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"This is a story about Walter Fricke and Aaron Fricke, father and son, heterosexual and gay (respectively on all counts). . . . "It has taken six years to complete this book. During that time, there were periods when it was worked on steadily and times when the material was abandoned as hopeless. The book changed as our father/son relationship changed, and each transformation of the book reflected the transformations in our relationship. It is neither the same book nor the same relationship that we started with six years ago. This was a book that had to be lived, not simply written. "The final product is the story of an evolving father/son relationship, a story of two people with different ways of looking at the world, and of the hurdles we needed to overcome to respect each other."
The ideal of being a rational person is to, at some point, critically examine one's own inherited beliefs. Yet, few who do take up this challenge are equipped to withstand the self-doubt and unsettling disorientation which may follow. The narrative of this book is that rare instance where two brothers of deep moral conviction and intelligence summon the energy and conviction to see this ordeal through to its conclusion. The end result unmasks insights of enduring power. This book has the appeal of a good mystery, and I had the same sense of satisfaction of a mystery being solved. -Heather Ashton-Summers Portland, Oregon
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
“The plot twists ingeniously...an engaging, often chilling book.”—The New York Times Book Review A writer in California. A doctor in Boston. A motel owner and his employee in Nevada. A priest in Chicago. A robber in New York. A little girl in Las Vegas. They’re a handful of people from across the country, living through eerie variations of the same nightmare. A dark memory is calling out to them. And soon they will be drawn together, deep in the heart of a sprawling desert, where the terrifying truth awaits...
Romance set in contemporary New York. Catholic story.
Based on a true story, a stray dog befriends an orphan boy in a refugee camp on a Greek island. The fishermen on Lesvos call her Kanella because of her cinnamon color. She’s a scrawny, nervous stray — easily intimidated by the harbor cats and the other dogs that compete for handouts on the pier. One spring day a dinghy filled with weary, desperate strangers comes to shore. Other boats follow, laden with refugees who are homeless and hungry. Kanella knows what that is like, and she follows them as they are taken to a makeshift refugee camp. There she comes to trust a bearded man, an aid worker, and gradually settles into a contented routine. Kanella grows healthy and confident. She has a job now — to keep watch over the people in her camp. One day, a little boy arrives and does not leave like the others. He seems to have no family and, like Kanella, he is taken in by the workers. He sleeps on a cot in the food hut, and Kanella keeps him warm and calm. When two new adults come to the camp. Kanella is ready to defend the boy from them, until she is pulled away by the bearded man. They are the boy’s parents, and now he must go with them. Eventually, the camp is dismantled, and Kanella finds herself homeless again. Until one night, huddled in the cold, she awakens to see two bright lights shining in her eyes — the headlights of a car. The bearded man has come back for her, and soon Kanella is on a journey, too, to a new home of her own. Key Text Features maps illustrations author's note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described.
A young, Cuban-American woman is accepted into an elite college right as her home life unravels.
Australian teenager Larry Darrell goes on a backpacking trip to India and finds his life changed for ever. Back home he refuses the opportunities and privileges of his former life and breaks up with his fiancee Isabel. His travels seeking the meaning of chance and death take him to personal growth workshops, a fashionable ashram, the worlds of art and politics, a Buddhist monastery and an Indian saint. Meanwhile Isabel achieves wealth and status in marriage with Grey, a Queensland property developer. By the end of the 1980s they are bankrupt and disgraced. And Isabel will stop at nothing to get Larry back. Ten years later they meet again in Sydney, along with Isabel's camp, domineering uncle Elliott, their grieving, badly-behaved old friend Sophie, and Will Maugham, the playwright who narrates this story. With The Tiger is a contemporary take on the Somerset Maugham novel The Razor's Edge (1944), which popularised the idea of the Westerner's search for meaning in "spiritual India."
Transgender studies is the latest area of academic inquiry to grow out of the exciting nexus of queer theory, feminist studies, and the history of sexuality. Because transpeople challenge our most fundamental assumptions about the relationship between bodies, desire, and identity, the field is both fascinating and contentious. The Transgender Studies Reader puts between two covers fifty influential texts with new introductions by the editors that, taken together, document the evolution of transgender studies in the English-speaking world. By bringing together the voices and experience of transgender individuals, doctors, psychologists and academically-based theorists, this volume will be a foundational text for the transgender community, transgender studies, and related queer theory.