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This study reveals the world of Sufi ritual with particular reference to two major Sufi orders. It examines the ritual and practices of these orders and surveys their organisation and hierarchy, initiation ceremonies, and aspects of their liturgy such as dhikr (litany) and sama (mystical concert). Comparisons are made with the five pillars of Islam (arkan), and the Sufi rituals, together with the arkan, are examined from the perspective of theology, phenomenology, anthropology and semiotics. The work concludes with an examination of the Sufi in the context of alienation. This is a major work which highlights the importance of Sufi ritual and locates it within the broader domain of the Islamic world.
The female voice plays a more central role in Sufi ritual, especially in the singing of devotional poetry, than in almost any other area of Muslim culture. Female singers perform sufiana-kalam, or mystical poetry, at Sufi shrines and in concerts, folk festivals, and domestic life, while male singers assume the female voice when singing the myths of heroines in qawwali and sufiana-kalam. Yet, despite the centrality of the female voice in Sufi practice throughout South Asia and the Middle East, it has received little scholarly attention and is largely unknown in the West. This book presents the first in-depth study of the female voice in Sufi practice in the subcontinent of Pakistan and India. Shemeem Burney Abbas investigates the rituals at the Sufi shrines and looks at women's participation in them, as well as male performers' use of the female voice. The strengths of the book are her use of interviews with both prominent and grassroots female and male musicians and her transliteration of audio- and videotaped performances. Through them, she draws vital connections between oral culture and the written Sufi poetry that the musicians sing for their audiences. This research clarifies why the female voice is so important in Sufi practice and underscores the many contributions of women to Sufism and its rituals.
This book explores the institution of Sufism, the most dynamic face of Islam in the Indian subcontinent, as it sets out to study the mystical rituals and devotional practices that characterize Sufism's beliefs and traditions.
Sufism is often described as ‘the mystical branch of Islam’. Giving some more attention to this underexposed spiritual side, it is often proposed, could help us to ease certain contemporary societal tensions. One finger then points toward the rigorous religious aggression of fundamentalism as ‘the problem’, while another points toward the soft beauty of mysticism as ‘the solution’. Yet, no matter how well-intended the contemporary focus on Sufism might often be, in the end, it repeatedly portrays a lack of comprehension when it comes to Islamic mysticism. The typical descriptions are full of mistakes, and the conclusions they lead to need much nuance. Those misunderstandings do not simply stem from innocent ignorance. They are misunderstandings with more profound origins and implications. They’re closely tied to enormous blind spots in the contemporary view of religion and deeply entwined with pressing political issues. In fact, the way we deal with mysticism in general and with Sufism in particular actually kindles many contemporary conflicts. This book thus seeks to add the necessary nuances, correct the misunderstandings and unveil the contemporary ‘politics of mysticism’. It seeks to clarify how the growing interest in what is called ‘Sufism’ is connected to both the contemporary demonization of Islam and the modern destruction of profound spirituality in the East as well as the West.
Şehrengiz is an Ottoman genre of poetry written in honor of various cities and provincial towns of the Ottoman Empire from the early sixteenth century to the early eighteenth century. This book examines the urban culture of Ottoman Istanbul through Şehrengiz, as the Ottoman space culture and traditions have been shaped by a constant struggle between conflicting groups practicing political and religious attitudes at odds. By examining real and imaginary gardens, landscapes and urban spaces and associated ritualized traditions, the book questions the formation of Ottoman space culture in relation to practices of orthodox and heterodox Islamic practices and imperial politics. The study proposes that Şehrengiz was a subtext for secret rituals, performed in city spaces, carrying dissident ideals of Melami mysticism; following after the ideals of the thirteenth century Sufi philosopher Ibn al-’Arabi who proposed a theory of 'creative imagination' and a three-tiered definition of space, the ideal, the real and the intermediary (barzakh). In these rituals, marginal groups of guilds emphasized the autonomy of individual self, and suggested a novel proposition that the city shall become an intermediary space for reconciling the orthodox and heterodox worlds. In the early eighteenth century, liminal expressions of these marginal groups gave rise to new urban rituals, this time adopted by the Ottoman court society and by affluent city dwellers and expressed in the poetry of Nedîm. The author traces how a tradition that had its roots in the early sixteenth century as a marginal protest movement evolved until the early eighteenth century as a movement of urban space reform.
This book examines the history of, and the contestations on, Islam and the nature of religious change in 20th century Pakistan, focusing in particular on movements of Islamic reform and revival. This book is the first to bring the different facets of Islam, particularly Islamic reformism and shrine-oriented traditions, together within the confines of a single study ranging from the colonial to post-colonial era. Using a rich corpus of Urdu and Arabic material including biographical accounts, Sufi discourses (malfuzat), letter collections, polemics and unexplored archival sources, the author investigates how Islamic reformism and shrine-oriented religiosity interacted with one another in the post-colonial state of Pakistan. Focusing on the district of Mianwali in Pakistani northwestern Punjab, the book demonstrates how reformist ideas could only effectively find space to permeate after accommodating Sufi thoughts and practices; the text-based religious identity coalesced with overlapped traditional religious rituals and practices. The book proceeds to show how reformist Islam became the principal determinant of Islamic identity in the post-colonial state of Pakistan and how one of its defining effects was the hardening of religious boundaries. Challenging the approach of viewing the contestation between reformist and shrine-oriented Islam through the lens of binaries modern/traditional and moderate/extremist, this book makes an important contribution to the field of South Asian religion and Islam in modern South Asia.
This study examines the emergence of new forms of Islamic spirituality in Indonesia identified as Majlis Dhikr. These Majlis Dhikr groups have proliferated on Java in the last two decades, both in urban and rural areas, and have attracted followers from a wide social background. The diverse aspects of these Majlis Dhikr groups - their rituals, teachings and strategies of dissemination as well as the popular understanding of these rituals and their contestation by critics and opponents - are examined in detail and illustrated by reference to three particular groups - Salawat Wahidiyat, Istighathat Ihsaniyyat and Dhikr al-Ghafilin each of which has its own distinctive features and notable religious leadership. These Majlis Dhikr groups regard their activities as legitimate ritual practices that are in accordance with the legacy of Islamic Sufism based on the interpretation of the Qur'anic and Prophetic tradition.
Sufism, the name given to Islamic mysticism, has been the subject of many studies, but the orders through which the organizational aspect of the Sufi spirit was expressed has been neglected. The Sufi Orders in Islam is one of the earliest modern examinations of the historical development of Sufism and is considered a classic work in numerous sources of Islamic studies today. Here, author J. Spencer Trimingham offers a clear and detailed account of the formation and development of the Sufi schools and orders (tariqahs) from the second century of Islam until modern times. Trimingham focuses on the practical disciplines behind the mystical aspects of Sufism which initially attracted a Western audience. He shows how Sufism developed and changed, traces its relationship to the unfolding and spread of mystical ideas, and describes in sharp detail its rituals and ceremonial practices. Finally, he assesses the influence of these Sufi orders upon Islamic society in general. John O. Voll has added a new introduction to this classic text and provides readers with an updated list of further reading. The Sufi Orders in Islam will appeal not only to those already familiar with Triminghams groundbreaking research, but also to the growing reading public of Islamic studies and mysticism.