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Oliver Sir Lodge's 'The Substance of Faith Allied with Science' delves into the intersection of religion and science, exploring the compatibility and conflicts between the two realms. Lodge's writing style is both eloquent and thought-provoking, as he presents a detailed analysis of how faith and scientific reasoning can coexist in harmony. Drawing on his background as a renowned physicist and spiritual thinker, Lodge offers a unique perspective on the complex relationship between faith and reason. The book is a compelling exploration of the ways in which spiritual beliefs and scientific discoveries can complement each other, shedding light on the deeper connections between these seemingly disparate fields. Lodge's work is a valuable contribution to the ongoing dialogue between religion and science, challenging readers to reconsider their assumptions about the nature of reality and the human experience. 'The Substance of Faith Allied with Science' is a must-read for anyone interested in the intersection of faith, reason, and the quest for truth.
The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works.