a shaykh from the Balkans. The Alami Tariqa strives to uphold sharia while adapting to the Western setting. Its membership is diverse, consisting mostly of American-born participants from Christian and Jewish backgrounds, in addition to a few Muslim immigrants from South Asia. This study explores how this order has acculturated to the American setting, why individuals choose to join the tariqa, and what it means to pursue spiritual goals in a modern, Western society. Conclusions are drawn from interviews, a survey, and observations of teachings, plus the author’s experience working with this community for over ten years. The book interweaves personal stories and insider views with academic insight to provide a compelling and detailed picture of Sufism as a living and dynamic tradition in America.
Sufism in Western Contexts explores both historical trajectories and multiple contemporary manifestations of Islamic mystical movements, ideas, and practices in diverse European, North and South American countries, as well as in Australia – all traditionally non-Muslim regions of the “global West”. From early French and British colonial administrators who admired Persian poetry to nineteenth-century American transcendentalists, followed by South Asian and Middle Eastern immigrant Sufi guides and their movements, expansive and many-faceted expressions of Sufism such as its role in Western esotericism, female whirling dervishes and Rumi cafes, and new articulations in cyberspace, are traced and analyzed by international experts in the field.
This book sheds light on the Bawa Muhaiyaddeen Fellowship (BMF), one of North America's major Sufi movements, and one of the first to establish a Sufi shrine in the region. It provides the first comprehensive overview of the BMF, offering new insight into its historical development and practices, and charting its establishment in both the United States and Sri Lanka. Through ethnographic research, Sacred Spaces and Transnational Networks in American Sufism shows that the followers of Bawa in the United States and Sri Lanka share far more similarities in the relationships they formed with spaces, Bawa, and Sufism, than differences. This challenges the accepted conceptualization of Sufism in North America as having a distinct “Americanness”, and prompts scholars to re-consider how Sufism is developing in the modern American landscape, as well as globally. The book focuses on the transnational spaces and ritual activities of Bawa's communities, mapping parallel shrines and pilgrimages. It examines the roles of culture, religion, and gender and their impact on ritual embodiment, drawing attention to the global range of a Sufi community through engagement with its distinct Muslim, Hindu, Jewish, and Christian followers.
What is Sufism? Contemporary views vary tremendously, even among Sufis themselves. Contemporary Sufism: Piety, Politics, and Popular Culture brings to light the religious frameworks that shape the views of Sufism’s friends, adversaries, admirers, and detractors and, in the process, helps readers better understand the diversity of contemporary Sufism, the pressures and cultural openings to which it responds, and the many divergent opinions about contemporary Sufism’s relationship to Islam. The three main themes: piety, politics, and popular culture are explored in relation to the Islamic and Western contexts that shape them, as well as to the historical conditions that frame contemporary debates. This book is split into three parts: • Sufism and anti-Sufism in contemporary contexts; • Contemporary Sufism in the West: Poetic influences and popular manifestations; • Gendering Sufism: Tradition and transformation. This book will fascinate anyone interested in the challenges of contemporary Sufism as well as its relationship to Islam, gender, and the West. It offers an ideal starting point from which undergraduate and postgraduate students, teachers and lecturers can explore Sufism today.
Emerson in Iran is the first full-length study of Persian influence in the work of the seminal American poet, philosopher, and translator, Ralph Waldo Emerson. Extending the current trend in transnational studies back to the figural origins of both the United States and Iran, Roger Sedarat's insightful comparative readings of Platonism and Sufi mysticism reveal how Emerson managed to reconcile through verse two countries so seemingly different in religion and philosophy. By tracking various rhetorical strategies through a close interrogation of Emerson's own writings on language and literary appropriation, Sedarat exposes the development of a latent but considerable translation theory in the American literary tradition. He further shows how generative Persian poetry becomes during Emerson's nineteenth century, and how such formative effects continue to influence contemporary American poetry and verse translation.
Questions of genres as well as their possible definitions, taxonomies, and functions have been discussed since antiquity. Even though categories of genre today are far from being fixed, they have for decades been upheld without question. The goal of this volume is to problematize traditional definitions of poetic genres and to situate them in a broader socio-cultural, historical, and theoretical context. The contributions encompass numerous methodological approaches (including hermeneutics, poststructuralism, reception theory, cultural studies, gender studies), periods (Romanticism, Modernism, Postmodernism), genres (elegy, sonnet, visual poetry, performance poetry, hip hop) as well as languages and national literatures. From this interdisciplinary and multi-methodological perspective, genres, periods, languages, and literatures are put into fruitful dialogue, new perspectives are discovered, and suggestions for further research are provided.