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This true story about the British fight for women’s suffrage “looks at the tumultuous relationship between two couples who led the militant movement” (Publishers Weekly). In early twentieth-century England, Emmeline Pethick-Lawrence was treasurer of the Women’s Social and Political Union, founded by the famed militant Mrs. Pankhurst. Emmeline’s husband, Fred, was the only man to achieve leadership status in the organization. Without their wealth, determination, and skills we might never have heard of the suffragettes—yet the couple has been largely forgotten while Mrs. Pankhurst and her daughters are still renowned. Emmeline was always at Mrs. Pankhurst’s side, while Fred was the ‘Godfather’ who stood bail for a thousand women. Both were imprisoned and force-fed. They provided the militant movement with its home and much of its vision, and it was their associates who initiated the hunger strike and who brought force-feeding to national attention. But in 1912, the couple was dramatically ousted from the organization by the Pankhursts in a move that has often been misrepresented. This book is the first in-depth portrait of the couple and their relationship with the Pankhursts—and of their inspirational fight not just for the vote for women but for freedom and equality across the world.
Over two evenings in March 1912, more than 250 women – old and young, rich and poor, strong and delicate – were arrested and charged with using hammers and stones to smash the windows of shops and offices across London. The youngest amongst them was 19-year-old teenager glass-breaker and Kent working maid, Ethel Violet Baldock, while the eldest was 79-year-old Mrs Hilda Eliza Brackenbury, owner of suffragette safe house, Mouse Castle, in Campden Hill Square. These two evenings would later become known as the Women’s Social and Political Union’s window smashing Great Militant Protest. The protest, driven by WSPU leader Emmeline Pankhurst, was against the government and their refusal to include women in their reform bill, which would give women the right to vote. Secret Missions of the Suffragettes examines these two evenings in great detail, before going on to explore 'behind the scenes' of the movement; the safe houses and rest homes used by the history-shaping women involved, together with stories of the women themselves, as well as their self defense training and use of disguises and alias names, all of which were needed to be a part of such a militant campaign. Discover their stories, motives, plans, tactics and antics as Jennifer Godfrey explores the connections, friendships and collaborations that would help change the course of history for women in Britain.
This book brings together twelve chapters from feminist historians from around the world to offer new perspectives on aspects of the campaign for women’s suffrage in Britain. Although the focus is on Britain, this volume signals how the women’s suffrage campaign in Britain embraced both national and global aspects. The historical developments and structures that affected women’s lives and suffrage struggles were not limited to national contexts. Early chapters focus on particular individuals both well and lesser known, including Millicent Garrett Fawcett and Emmeline Pankhurst, as well as Elizabeth Wolstenholme Elmy, Princess Sophia Duleep Singh, Lady Isabel Margesson and Isabella Ford. Later chapters highlight the interrelationship between the British movement and suffrage campaigns across the globe with reference to Austria, Japan, New Zealand, Australia and the USA. The chapters deal with issues around strategies, social class, employment, religion, nationalism, empire and race and explore complex issues about women’s roles in campaigning for their democratic right to the parliamentary vote. Offering the reader a broad view of the British women’s suffrage movement, this is the ideal volume for students of women’s and political history in both its national and international contexts.
This collection of essays explores the myriad ways in which the women’s suffrage movement in Britain in the nineteenth century and twentieth century engaged with and was expressed through literature, art and craft, music, drama and cinema. Uniquely, this anthology places developments in the constituent arts side by side, and in dialogue, rather than focusing on a single field in isolation. In so doing, it illustrates how creative endeavours in different artforms converged in support of women’s suffrage. Topics encompassed range from the artistic output of such household names as Sylvia Pankhurst and Ethel Smyth, to the recent feature film Suffragette. It also brings to light under-represented figures and neglected works related to the suffrage movement. A wide variety of material is explored, from poems, diaries and newspapers to posters, dress and artefacts to songs, opera, plays and film. Published in the wake of the centenary of many women receiving the parliamentary vote in the UK, this book will appeal to scholars, undergraduate and graduate students, and members of the public interested in the broad areas of women’s history and the women’s suffrage movement, as well as across the arts disciplines.
At the beginning of the 20th century Morris dancing had all but died out in much of England. It was militant suffragettes and slum girls who kick-started the revival that returned the forgotten dances of the countryside to towns and villages across the nation. As a result of their commitment to preserve and pass on the dances, the Morris survived as a living tradition that is still performed to this day. And the impetus to do so came from the women’s aspiration to change society for the better, the same impetus that drove them to militant action and to prison. The Morris revival and the militant suffrage movement were inextricably linked. The leader of the dance revival, Mary Neal, was a life-long radical campaigner for the rights of women and children. With her friend Emmeline Pethick she ran the Esperance Girls’ Club in one of London’s most deprived areas. She and Emmeline both sat on the national committee of Mrs Pankhurst’s militant Women’s Social and Political Union, the most notorious of the groups campaigning for the vote for women. The women’s embrace of traditional dance was rooted in Mary’s aspirations for equality and her commitment to social and political reform. The beginning of the dance revival and the launch of the militant suffragette campaign in London coincided almost exactly. Launched by a rather forlorn band of rebels, the WSPU grew into a movement capable of inspiring loyalty and loathing in equal measure. The Morris revival developed from an entertainment in a club for impoverished girls into a nationwide initiative. Mary and Emmeline’s associates in the dance revival ranged from young girls who worked in the militant campaign’s offices to hunger-striking daughters of the aristocracy. Mary and Emmeline provided the leadership and commitment that enabled two radical movements to flourish in the early years of the 20th century, but both found themselves marginalised after policy disagreements – with the folklorist Cecil Sharp and Mrs Pankhurst respectively - led to devastating splits in their respective organisations. Both then found themselves misrepresented and written out of the histories of movements which might never have got off the ground without them. Only in recent decades have women begun to reclaim their place in the Morris dance movement, the very existence of which is a legacy of the militant campaign for the vote.
The Kenney family grew up in Saddleworth, outside Oldham, in the last decades of the nineteenth century. In 1905, three of the sisters met Christabel Pankhurst, a turning point which changed the rest of their lives. Annie Kenney became one of the leaders of the Women's Social and Political Union (WSPU), Jessie was an organiser at the heart of the organisation, and Nell campaigned outside the capital. Caroline and Jane used their connections within the suffrage movement as the springboard for careers in innovative education on both sides of the Atlantic. While working-class women are increasingly acknowledged in histories of the WSPU, this study is the first to make them the primary focus, and, in doing so, it opens up a new conversation around sex, class, and politics, and how these categories interacted in this period. This is a study of the possibilities for, and experiences of, working-class women in the militant suffrage movement. It identifies why these women became politically active, their experiences as activists, and the benefits they gained from their political work. It stresses the need to see working-class women as significant actors and autonomous agents in the suffrage campaign. It shows why and how some women became politicised, why they prioritised the vote above all else, and how this campaign came to dominate their lives. It also places the suffrage campaign within the broader trajectory of their lives to stress how far the personal and political were intertwined for these women. Although this is a book about 'working-class suffragettes', Lyndsey Jenkins also reveals what it says about women as workers and teachers, religious believers and political thinkers, and friends and colleagues, as well as suffragettes. Above all, it is a study of sisterhood.
A Brief History of Great Britain narrates the history of Great Britain from the earliest times to the 21st century, covering the entire island England, Wales, and Scotland as well as associated archipelagos such as the Channel Islands, the Orkneys, and Ireland as they have influenced British history. The central story of this volume is the development of the British kingdom, including its rise and decline on the world stage. The book is built around a clear chronological political narrative while incorporating treatment of social, economic, and religious issues. Coverage includes: Early Settlements, Celts, and Romans Anglo-Saxons, Scots, and Vikings Scotland, England, and Wales Britain in the Late Middle Ages The Making of Protestant Britain Industry and Conquest Britain in the Age of Empire An Age of Crisis The Age of Consensus A House Divided.