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This volume explores and calls into question certain commonly held assumptions about writing and technological advancement in the Islamic tradition. In particular, it challenges the idea that mechanical print naturally and inevitably displaces handwritten texts as well as the notion that the so-called transition from manuscript to print is unidirectional. Indeed, rather than distinct technologies that emerge in a progressive series (one naturally following the other), they frequently co-exist in complex and complementary relationships – relationships we are only now starting to recognize and explore. The book brings together essays by internationally recognized scholars from an array of disciplines (including philology, linguistics, religious studies, history, anthropology, and typography) whose work focuses on the written word – channeled through various media – as a social and cultural phenomenon within the Islamic tradition. These essays promote systematic approaches to the study of Islamic writing cultures writ large, in an effort to further our understanding of the social, cultural and intellectual relationships between manuscripts, printed texts and the people who use and create them.
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Detailed guide to the world's forty major languages with full historical, sociological, and linguistic information.
Malay seals originate from those parts of maritime Southeast Asia long connected by political, economic, and cultural networks; the lingua franca of the Malay language; and the faith of Islam. Seals make up an important element in the manuscript and literary culture of the region. Defined as seals from Southeast Asia or used by Southeast Asians, with inscriptions in Arabic script, Malay seals constitute a treasure trove of data that can throw light on myriad aspects of the history of the Malay world, ranging from the nature of kingship, the administrative structure of states, the biographies of major personalities and the form of Islamic thought embraced, as well as on developments in the art and material culture of the region. This important reference work describes and analyses the Malay sealing tradition, carefully cataloguing more than 2,000 seals sourced from collections worldwide, primarily seal impressions stamped in lampblack, ink, or wax on manuscript letters, treaties, and other documents, but including some seal matrices made of silver, brass, or stone. These Malay seals originate from the present-day territories of Malaysia, Brunei, Singapore, and Indonesia as well as the southern parts of Thailand and Cambodia, and the Philippines, and date from the second half of the sixteenth century to the early twentieth century. Complete transcriptions and translations of the Jawi inscriptions are provided, bringing the seals to light as objects of literary and art historical analysis, and key resources for an understanding of the Malay Islamic world of Southeast Asia in the early modern period.
The catalogue of a photographic exhibition of Malay letters and manuscripts produced by the British Library for the National Archives of Malaysia, Kuala Lumpur, 1994.
This is an examination of Islamic library collections in ten countries - Canada, Denmark, France, Germany, Great Britain, Ireland, Italy, the Netherlands, Spain and the United States - and looks at both the collections themselves and how and why they were developed.
Having experienced a large-scale reorganization of social order over the past decade, people of the Malay world have struggled to position themselves. They have been classified - and have classified themselves - with categories as bangsa (nation/ethnic group) and umma (Islamic network). In connection with these key concepts, this study explores a variety of dimensions of these and other 'people-grouping' classifications, which also include Malayu, Jawi, and Paranakan. The book examines how these categories played a significant part in the colonial and post-colonial periods in areas ranging from Malaysia, Indonesia, and the Philippines. It demonstrates the extent to which shifting social conditions interact with the contours of group identity. This is a collaborative work by scholars based in the US, Japan, Malaysia, and Australia. *** "Understanding the genealogy of people-grouping concepts provides valuable insight into the mechanics of power relations and how the agency of cultural identification constructs the continuity and the contentious in the political world". Pacific Affairs, Vol. 85, No. 4, December 2012.