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Winner of the 2017 Nightboat Prize for Poetry
Best American Experimental Writing 2018, guest-edited by Myung Mi Kim, is the fourth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors—like Mei-mei Berssenbrugge, Don Mee Choi, Mónica de la Torre, Layli Long Soldier, and Simone White—as well as new and unexpected voices, including Clickhole.com, BAX 2018 presents an expansive view of today's experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2018 is a vital addition to the American literary landscape.
Urban and pastoral, highly figured and fragmented, grieving and dreaming, the prose poems of The Blue Absolute set people moving and thinking amidst a flurry of dashes, dots, perspective shifts, and the fragmented action of San Francisco, the great city on the edge.
Poetry. LGBT Studies. Politics. Ecopoetics. Covers letterpressed by the author. Mycelium is the largest organism on the planet. It is the collective root structure from which all mushrooms emerge. It lives three inches under the ground and can span for thousands of acres. Any of its threads can connect to the collective body at any point. ALMOST ANY SHIT WILL DO pulls language from mycelium studies to investigate the underground of political unrest, from its emergence as riots to the single moment of impact: a body in protest thrown to the ground by the cop. How can we mark the shifting boundary between the individual and the movement in the midst of a riot? It is in the continuous attempt to define these terms that we begin to articulate the utopia that is always already happening, three inches below the surface. "This is the space of the underground, where the intersection evidences the site of violence as a weight that pulls our attention via contours in the grid. Here, the lines bend around the individual and extend that body into the multitude: the movement, ALMOST ANY SHIT WILL DO is a statement of rage, where, when pushed to the edge, we might learn the most from a silent source the ultimate Other." JH Phrydas"
The final book from an internationally acclaimed poet and translator
Poetry. California Interest. Dwelling in the interstices, IN BRAZEN FONTANELLE AFLAME is an ornate collapse, a sumptuous yet horrified exploration of the violence inhered in specific landscapes and ecosystems by the logics of capital. It is an attempt to resist what Lisa Robertson calls "the language of genocide" by mirroring, perverting, and subverting that language. Perhaps most importantly, its poetry is a call to bust forth and out against systems of oppression in a "palatial, treasonous moiré."
The winner of the 2018 Nightboat Poetry Prize that enters the space of ritual, incantation and trance with a stunning assemblage of images and structures.
As skilled a philosopher as she is a poet, Adnan weaves multiple sonic, theoretical, syntactic pleasures at once.
Tender Points is a narrative fractured by trauma. Named after the diagnostic criteria for fibromyalgia, the book-length lyric essay explores sexual violence, chronic pain, and patriarchy through lived experience and pop culture.First published in 2015, this new edition includes an afterword by the author.
Akrilica, a co-publishing venture between Noemi Press and Letras Latinas -- the literary initiative at the Institute for Latino Studies at the University of Notre Dame -- showcases innovative Latino writing. The series name recalls the groundbreaking, bilingual book from the eighties by distinguished Chicano writer, and United States Poet Laureate Emeritus, Juan Felipe Herrera. Written in response to the PROMESA bill (Puerto Rico Oversight, Management, and Economic Stability Act) Bill, lo terciario / the tertiary ofers a decolonial queer critique and reconsideration of Marx. The book's title comes from Pedro Scaron's, El Capital, the 1976 translation of Karl Marx's classic. Published by Siglo Veintiuno Editores, this translation was commonly used by the Puerto Rican left as part of political formation programs. lo terciario / the tertiary places this text in relation to the Puerto Rican debt crisis, forcing readers to reconsider old questions when facing colonialism's newest horrors. This re-release of lo tercario / the tertiary features a new introduction by Urayoán Noel and images by José Ortiz Pagán.