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The Flavian dynasty ruled Rome from AD 69 to 96. This text provides a translation of Suetonius' accounts of the three Flavian emperors - Vespasian, Titus and Domitian - taken from his "Lives", as well as a general introduction to Suetonius and a detailed commentary.
An analysis of Suetonius' account of the emperor Domitian. The book provides a detailed commentary on matters of historical importance in the text, together with a discussion of Suetonius' life. A comparison is offered between Suetonius' account and Dio's version. Latin sources are utilized.
The emperor Vespasian (AD69-79) is universally regarded as one of the better Roman emperors. This edition of Suetonius' biography (the first since 1930) offers a newly revised text with a general introduction and detailed commentary.
Domitian, Emperor of Rome AD 81-96, has traditionally been portrayed as a tyrant, and his later years on the throne as a `reign of terror'. Brian Jones' biography of the emperor, the first ever in English, offers a more balanced interpretation of the life of Domitian, arguing that his foreign policy was realistic, his economic programme rigorously efficient and his supposed persecution of the early Christians non-existent. Central to an understanding of the emperor's policies, Brian Jones proposes, is his relationship with his court, rather than with the senate. Roamn historians will have to take account of this new biography which in part represents a rehabilitation of Domitian.
A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.
Nero's reign (AD 54–68) witnessed some of the most memorable events in Roman history, such as the rebellion of Boudica and the first persecution of the Christians—not to mention Nero's murder of his mother, his tyranny and extravagance, and his suicide, which plunged the empire into civil war. The Emperor Nero gathers into a single collection the major sources for Nero's life and rule, providing students of Nero and ancient Rome with the most authoritative and accessible reader there is. The Emperor Nero features clear, contemporary translations of key literary sources along with translations and explanations of representative inscriptions and coins issued under Nero. The informative introduction situates the emperor's reign within the history of the Roman Empire, and the book's concise headnotes to chapters place the source material in historical and biographical context. Passages are accompanied by detailed notes and are organized around events, such as the Great Fire of Rome, or by topic, such as Nero's relationships with his wives. Complex events like the war with Parthia—split up among several chapters in Tacitus's Annals—are brought together in continuous narratives, making this the most comprehensible and user-friendly sourcebook on Nero available. Some images inside the book are unavailable due to digital copyright restrictions.
A Companion to the Flavian Age of Imperial Rome provides a systematic and comprehensive examination of the political, economic, social, and cultural nuances of the Flavian Age (69–96 CE). Includes contributions from over two dozen Classical Studies scholars organized into six thematic sections Illustrates how economic, social, and cultural forces interacted to create a variety of social worlds within a composite Roman empire Concludes with a series of appendices that provide detailed chronological and demographic information and an extensive glossary of terms Examines the Flavian Age more broadly and inclusively than ever before incorporating coverage of often neglected groups, such as women and non-Romans within the Empire
The politics, literature and culture of ancient Rome during the Flavian principate (69-96 ce) have recently been the subject of intense investigation. In this volume of new, specially commissioned studies, twenty-five scholars from five countries have combined to produce a critical survey of the period, which underscores and re-evaluates its foundational importance. Most of the authors are established international figures, but a feature of the volume is the presence of young, emerging scholars at the cutting edge of the discipline. The studies attend to a diversity of topics, including: the new political settlement, the role of the army, change and continuity in Rome’s social structures, cultural festivals, architecture, sculpture, religion, coinage, imperial discourse, epistemology and political control, rhetoric, philosophy, Greek intellectual life, drama, poetry, patronage, Flavian historians, amphitheatrical Rome. All Greek and Latin text is translated.
Go behind the scenes to discover why the Colosseum was the king of amphitheaters in the Roman world—a paragon of Roman engineering prowess. Early one morning in 80 CE, the Colosseum roared to life with the deafening cheers of tens of thousands of spectators as the emperor, Titus, inaugurated the new amphitheater with one hundred days of bloody spectacles. These games were much anticipated, for the new amphitheater had been under construction for a decade. Home to spectacles involving exotic beasts, elaborate executions of criminals, gladiatorial combats, and even—when flooded—small-scale naval battles, the building itself was also a marvel. Rising to a height of approximately 15 stories and occupying an area of 6 acres—more than four times the size of a modern football field—the Colosseum was the largest of all amphitheaters in the Roman Empire. In A Monument to Dynasty and Death, Nathan T. Elkins tells the story of the Colosseum's construction under Vespasian, its dedication under Titus, and further enhancements added under Domitian. The Colosseum, Elkins argues, was far more than a lavish entertainment venue: it was an ideologically charged monument to the new dynasty, its aspirations, and its achievements. A Monument to Dynasty and Death takes readers on a behind-the-scenes tour of the Colosseum from the subterranean tunnels, where elevators and cages transported gladiators and animals to the blood-soaked arena floor, to the imperial viewing box, to the amphitheater's decoration and amenities, such as fountains and an awning to shade spectators. Trained as an archaeologist, an art historian, and a historian of ancient Rome, Elkins deploys an interdisciplinary approach that draws on contemporary historical texts, inscriptions, archaeology, and visual evidence to convey the layered ideological messages communicated by the Colosseum. This engaging book is an excellent resource for classes on Roman art, architecture, history, civilization, and sport and spectacle.