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In this collection of poems, farmers, fathers, poverty-stricken pioneers, and people blackened by the grist of the sugar mills are exposed to the blazing midday sun of Murray's linguistic powers. Richly inventive, tenderly perceptive, and fiercely honest, these poems surprise and bare the human in all of us.
Satirical poetry by an Australian writer. On the subject of schools and teachers, he writes: "Where humans can't leave and mustn't complain / there some will emerge who enjoy giving pain."
Killing the Black Dog is Les Murray's courageous account of his struggle with depression, accompanied by poems specially selected by the author. Since the first edition appeared in 1997, hosts of readers have drawn insight from his account of the disease, its social effects and its origins in his family's history. As Murray writes in this revise...
A bighearted selection from the inimitable Australian poet's diverse ten-book body of work Les Murray is one of the great poets of the English language, past, present, and future. Learning Human contains the poems he considers his best: 137 poems written since 1965, presented here in roughly chronological order, and including a dozen poems published for the first time in this book. Murray has distinguished between what he calls the "Narrowspeak" of ordinary affairs, of money and social position, of interest and calculation, and the "Wholespeak" of life in its fullness, of real religion, and of poetry. Poetry, he proposes, is the most human of activities, partaking of reason, the dream, and the dance all at once -- "the whole simultaneous gamut of reasoning, envisioning, feeling, and vibrating we go through when we are really taken up with some matter, and out of which we may act on it. We are not just thinking about whatever it may be, but savouring it and experiencing it and wrestling with it in the ghostly sympathy of our muscles. We are alive at full stretch towards it." He explains: "Poetry models the fullness of life, and also gives its objects presence. Like prayer, it pulls all the motions of our life and being into a concentrated true attentiveness to which God might speak." The poems gathered here give us a poet who is altogether alive and at full stretch toward experience. Learning Human, an ideal introduction to Les Murray's poetry, suggests the variety, the intensity, and the generosity of this great poet's work so far.
Translations from the Natural World, Les Murray's new collection of poems, is, like all his work, rich in inventiveness, perception, and a rare delight in the mimetic powers of language. Its centerpiece is Presence, a sequence of forty "translations from the natural world" about a variety of natural settings and their amazing denizens. Lyre birds, honeycombs, sea lions, cuttlefish, and possums all act as spurs to Murray's protean talents for description and imitation. As Lachlan MacKinnon wrote in The Times Literary Supplement, "These poems, a grand tour of the given, are a great hymn to the particularities in which God's creative generosity is expressed, and they will be widely enjoyed and admired. Their technical and linguistic largesse confirms . . . that Les Murray is one of the very finest poets in whom the English language is now at work".
This is Les Murray's first new volume of poems since 2002's Poems the Size of Photographs. In it we find Murray at his near-miraculous best. The collection exhibits both Murray's unfailing grace as a writer and his ability to write in any voice, style and genre- there are story poems, word-plays, history - and myth-makings, aphoristic fragments and domestic portraits. The subjects of these poems range from Asperger's Syndrome to Germaine Greer to Japanese sword blades. As ever, Murray's evocation of the natural world is unparalleled in its inventiveness and virtuosity.
'Bunyah has been my refuge and home place all my life. This book concentrates on the smallest habitats of community, the scattered village and the lone house, where space makes the isolated dwelling into an illusory distant city ruled by its family and their laws.' This updated edition of On Bunyah tells a story of rural Australia in verse and photographs. From blood and fenceposts to broad beans and milk lorries, Les Murray evokes the life and landscape of his part of the country. // 'Murray is one of the very few poets with whose best work you feel that having read it you won't, can't be quite the same again.' London Review of Books
THE #1 NEW YORK TIMES BESTSELLER IS NOW A MAJOR-MOTION PICTURE DIRECTED BY RON HOWARD AND STARRING AMY ADAMS, GLENN CLOSE, AND GABRIEL BASSO "You will not read a more important book about America this year."—The Economist "A riveting book."—The Wall Street Journal "Essential reading."—David Brooks, New York Times Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The disintegration of this group, a process that has been slowly occurring now for more than forty years, has been reported with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck. The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually one of their grandchildren would graduate from Yale Law School, a conventional marker of success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that J.D.'s grandparents, aunt, uncle, sister, and, most of all, his mother struggled profoundly with the demands of their new middle-class life, never fully escaping the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. With piercing honesty, Vance shows how he himself still carries around the demons of his chaotic family history. A deeply moving memoir, with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.
A novel in verse on the adventures of a German-Australian sailor early this century, eg. "The first I heard that the War had really come / was a black-faced officer with a target and a church / on his cap, directing sailors to rip / our decks up, for the coal below. / I turned out of my hammock / to fight them--and our bos'un chucked me a shovel: / We're coaling that battlecruiser. / There! The English are after her!" By an Australian writer.