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In Suffering in Paradise, Rebecca Totaro provides a unique and timely discussion of the bubonic plague as it shaped Literary Studies in England from 1500 through the first half of the eighteenth century. Within the experience and accounts of bubonic plague, men and women found their own understanding of the body, of the human relationship with nature, and of the degree to which they had faith in their nation and their God. An early modern writer's reading of the plague shows us in detail what he or she believes to be the parameters within which life is lived. Focusing on the broadest of these parameters, Totaro examines hope and despair as displayed within a range of imaginary realms designed to include and control the bubonic plague. Each of the works in this study--Thomas More's Utopia, William Shakespeare's Timon of Athens, Ben Jonson's The Alchemist, Francis Bacon's The New Atlantis, Margaret Cavendish's The Blazing World, and John Milton's Paradise Lost--provides literary and English answers that cohere in stunning form and resonate today.
Revised Edition. TEARS IN PARADISE, extensively researched and eloquently written, is the history of our forefathers who were brought under the infamous indentured labour system to Fiji by the British Colonial authorities from 1879 to 1916. The saga of these young, mostly illiterate, simple rural folks, lured by false promises of an ever-elusive 'Paradise', needs to be read and remembered. The author has done a remarkable task of compiling the story of this Indian Diaspora, people defenceless under an alien and systematically inhumane system, yet preserving their culture while creating the wealth and beauty of the land they made their home.
The Tinys are sent back to the nursery, as Professor Lemans and Evan clean up from the catastrophic accident. Baby animals, new activities and a restored Paradise keep everything exciting for a time.Entering adolescence, the Tinys discover that even in a perfect world with only two rules, human misunderstandings, envy and pride can undermine happiness and ruin friendships. As the Professor and Evan attempt to showcase Paradise to their colleagues, will suffering and mortality turn the world against this project? And what happens when some Tinys continue to use their new-found knowledge in destructive ways?
A charge to people who believe that you must believe in a young earth to be a Christian.
In an attempt to create a true Paradise, Professor LeManns discovers the process to miniaturise humans, animals and food. With 21 Tinys in a secret, large, domed terrarium, the Professor hopes his beautiful world will be the happiest place on earth, free from catastrophes and suffering.
Tourists exult in Bahia, Brazil, as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ugly reality of anti-black authoritarian violence. Christen A. Smith argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, Smith follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As Smith reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians. Based on years of field work, Afro-Paradise is a passionate account of a long-overlooked struggle for life and dignity in contemporary Brazil.
How do ordinary people respond when their lives are irrevocably altered by terror and violence? Susanna Trnka was residing in an Indo-Fijian village in the year 2000 during the Fijian nationalist coup. The overthrow of the elected multiethnic party led to six months of nationalist aggression, much of which was directed toward Indo-Fijians. In State of Suffering, Trnka shows how Indo-Fijians' lives were overturned as waves of turmoil and destruction swept across Fiji. Describing the myriad social processes through which violence is articulated and ascribed meaning-including expressions of incredulity, circulation of rumors, narratives, and exchanges of laughter and jokes-Trnka reveals the ways in which the community engages in these practices as individuals experience, and try to understand, the consequences of the coup. She then considers different kinds of pain caused by political chaos and social turbulence, including pain resulting from bodily harm, shared terror, and the distress precipitated by economic crisis and social dislocation. Throughout this book, Trnka focuses on the collective social process through which violence is embodied, articulated, and silenced by those it targets. Her sensitive ethnography is a valuable addition to the global conversation about the impact of political violence on community life.